Freelancers using CapCut in Lombardy

Freelancers using CapCut in LombardyFreelancers using CapCut in Lombardy

Projects People

proMilan, Italy

Brand identity, web design & dev. Fast, precise, opinionated

$1k+: Earned

8x: Hired

5.0: Rating

671: Followers

expert

Expert

Brand identity, web design & dev. Fast, precise, opinionated

Rogue Meridian Brand Identity Project

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13

GRIMHEAT Brand Identity & Campaign

1

12

Cover image for Avant People OS Branding Project

Avant People OS Branding Project

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12

Caravan Brand Identity and Campaign Design

1

11

Francesca Cavioni

Digital Creative Strategist with passionate about emotions

$5k+: Earned

12: Followers

Digital Creative Strategist with passionate about emotions

Cover image for Have I drunk Red Bull

Have I drunk Red Bull to complete this? Well... No, but it has been a rush against time, overcoming my own limits. With this challenge I have had the opportunity to learn and practice a new way of working, on a software I really love. I think that I have encountered few hitches in the developing, depending maybe also on the released features in my country (Italy). But anyway it has been incredibly satysfing to create this teaser for Red Bull: this time I don't think that the final product may be considered ready to use, but it can be considered a level up visualization of an hypothetical storyboard. I have generated all the content and the animation through CapCut Video Studio, with the help from ChatGPT and Perplexity for the prompts, but CapCut Video Studio seems to work better with natural and real instructions instead of "optimized" prompts generated by other AI softwares. I wasn't able to obtain always a 4k video result, but with the quality enhancer option in Cap Cut I think that it has resulted in someting smoth and satisfying. I don't know why but in the last few projects I have appreciated black screen interruptions in between frames: they seem to me to be modern, eye-catching, minimal but always useful. I hope you like this soft bomb of adrenaline 🙌 #capcutcpp #capcutvideostudio

0

157

Cover image for Create Engaging AI Videos to Combat Doom Scrolling

Is your screen scratched??? I have created a short stop-scrolling ai video optimized for social media about doom scrolling, it's effect, and the importance to close the feed and feel the real world instead. I have added a fake scratch on the screen, able to catch the user's attention and keep him/her on the video. I wanted to create something appealing, motivational and educational at the same time. I really appreciate the software: it's user friendly, results are consistent and creative at the same time; prompting results are mostly correct and the possibilities are infinite. Link to the artboard project https://app.kittl.com/project/cmmns1tth1bzg0i9ub3pvx6b9 I really hope you like it! 😃

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10

396

Cover image for After several (and sometimes frustrating)

After several (and sometimes frustrating) hours of prompting, here is the result: AI goes far beyond any limit… Yet in the end, what truly matters more and more always leads back to small, simple things — no less rich in essence for that. Here is a minimal template, where at times I was able to use some trending AI effects from CapCut, and at other times I had to generate the results with ad hoc prompts and Seedream as the model. I deliberately chose to use only free elements: every day I explore different kinds of systems and always try to make the most of free subscriptions, even discovering how to occasionally work around certain premium features and achieve similar results (which was also possible in this case!). Hope you will like it 🫶 #aicapcut 🔥

4

8

371

Cover image for I have choosen six characters

I have choosen six characters and one brand. This is the story of a nurse, a chef, a pianist, a developer, an architect, a veteran... This is the story of us. Nowadays we are still struggling accepting AI and its potential, but what if it could help us building our dreams? This is the reason why I have choosen OpenAI for this challenge. It helps intelligence to go beyond limits. morphicchallenge (https://contra.com/community/topic/morphicchallenge)

4

5

420

Framer Expert | Web & UX/UI Design | App Design

2x: Hired

5.0: Rating

18: Followers

expert

Framer Expert | Web & UX/UI Design | App Design

Cover image for iStone Arte - Premium Arts Website

iStone Arte - Premium Arts Website

1

3

Cover image for Be aWear - Sustainable Clothing App

Be aWear - Sustainable Clothing App

7

60

Cover image for Givers - Real Estate Agency

Givers - Real Estate Agency

1

11

Cover image for iStone – Corporate Website

iStone – Corporate Website

1

8

Creative Director | Brand Identity & Visual Systems

22: Followers

Creative Director | Brand Identity & Visual Systems

Cover image for Explore CapCut's Dynamic Motion Layer in Retro-Tokyo Film

CapCut presents: Fragments of Memory A retro-Tokyo mood film — extension of the Brand Identity Challenge entry This project is an extension of my original challenge entry: "Reimagine CapCut – Tokyo Streetwear Brand Identity" https://contra.com/community/BBshwH0R-reimagine-cap-cut-tokyo-streetwear-brand-identity?r=chiaraalduini It expands the concept by introducing a motion layer that explores how the brand behaves in movement, bringing the identity system into a more dynamic and applied context. While the original submission focused on the visual identity system — logo, typography, color palette, and static applications — this addition completes the narrative by translating the brand into motion and reinforcing its Tokyo streetwear-inspired aesthetic. Together, both parts form a single cohesive exploration of how a digital tool like CapCut can be reimagined as a cultural and fashion-driven brand system. Born to Cut — but sometimes, born to remember. 🎌 #CapCutDesignStudio #BornToCut #TokyoVibes

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419

Cover image for CapCut reimagined as a Tokyo

CapCut reimagined as a Tokyo streetwear brand, Born to Cut 😉 A complete brand identity inspired by 1980s Japanese advertising: bold yellow, navy blue, and red. Logo, campaign posters, packaging, and merchandise. Built with CapCut Design Studio

30

61

4.7K

Cover image for Atlas of Forgotten Queens
Six queens.

Atlas of Forgotten Queens Six queens. Six worlds. Countless untold stories. History remembers kings. It often forgets queens. The idea | Atlas of Forgotten Queens is an interactive visual-storytelling project that reimagines six historical women rulers — Zenobia, Nefertiti, Dihya, Tamara, Roxelana, and Artemisia I — through a symbolic, narrative-driven lens. Rooted in historical research across different cultures and eras, it focuses on influential women whose stories have been overlooked in traditional history. The approach | Rather than presenting history as a fixed reconstruction, the project translates it into a layered visual language where meaning is suggested through imagery, atmosphere, and symbolism. It is at once an archive and a reinterpretation — each queen sits between documentation and imagination, a shifting image shaped by symbols, suggestion, and a subtle sense of myth. The craft | Each queen is built as a digital collage combining photography, original illustration, and AI-generated imagery, fused into a single portrait that reads as historical identity reinterpreted, never literal reconstruction. Each queen's name is written in her own historical script — Egyptian hieroglyphs for Nefertiti, Tifinagh for Dihya, alongside Arabic, Georgian, and Greek — so that each ruler is named in her own writing, not only in ours. The process and tools | The project was designed, prototyped, and built in Figma Make, used both through its AI-driven generation and its code editor for precise refinement — Figma Make is the spine that turns the concept into a living, interactive site. Around it sits a wider creative pipeline: Photoshop and Illustrator for visual development and the gold-line maps; Midjourney for image generation; Gemini to compose the original score "The Last Prayer of the Sultan"; and Claude to develop and structure the narrative. The result is a genuine multi-tool, AI-and-manual workflow, with Figma Make at its center. The experience | The site unfolds like a museum. A soft, slowly drifting haze with floating, parallax collage elements gives way to a gallery of circular portraits; each queen's page reveals her in colour and invites the visitor to read symbolic hotspots placed directly on the artwork. The Geography of Silence gathers all six rulers onto a single map — where they ruled, and where memory let them fade. The Language of Emblems is the project's lexicon, collecting the recurring symbols — the hawk, the fox, the colour red — and reading them in their universal meaning: a key to the clues marked on each portrait. The journey closes with The Unwritten, where the names of other forgotten queens — Sheba, Amanirenas, Nzinga, Boudica, and more — surface and fade around a final illustration: an unfinished, ever-expanding tribute to the countless women still waiting to be remembered. The experience is fully responsive across desktop and mobile: on smaller screens it is rethought for touch rather than scaled down, with a collapsible menu, a pinch-to-zoom map, and enlarged tap targets. If you've read all the way to here — thank you for your interest! 😊 Figma Site | https://atlasqueens.figma.site/ (https://atlasqueens.figma.site/)Share | https://www.figma.com/make/uXm8S9lkymkTd8URAjmj6C/ATLAS-OF-FORGOTTEN-QUEENS?p=f&t=twAEHRsb3gv3aWaI-0 Community | https://www.figma.com/community/file/1646095544450556274

11

26

2.1K

Cover image for Project Title:
TimeMap — Historical World

Project Title: TimeMap — Historical World Explorer Short description: TimeMap is an interactive historical world map explorer that lets you travel through time and space simultaneously. Select multiple cities and archaeological sites from different parts of the world and see what was happening at the exact same moment in history. What I built: An interactive web app where you can: Search historical cities and archaeological sites Compare up to 4 locations simultaneously across 5,000 years of history Navigate through 7 historical eras via an interactive timeline Filter by world region Listen to era-appropriate ambient music Explore a vintage cartographic map with wave ocean texture How I used Google Stitch: I started from a personal infographic I designed in Adobe Illustrator and Photoshop about the Korean Peninsula. I extracted the visual DNA — warm cream palette, coral accents, serif typography — and brought it into Google Stitch to prototype the interface. Through multiple iterations in Stitch I designed the map layout, the side panel, the leader portrait, the timeline and the editorial aesthetic. Stitch was the bridge between my design vision and the final development in Claude Code. Workflow: Adobe Illustrator + Photoshop → Google Stitch → Claude Code Project link: https://timemap-explorer.netlify.app/ Feedback on Stitch: Stitch is genuinely powerful for rapid UI prototyping. Iterating visually with prompts saved enormous time. The design consistency across iterations was impressive. Areas for improvement: handling complex SVG elements like world maps was challenging, and version history navigation could be more intuitive.

16

13

1.4K

Giulia Andraghetti

20851 Lissone, Italy

Transforming brand presence with content that connects.

Transforming brand presence with content that connects.

Cover image for Social Media Management

Social Media Management

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16

Clubquik | Brand Visualisation & Social Media Management

0

11

Cover image for Division6ix | Marketing Consultant

Division6ix | Marketing Consultant

0

11

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proMilan, Italy

Digital Marketing | E-commerce, Meta Ads & Content

Digital Marketing | E-commerce, Meta Ads & Content

Cover image for Digital Marketing Lead

Digital Marketing Lead

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0

Cover image for Marketing Consultant – Mission Inbox

Marketing Consultant – Mission Inbox

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0

Cover image for Marketing Consultant

Marketing Consultant

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0

Cover image for Retrograde Community Manager

Retrograde Community Manager

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0

Creative Director & Storyteller | Branding & Identity

New to Contra

Creative Director & Storyteller | Branding & Identity

Cover image for CapCut Reimagined – First Concept

CapCut Reimagined – First Concept

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0

Cover image for CapCut Reimagined – First Concept

CapCut Reimagined – First Concept Storyboard E se CapCut fosse una banca? Per questa challenge ho immaginato una mia reinterpretazione del brand CapCut. Ho sviluppato rapidamente il concept utilizzando strumenti di AI generativa per creare le immagini, successivamente animate e messe in movimento. Ho poi montato tutto in CapCut per realizzare questa prima bozza di storyboard video. L’obiettivo non era creare un prodotto finale, ma visualizzare velocemente l’idea e il potenziale narrativo del concept. #capcutdesignstudio

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75

Cover image for Primo studio concettuale
La ricerca prende

Primo studio concettuale La ricerca prende spunto dal significato di Never Before Seen: lo straordinario, l’originalità, la sua unicità. Le proposte esplorano questi concetti attraverso una costruzione tipografica distintiva e la reinterpretazione di elementi legati alla visione e alla scoperta. L’occhio viene trasformato in una forma grafica essenziale, mentre il cubo e il dado introducono il tema dei molteplici punti di vista e delle possibilità inattese. L’obiettivo è sviluppare un’identità capace di esprimere carattere e riconoscibilità attraverso soluzioni semplici ma ricercate, coerenti con l’idea di qualcosa che possa essere percepito come mai visto prima.

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25

Cover image for Step 2 – Concept "Light Beam"

Step 2 – Concept "Light Beam"

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0

Brand Strategist and Social Media Manager

Brand Strategist and Social Media Manager

Cover image for Strategia e gestione social media

Strategia e gestione social media

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35

Cover image for Organizzazione editoriale e scrittura SEO

Organizzazione editoriale e scrittura SEO

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8

Cover image for Chanel e l’arte della gioielleria: analisi di stile e materiali

Chanel e l’arte della gioielleria: analisi di stile e materiali

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33

Cover image for Social Media Manager for HSHT (ENG)

Social Media Manager for HSHT (ENG)

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5