Freelancers using Jitter in ThatchamFreelancers using Jitter in Thatcham
ProjectsPeople

Projects we love

Projects we love

Standout projects making waves around the web
View more

Web design projects using Framer

Framer

The best modern websites built on the leading web design tool, Framer
View more

AI projects

AI

New projects from the best AI creators
View more

Brand design projects

Brand design

Bold visual identities and branding systems created by top independent designers
View more

Video editor projects

Video editing

Creative video edits made using today’s best editing tools
View more

Standout projects

Standout projects

More projects we love that are making waves across the web
Cover image for I turned one of my
I turned one of my notebook doodles into a whole brand identity. And honestly this was way more fun than I expected I usually work on UI/UX and digital products so I wanted to take a step back from screens and explore something completely different: illustration-led branding. I took my original FOODAS sketch and built an entire visual world around it from the logo and mascot illustrations to the color palette packaging, cups, and menus The goal wasn't to make it look perfectly polished and predictable I wanted it to feel playful, a little weird, and still premium. Now I'm curious about one thing: Can playful, imperfect illustrations make a brand feel more premium or do you think premium branding needs to be more minimal? I have a feeling designers will disagree on this one
8
17
341
Cover image for What if a botanical brand
What if a botanical brand functioned as an archive rather than a catalogue? FLORAE is a speculative identity exploring the relationship between nature, observation, and time. Imagined as a living botanical archive, the brand documents the small, often overlooked changes through which growth reveals itself. Each specimen becomes a record. Each observation adds to a growing collection. Together, they form an evolving archive of botanical forms, patterns, and transformations. The visual identity draws from scientific documentation, editorial typography, organic textures, and a restrained botanical palette. Numbered observations, specimen records, and archival language establish a visual system that feels both analytical and alive, balancing the precision of documentation with the unpredictability of nature. Rather than presenting nature as something static to be collected, FLORAE treats it as something to be observed, interpreted, and continuously rediscovered.
5
15
331