Projects using Adobe Premiere Pro in State of Santa CatarinaProjects using Adobe Premiere Pro in State of Santa CatarinaThis case study explores the creation of a 15-second cinematic short-film trailer titled “The Last Contract”, a fictional action-thriller concept with a dark, elegant, and suspense-driven atmosphere.
The project focuses on building tension through premium cinematic visuals, high-contrast lighting, moody neon environments, sharp cuts, controlled pacing, and a refined trailer-style structure. Each scene was designed to gradually reveal the story: a contract file, a silent preparation sequence, a neon-lit corridor, and a fast action montage leading to the final title reveal.
The goal was to practice creating a short cinematic narrative using AI video tools, combining visual storytelling, dramatic atmosphere, suspense, character presence, and movie-trailer pacing in a polished format. I had the opportunity to participate as an animator in a series of branded content videos featuring Ney Ney, an animated IP connected to Neymar Jr.’s universe.
The project is led by Fly Media and NR Sports, and I was part of the production, contributing to the animation of some pieces in the series.
The Ney Ney IP is a much larger project, mainly focused on long-form content and on building its own universe around the character. Within that universe, there is also a series of short-form social media pieces created to connect the character with football moments, Neymar’s audience and partner brands.
The video I’m showcasing here is part of that social media content series: a piece created around the Brazil vs Haiti context, with the integration of a product from Canção, a food company.
The goal was to make the brand appear naturally inside the micro-story, without feeling like a traditional ad. The product needed to live inside the narrative, connected to the humor, the character and the match-day moment.
One of the biggest technical and creative challenges was producing an AI-assisted animation that truly felt like traditional 2D animation. We didn’t want the result to look like an artificial intelligence experiment, but rather a consistent, expressive visual piece with a finish close to classic animation.
For this project, I worked on the animation, focusing on character consistency, scene rhythm and visual polish, balancing technology, storytelling and animation language.
It was a very special project because it brought together a major IP, the cultural weight of Neymar Jr., social media content, product placement and a new way of producing animation with artificial intelligence.
This case study explores the creation of a cinematic automotive visual study featuring the Lamborghini Revuelto. The project focuses on presenting the vehicle through a premium studio aesthetic, using clean lighting, polished reflections, controlled camera movement, and a refined editorial approach designed for high-end visual communication.
The film was developed around two simple exterior takes, highlighting the car’s sculptural lines, aggressive silhouette, aerodynamic details, and luxury performance identity. With no sound or complex narrative, the focus remains entirely on visual impact, camera motion, surface reflections, and the presence of the vehicle.
The goal was to practice creating a minimal yet premium automotive presentation, emphasizing studio-quality visuals, elegant composition, cinematic movement, and a luxury advertising look suitable for digital campaigns, portfolio work, and high-end brand studies. 
