Freelancers using CapCut in Spain

Freelancers using CapCut in SpainFreelancers using CapCut in Spain

Projects People

proSanta Cruz de Tenerife, Spain

AI Video Creator | Automations Engineer | AI SaaS Developer

$50k+: Earned

15x: Hired

5.0: Rating

414: Followers

Top

Expert

AI Video Creator | Automations Engineer | AI SaaS Developer

Cover image for AI-Driven Social Media Content Pipeline

AI-Driven Social Media Content Pipeline

15

455

Cover image for SaaS Development Replit

SaaS Development Replit

12

688

Cover image for Automated n8n Workflow for Data Management

Automated n8n Workflow for Data Management

7

383

Cover image for Lovable Web App Development

Lovable Web App Development

5

245

Daniel G Bright

maxBarcelona, Spain

Brand identity and websites for startups

$1M+: Earned

88x: Hired

4.9: Rating

6.5K: Followers

Top

expert

+20

Brand identity and websites for startups

Designing a Scalable Brand System for a Vinca Jewelry

3

164

Cover image for Status Furniture • Branding & Social Media

Status Furniture • Branding & Social Media

26

1.4K

Cover image for Spektra Visual Identity Development

Spektra Visual Identity Development

6

167

Cover image for ADHD Management App & Portal Design for Coastal Neuro Group

ADHD Management App & Portal Design for Coastal Neuro Group

9

214

Alejandra Tello

maxValencia, Spain

Video Growth Partner | YouTube, Reels & Ads That Work

$50k+: Earned

26x: Hired

4.9: Rating

663: Followers

Top

Video Growth Partner | YouTube, Reels & Ads That Work

Video Strategy & Brand Identity | Brand Engine 🎨

7

203

Cover image for Meme-Driven Video Editing for a Delivery Driver App

Meme-Driven Video Editing for a Delivery Driver App

1

8

167

Cover image for Video Editor for Short-Form Content | Ownwell

Video Editor for Short-Form Content | Ownwell

2

68

2.8K

Cover image for Content Creator for dangerous app

Content Creator for dangerous app

1

14

312

Andrea | Kutuka Studio

Barcelona, Spain

Social Media Strategist & Content Creator

$1k+: Earned

3x: Hired

5.0: Rating

96: Followers

Top

Social Media Strategist & Content Creator

Cover image for Social Media Management - ANSWR

Social Media Management - ANSWR

1

26

Cover image for Musc Intime - UGC Strategist & Video Editor

Musc Intime - UGC Strategist & Video Editor

5

262

Cover image for The Canggu Studio - Digital Marketing

The Canggu Studio - Digital Marketing

3

271

Cover image for Impact Marketing Agency - Social Media Strategist

Impact Marketing Agency - Social Media Strategist

3

122

Lucía Arenzana

Engaging UGC Creator for your brand

Engaging UGC Creator for your brand

Cover image for LUK on Instagram: “Con que vais a maridar @luk.beer estas navid…

LUK on Instagram: “Con que vais a maridar @luk.beer estas navid…

0

11

Cover image for LUK on Instagram: “El primer restaurante en Madrid en ofrecer @…

LUK on Instagram: “El primer restaurante en Madrid en ofrecer @…

0

12

Cover image for LUK on Instagram: “Hoy hemos salido a la calle a regalar nuestr…

LUK on Instagram: “Hoy hemos salido a la calle a regalar nuestr…

0

4

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Albacete, Spain

Creative Producer & Scriptwriter for impactful Reels & Brand

Creative Producer & Scriptwriter for impactful Reels & Brand

Cover image for Emotive Reels for Spanish Language Teacher: 140K+ Views

Emotive Reels for Spanish Language Teacher: 140K+ Views

0

7

Cover image for Reels with an Emotional Hook for a Life Coach: 14K Views in 24H

Reels with an Emotional Hook for a Life Coach: 14K Views in 24H

0

8

Cover image for Viral Reels for a Fitness Expert: 3K+ Comments & 4000 Shares

Viral Reels for a Fitness Expert: 3K+ Comments & 4000 Shares

0

5

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maxValencia, Spain

Creative Studio | Social, Video & Creator Content

$250k+: Earned

38x: Hired

4.8: Rating

1.1K: Followers

Top

Club

Creative Studio | Social, Video & Creator Content

Cover image for Pangea | Podcast Video Editing

Pangea | Podcast Video Editing

1

47

3.6K

Cover image for Remento | Influencer Creator Program Management

Remento | Influencer Creator Program Management

3

47

Cover image for Finally posting this, back in

Finally posting this, back in May we worked on a trial project for Boona 🚿 Boona (https://boona.com/) is a tandem shower brand, which was our first time working on a brand like this but it was soooooooo fun! The brief was open enough that we had to dig, not just the Instagram feed but the website, the product itself, what it actually feels like to share that experience with someone. Everything kept coming back to the same thing: intimacy, closeness, two people in a moment that's usually just one. We didn't end up working together but the founder's feedback made it worth sharing 🤩 I don't usually share my trial work but I'm thinking it's about time to do it, what do you think?

7

12

1.4K

Cover image for Olfactory NYC | B-Roll Video Editing & Color Correction

Olfactory NYC | B-Roll Video Editing & Color Correction

1

9

134

proMadrid, Spain

Ethereal Filmmaker | Photographer | Creative Direction | AI

$5k+: Earned

6x: Hired

5.0: Rating

228: Followers

expert

Ethereal Filmmaker | Photographer | Creative Direction | AI

Cover image for A NORMAL AMOUNT OF SKY
My

A NORMAL AMOUNT OF SKY My entry for the CapCut Seedance 2.5 Video Challenge. I am interested in creating worlds that exist somewhere between magical realism, liminal spaces, dreams, and quiet unease. Places that initially feel soft or nostalgic, but gradually reveal that their architecture, scale, or internal logic cannot be trusted. For this film, I imagined a girl beginning inside an empty school, a place shaped by repetition, observation, rules, and the pressure to become a recognizable version of yourself. She walks into a faded pastel-pink bathroom and discovers a luminous horse behind a full-length mirror. The horse represents the possibility of escape, freedom, desire, and a life that cannot be completely explained. When she crosses the mirror, the camera crosses with her. She runs alongside the horse through a fluorescent landscape where rain, flowers, institutional ceilings, and an artificial sky coexist. An astronaut eventually leads the horse away. I see the astronaut as a figure already accustomed to surviving unfamiliar worlds, while the girl is encountering one for the first time. As the camera pulls backward, the apparently endless landscape is revealed to exist inside a crystal sphere held by another version of the same girl. She releases the sphere, breaking the boundary around the imagined world. The luminous horse survives in miniature among the fragments. For me, the ending is about carrying a small piece of freedom back into reality. The escape may be fragile, altered, or impossible to preserve at its original scale, but it does not disappear. WORKFLOW I developed the film in CapCut Video Studio using Seedance 2.5. I began with visual references centered on luminous horses, cyan rain, retro astronauts, pastel magical-girl imagery, artificial landscapes, wet reflections, 35mm grain, analog halation, and uncanny institutional architecture. I then created a timestamped 30-second prompt defining the character continuity, camera path, environmental transformations, sound design, and narrative progression. I generated multiple iterations and refined the mirror crossing, the girl’s visibility, the relationship between the horse and astronaut, the macro pullback from the sphere, and the final release of the miniature horse. The final camera path moves continuously from the school corridor into the bathroom, through the full-length mirror, alongside the running girl and horse, outward through the crystal sphere, and down to the fragments on the bedroom floor. Created with CapCut Video Studio and Seedance 2.5.

19

103

11.1K

Cover image for Hey Contra fam ✿✿✿✿✿ jumping on #contraquest ✿ I’m Mont Carv...

Hey Contra fam ✿✿✿✿✿ jumping on #contraquest ✿ I’m Mont Carver ♡ a Mexico City–born creative based in Madrid. I work across video editing, filmmaking, photography, and AI-assisted visual art (yes, I love a good hybrid workflow ♡). I’m obsessed with story + mood + rhythm ♡ whether it’s a cinematic short-form edit, an actor character study, a beauty campaign BTS, or Midjourney experiments turned into motion ✧₊˚ This year I’m here to collaborate more, learn faster, and make work that feels real and weirdly beautiful ★ Say hi + tell me what you do! ୨୧ #contraquest #freelancerlife #videoeditor #filmmaker #photographer #visualartist #aivisuals #midjourney #madridcreatives

2

6

2.2K

Cover image for THE INSATIABLE DESIRE FOR DIVINE

THE INSATIABLE DESIRE FOR DIVINE LOVE A short film by Mont Carver Original artwork: https://www.metmuseum.org/art/collection/search/360403 I spent hours moving through The Met’s Open Access collection before encountering Antonius Wierix II’s engraving The insatiable desire for divine love (Divini amoris intensio), created between 1570 and 1604. Among more than half a million works, this was the image that stopped me. The engraving depicts a robed figure holding two hearts connected by fine lines to a crowned heart suspended above him. I was drawn to the way it gives longing a physical structure. It immediately connected with questions that already run through my work: queer love, faith, yearning and the unseen forces that bind people together. The Insatiable Desire for Divine Love reimagines the engraving as a short magical realist film set in present-day Mexico City. A young Mexican woman prays before the image in her bedroom. The engraving awakens and becomes a prophecy. Later, she glimpses a luminous, long-haired figure. The apparition eventually returns in an ordinary human form as the girl living next door, whom she encounters on the rooftop while hanging laundry. The divine revelation is not fulfilled through a distant celestial being, but through another young woman who has been living beside her all along. The film asks whether the love we address through prayer might already exist within the ordinary world, waiting to be recognized. I developed the film through a branching process on the FLORA canvas rather than through a single generation. I began with visual research into Mexican domestic devotional spaces, bedrooms, neighborhoods, rooftops and clotheslines. From there, I developed the two characters and repeatedly refined their appearance, environments, visual continuity and relationship to the original artwork. I explored several interpretations of the apparition, rejecting images that felt overly polished or like generic digital fantasy in favor of something more intimate and slightly uncanny. I also experimented with expanding and animating the original engraving while preserving its recognizable composition. Its engraved clouds begin to drift, the landscape responds to the wind, the hearts pulse and the delicate black lines tremble as though the antique image were awakening inside the paper. Across the film, those connecting lines are translated into the electrical wires and clotheslines of Mexico City. The pastoral landscape becomes a dense urban rooftop, while clouds reappear through white sheets moving in the wind. The final visual language combines the tenderness of a magical-girl story with the texture of 35mm photography, domestic realism, devotional imagery and restrained analog dream effects. The dusty pink bedroom, faded turquoise textiles, warm daylight, black ink and pearlescent light were refined across connected iterations. Sound, music and an ornamental title sequence were developed as part of the same visual world. The project also begins from the idea that some artworks have lives beyond museum walls. Devotional images can travel through reproductions, bedrooms and domestic altars, where they are framed, touched, prayed to and woven into everyday life. I wanted Wierix’s engraving to leave the digital archive and enter a young woman’s bedroom, not as a distant historical object, but as an intimate image she lives with and speaks to. The film therefore traces a circular journey: from devotional print to museum collection, from the archive back into a home, and finally toward the museum again as a contemporary moving image. Rather than simply illustrating the original engraving, the work proposes a new afterlife for it, one in which sacred longing becomes domestic, Mexican and queer. IG post: https://www.instagram.com/reels/Dc-6_KgRaEV/

5

29

2K

Cover image for memory . zip ♡ an

memory . zip ♡ an art exhibition at NAVEL the signs, the exchanges and the eyes, and the cities original title: los signos, los intercambios y los ojos, y las ciudades This was my exhibition at NAVEL in Madrid, presented from May 14 to June 28, 2026. A love letter to the home I was leaving after five years, and to the people, rituals and tiny gestures that made it ours. Built from photography, poetry, printed texts and fragmented images, the installation treated the house as more than architecture: the kitchen became a meeting place, the hallways held our exchanges and each bedroom became its own private universe. I cut, enlarged, blurred and reprinted the images on different materials to recreate the way memory behaves: unstable, marked, fading, repeating and always returning in pieces. Part farewell, part visual diary, part attempt to touch something just before it disappears ౨ৎ I love sharing my personal artistic projects alongside my freelance work because I do not see them as separate worlds. They might live in different folders, but they come from the same hard drive ♡ The same curiosity, visual sensitivity and emotional storytelling move through everything I create. Every photograph I make, film I edit, text I write and installation I build shapes the creator I bring to each collaboration. Photography, writing, image manipulation, creative direction + installation by Mont Carver. Exhibited at NAVEL, Madrid.:

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