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Projects we love
Projects we love
Standout projects making waves around the web
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4
Alan Barba
pro
Livera - Branding, Packaging, & Website Design
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4
25
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1
Daniella Gershon
pro
Fohr Instagram Rebrand and Content System
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27
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1
Darya Batyr ✦
max
Tahcar: Building an Enterprise Brand for Modern Logistics
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12
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17
Nadia Ariefdien
Step-by-Step Running Club – Branding & Merch Design
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137
Web design projects using Framer
Framer
The best modern websites built on the leading web design tool, Framer
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0
Bartek Krzesak
pro
BoomPop Visual Identity and Digital Presence
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30
Framer is the leading tool for building websites, fast
Hire experts
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3
Goran Babarogic
max
Central — Brand Identity & Website
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3
30
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29
Sana M.
pro
NEUTRON - BRANDING & WEBSITE
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543
AI projects
AI
New projects from the best AI creators
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3
Razvan Badea
pro
Alkera - Logo Design & Brand Identity
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10
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3
Fernando Felix
Kacet | Building a Foundation for Global Expansion
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3
70
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3
Denys Dod
pro
Nodus — Brand System and Framer Dev for a Global Edge Network
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3
31
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1
Omar Nika
max
Liquid Glass x Anything
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60
Brand design projects
Brand design
Bold visual identities and branding systems created by top independent designers
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3
Flávia Jackeline
Visual Identity Design for Bruno XVisual Identity for DJ Bruno X
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17
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Gabriela Polanco-Ferreyra
pro
Lydiob7 — Branding & Website for an Online Coding School
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13
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5
Lucas Fields
pro
Nodus Logo & Visual Identity
5
53
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2
Jeihun Alizadeh
pro
Youfiliate — Brand & Product Design
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13
Video editor projects
Video editing
Creative video edits made using today’s best editing tools
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2
Mario Busto Studios™
max
Reflex Robotics Hero Video - YouTube
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30
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0
Robin Holesinsky
pro
bsyde: Migraine Tracking App in Motion
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5
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2
Alejandra Tello
max
Content Strategy and Content Creation for Marlo Health
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19
Message
1
Sam B.
pro
Talking-Head Direct-Response Ads for Growth Edge
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4
Standout projects
Standout projects
More projects we love that are making waves across the web
Message
3
Matheus Brandão
pro
One detail I like in STUDIO HRSE: hover a team member's card and it tells you why they're worth knowing. It's a small interaction, but it's doing real work, it turns a static bio into something people actually stop and read. If you're building a team or about page on Framer, this is worth a look. It's free. Check it out: https://framer.link/kVzioCc
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Martina Solés
pro
Just worked on an independent brand and creative strategy audit for Freshly Cosmetics, a Spanish clean beauty brand navigating a defining moment after a decade of growth, expansion, and correction. I mapped their full brand landscape, online and retail presence, visual identity, audience, and five direct competitors, to surface a core tension: what once set Freshly apart, science-backed formulas, is now table stakes across the category, while competitors are winning on brand presence and emotional storytelling. From that insight, I developed three strategic moves: turning Freshly's physical stores into living brand spaces with an in-store mini garden, rebranding the packaging to build stronger shelf presence and emotional attachment (especially in baby and kids), and shifting scientific credibility into deeper brand equity through retail experience, rather than pursuing another international expansion. Full presentation: https://canva.link/sgwmw9cklrpfvdr
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11
Germán Latasa
A visual identity designed to be as bold and unapologetic as Bruta’s approach to gastronomy.
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1
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374
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Florencia Ezcurra
pro
Lanwell Behavioral Health Brand and Website Development
0
9
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28
Jakaria Mahmud
Built a coffee brand around the feeling of being local. ☕️ LOCAL is a modern café identity designed to feel warm, calm, premium, and familiar - without falling into the usual coffee-brand clichés. From the wordmark and earthy color palette to typography, packaging, uniforms, and real-world applications, every detail was created to make the brand feel like a natural part of everyday life. Brand Identity • Art Direction • Packaging • Visual System What do you think - would you stop by LOCAL for a coffee? 👀 #BrandIdentity #Branding #CoffeeBrand #CafeBranding #PackagingDesign #VisualIdentity #GraphicDesign #BrandDesigner #CreativeDirection #ContraDesigner
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Julia Arenzano
I’m not a particularly mystical person, but sometimes that world crosses my path. Not long ago, I had the opportunity to take a Design class where we were challenged to create our own version of a Major Arcana Tarot card, choosing both the card and a design style to represent it. The Sun has always held a significant place in my life—not just as a concept, but as a tangible physical presence—so the choice was easy. From there, I had no doubt about choosing Art Deco as the primary style, as it evokes the same feeling in me that the Sun does: absolute passion. My final design was built from an illustration created in Illustrator and refined in AI: a stained-glass window that captures the light passing through it and radiates it back out into the world.
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Mara Mironova
pro
Art made by children of the past. Rebuilt for children today. The goal is not to replace the original work, but to create a bridge between children separated by centuries. Laura Hyde, age 13 — Sampler, 1800 https://www.metmuseum.org/art/collection/search/14059 Rebekah White, age 13 — Sampler, 1766 https://www.metmuseum.org/art/collection/search/14087 John Singleton Copley, about age 15 — The Return of Neptune, ca. 1754 https://www.metmuseum.org/art/collection/search/10534
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Chiara Alduini
The Data Merchant What if the most valuable commodity of our time replaced the most valuable commodity of theirs? Inspired by Ralph Earl’s portrait of Elijah Boardman, an 18th-century American textile merchant, I reimagined him as a contemporary Data Merchant. The fabrics surrounding Boardman become server racks. His textile shop becomes a data center. The merchant remains — only the commodity has changed. Built and explored in FLORA. Original artwork: The Metropolitan Museum of Art — Elijah Boardman (https://www.metmuseum.org/it/art/collection/search/10830?utm_source=chatgpt.com) #FLORAMuseum
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Nigar Naghdaliyeva
pro
✨ For this challenge, I reimagined an Arts and Crafts cabinet from The Metropolitan Museum of Art’s Open Access collection by bringing the painted figures on its surface to life. 🎨 What interested me most was the relationship between the painting and the cabinet as a physical object. Instead of simply animating the figures, I wanted their actions to affect the cabinet itself, allowing the painted world and the functional object to briefly interact before returning to its original state. 🌿 I explored and developed the concept in FLORA, creating multiple variations, testing timing, extending scenes, and building the final sequence through an iterative visual process. 🎙️ The project walkthrough voiceover was created with ElevenLabs, and the original music was generated with Suno. 🔗 Links FLORA Project: https://app.flora.ai/join-project/02235c07-752f-4cf1-8c66-92b5a9c4e65f The Met Artwork: https://www.metmuseum.org/art/collection/search/195456 X / Twitter: https://x.com/Naghdaliyevaart/status/2095484532959170971?s=20 #FLORAMuseum
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Nacho Valenz
pro
Title: FOLLOWER OF FOLLOWER OF wakes a painting nobody signed. "Christ's Descent into Hell" (The Met, 26.244) is by an anonymous follower of Hieronymus Bosch, sold as a Bosch in Prague in 1926 and still unattributed. I chose it because I love Bosch, and because a painting by a follower asks the question the whole panel is about: who follows whom. For a hundred seconds the painting comes to life without ever leaving the surface of the paint. A lantern wakes it. Light breaks the gate of hell. Adam and Eve beg with empty hands, the saved climb the stairs, Saint Christopher slips away from the devil's army with the child on his shoulders, Judas will not let go of the bag, Sisyphus keeps climbing, and the ones who stay behind keep living by the giant head. The ending comes from the Met's own technical notes: the blue corner of the sky was painted over fire. The painter changed his mind. Every shot starts from a crop of the Met's open access image: no new figures, no new colors, only what the painter left. Each crop was upscaled with Magnific Precision Upscaler, animated with Kling 3.0 Pro, with prompts refined by Claude Opus 5 inside FLORA. The narration is Gemini TTS, the score is ElevenLabs Music: a sixteenth century Franco-Flemish consort reimagined for a painting of hell. The whole pipeline ran from Claude Code on the desktop through FLORA's MCP: the agent built the graph, ran the models and kept the production ledger, and every creative decision stayed with me. Structure, shot list and sound design follow a kishotenketsu: the turn is not a fight, it is a painter changing his mind. Christ's Descent into Hell, Follower of Hieronymus Bosch (Netherlandish, second quarter of the 16th century). Oil on two oak planks, 53.3 x 116.8 cm. The Met, Harris Brisbane Dick Fund, 1926 (26.244), on view in Gallery 613. A panoramic hell where Christ breaks the gate to free the just: Adam and Eve, Noah, Abraham, David and the patriarchs climb a ruined tower, Sisyphus heaves his stone up the rock on the right, and Judas is dragged back. Paint analysis shows the orange of the burning sky continuing under the blue in the upper left corner: more of the sky was originally on fire. Public Domain, Open Access. Original artwork (The Met, Open Access): https://www.metmuseum.org/art/collection/search/435725
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Lewis Steadman
New concept — howfit A new identity concept for howfit — a modern fitness brand built around movement, discipline and feeling good. The idea was to strip fitness branding back. No aggressive typography. No clichés. No shouting. Instead, a softer visual identity built around contrast, motion and restraint — giving the brand a more editorial, premium feel. From the custom wordmark to the abstract visual language, every element is designed to feel considered rather than conventional. howfit. est. 2026. A concept I’d love to see brought to life. 🖤
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Roman Kovachuk
pro
Created another product video for OpusClip - this time focused on their AI Agent. The goal was to show how AI can automate the entire content creation workflow, from understanding a simple prompt to creating and editing ready-to-publish short-form videos.: We combined product UI, custom motion design, AI workflows, and sound design into a fast-paced 30-second video that makes a complex feature feel simple and intuitive. Need something special for your next launch? Send me a DM.
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Aryna Livadari
pro
Website hero exploration for a startup called Balance, built in Framer
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254
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Amir Ostowar
What if a website could feel like an art installation? 🖤 I wanted to experiment with something beyond traditional landing pages. So I built a scroll-driven 3D experience where a single sculpture becomes the entire story. With every scroll: → The camera moves around the sculpture → The lighting changes → New sections reveal themselves → Interactive UI elements appear → The perspective continuously evolves No static hero. No traditional section-to-section transitions. Just 3D, motion, light, and storytelling working together. Built with WebGL + Three.js + AI-assisted development. The goal was simple: https://sincere-ethereal-sculpt-space.base44.app/ Don't just make people scroll. Give them a reason to keep exploring. Would you use this approach for a real brand website? #WebDesign #ThreeJS #WebGL #3DWeb #CreativeDevelopment #Awwwards #FrontendDevelopment #UIDesign #InteractionDesign #AI #Base44
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SIX DESIGN
A whole-animal nutrition brand built around ancestral ingredients, clean formulations and modern wellbeing. The direction balances heritage and premium wellness: earthy tones, a strong organic symbol and packaging designed to work across supplements, gummies and future skincare. ✦ Available for select brand and website projects this September.
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BL/S ®
A brand identity built around restraint — because when the work speaks for itself, the brand shouldn't get in the way. The design direction leans into neutral colors and clean typography, stripping away anything that could distract from the firm's core offering: exceptional high-end real estate. Every element was chosen to communicate sophistication and clarity — approachable enough to feel human, refined enough to earn trust at the level this firm operates. A visual identity as considered as the buildings behind it.
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