Freelancers using Adobe Photoshop in Bogota

Freelancers using Adobe Photoshop in BogotaFreelancers using Adobe Photoshop in Bogota

Projects People

Frontend Developer | Framer & Webflow Expert

$25k+: Earned

10x: Hired

5.0: Rating

23: Followers

expert

Frontend Developer | Framer & Webflow Expert

Cover image for FORDIVINE • Framer Redesign & Framer Build

FORDIVINE • Framer Redesign & Framer Build

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11

Cover image for SolarYou — Solar System Platform for Spain

SolarYou — Solar System Platform for Spain

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11

Cover image for Heritage Club • Framer Redesign & Framer Build

Heritage Club • Framer Redesign & Framer Build

0

15

Cover image for Smartwyre • Website Migration & Scalable Design System

$9.1K+ earned

Smartwyre • Website Migration & Scalable Design System

0

76

Adobe Photoshop(1)

proBogota, Colombia

Creating what matters, for brands with vision.

$1k+: Earned

1x: Hired

5.0: Rating

93: Followers

Creating what matters, for brands with vision.

Senses — Brand Identity Redesign

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20

Cover image for A first glimpse of Senses,

A first glimpse of Senses, a skincare rebrand I’ve been working on. Here's a few highlights from the identity, packaging and art direction. There’s still more to reveal. Full project coming soon.

6

33

1.5K

Cover image for An early taste of Senses, a skincare identity built around t...

An early taste of Senses, a skincare identity built around the shift from overstimulation to comfort. The system pairs a fluid wordmark with clinical typography and an olive-glass form designed to feel precise, tactile, and quietly luxurious. For this Hydration Serum study, I placed the same object between two sensory extremes: humid moss and sun-warmed sand. One speaks to replenishment; the other, to the need for it. Which world draws you in?

32

88

3.4K

Cover image for I was working on the stationery for Sten & Kant, an architec...

I was working on the stationery for Sten & Kant, an architectural identity project, and couldn’t decide between these two mockups. The designs are identical, but the camera angles create a completely different feel! Which one do you prefer? Feedback is always appreciated.

35

89

4.7K

Adobe Photoshop(5)

Marlon Velásquez

Motion designer

$25k+: Earned

6x: Hired

5.0: Rating

16: Followers

Motion designer

Cover image for Zilverk - Stream Assets

Zilverk - Stream Assets

4

16

Cover image for Dupla - Animated assets

Dupla - Animated assets

2

19

Cover image for Portfolio

3

37

Placeholder project card media

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Adobe Photoshop(3)

Daniel Castellanos

proBogota, Colombia

Brand Identity & Video & Motion

5.0: Rating

23: Followers

Brand Identity & Video & Motion

Cover image for There are design decisions that

There are design decisions that don't come from the client. They come from within—and sometimes, that is exactly the problem. The previous logo for Boroló Estudio had soul. It had pre-Columbian roots, a hand-drawn stroke, and an indigenous character. It evoked drums, authenticity, and the Chocó—one of the most biodiverse and culturally rich regions in Colombia, a land of jungle, rivers, and a visual identity unlike any other. I loved it. And precisely because of that, I failed to evaluate the challenges the logo would face on real-world platforms: on a website, as an Instagram avatar, or in digital spaces. The redesign wasn't about letting go of the logo. It was about letting go of the attachment. The problem wasn't aesthetic—it was one of coherence. The studio’s brand had evolved, but the logo hadn't. A composition with too many elements in tension made the icon struggle to be memorable; what people saw didn't connect with who Boroló truly is. The new system retains the bird—now geometric, set in negative space within the icon. The inner container references the studio’s actual architectural blueprint: the diagonal of the cyclorama ceiling and the two zones of the space. The brackets refer to photographic framing. No layer imposes itself over the other—they are discovered. The result is a versatile system: imagotype, vertical logo, and wordmark. It works on a sticker, a billboard, an avatar, or a website. It scales without losing its identity. Redesigning doesn't mean the initial design was bad. It means communication needed to evolve. And from that point of view, the change isn't a correction—it’s a decision.

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220

Not every brand needs to shout. CPLUS Ingeniería sells reliability to the industrial sector. Their clients make high-impact technical decisions — they don't buy on impulse. The communication I developed for them reflects that reality: social media graphics presenting products, services, and application notes without detours, without unnecessary visual noise, without artificial urgency. Just clear information, well structured, and with the tone the brand demands. Some brands need to move slow. Communicating with calm isn't a limitation — it's a strategic decision.

1

3

209

Cover image for Design for Inclusion: Crafting Educational

Design for Inclusion: Crafting Educational Tools for Neurodiversity I’m proud to share my work on a key initiative for the Gobernación de Cundinamarca in partnership with LICA (Liga Colombiana de Autismo). I led the editorial design and layout of the central pedagogical guidebook, a vital resource created to support inclusive education for students with neurodevelopmental disorders (ASD) across the region. My role focused on transforming complex technical content into a highly functional, visually accessible editorial piece. By bridging the gap between specialized information and practical classroom application, I ensured that teachers and families had a clear, intuitive roadmap for implementing inclusive strategies. While this was part of a larger toolkit, the guidebook served as the visual and structural anchor for the printed materials. This project reinforced my belief that design is a powerful tool for social change, especially when it comes to making education more accessible for every mind.

1

3

472

Cover image for THE FULL PIECE IS HERE.
German

THE FULL PIECE IS HERE. German doesn't talk about climbing the way most people do. For him, it's not a sport you practice — it's a language you learn to speak with your body. That's what we wanted to capture. The first half is deliberate: static wide shots that hold the space, detail cuts that show the work behind the warmup. Intentional restraint before the release. Then the fade to black. What follows is the same athlete — same walls, same hands — but a completely different energy. The low-end of the beat dictates the cut. Movement becomes rhythm. He ends where he started. Sitting on the wall. The logo closes it. Shot and edited at his gym, built around his vision of the sport. Hope you like it !

3

263

Adobe Photoshop(3)

Mariana Ordoñez

Bogota, Colombia

Ecommerce Designer · Digital shelf, Shopify, AI-accelerated

5.0: Rating

3: Followers

Ecommerce Designer · Digital shelf, Shopify, AI-accelerated

Cover image for Food and ingredient illustration

Food and ingredient illustration

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2

Cover image for Shopify PDPs and lifecycle design for Planet of the Vapes

Shopify PDPs and lifecycle design for Planet of the Vapes

0

1

Cover image for Ferrero digital shelf on Amazon, Walmart and Kroger

Ferrero digital shelf on Amazon, Walmart and Kroger

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3

Cover image for Shopify store design and CRO for Casabianca Cycling

Shopify store design and CRO for Casabianca Cycling

0

2

Adobe Photoshop(4)

Samuel Eastmond

Bogota, Colombia

Architect | Interior Designer | 3D Rendering |

5.0: Rating

13: Followers

Architect | Interior Designer | 3D Rendering |

Cover image for MALL KIOSK DESIGN + 3D RENDERS

MALL KIOSK DESIGN + 3D RENDERS

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9

Cover image for GUK RETAIL STORE DESIGN + 3D RENDERS

GUK RETAIL STORE DESIGN + 3D RENDERS

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13

Cover image for MAIA APARTMENT - INTERIOR DESIGN + 3D RENDERS

MAIA APARTMENT - INTERIOR DESIGN + 3D RENDERS

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15

Cover image for MAIA BUILDING - 3D EXTERIOR / INTERIOR RENDERINGS

MAIA BUILDING - 3D EXTERIOR / INTERIOR RENDERINGS

3

23

Adobe Photoshop(3)

Bogota, Colombia

Freelance Logo, Brand and Motion Designer

Freelance Logo, Brand and Motion Designer

Cover image for Oreo® Christmas Key Visual

Oreo® Christmas Key Visual

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6

Cover image for Advertainment Visual Identity Design

Advertainment Visual Identity Design

1

3

Cover image for The Air Rocket | Cover Book Illustration

The Air Rocket | Cover Book Illustration

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5

Cover image for Visual identity | Edu.Tec™

Visual identity | Edu.Tec™

0

7

Adobe Photoshop(4)

Bogota, Colombia

Ad Creatives, Websites, Branding | Multidisciplinary Design

26: Followers

Ad Creatives, Websites, Branding | Multidisciplinary Design

Cover image for Domaine des Etangs – Hospitality

Domaine des Etangs – Hospitality Ad Concept Most luxury hotel ads sell you the same thing: infinity pools, drone shots, and polished staff smiling at reception. I wanted to take the complete opposite route. Built this concept for Domaine des Etangs as a portfolio piece to explore what ultra-luxury travel ads look like when you strip out the corporate five-star noise. Instead of selling amenities, the creatives sell silence and mental space — stone walls, mossy estate grounds, gallery interiors, and that unhurried French "Art de Vivre." The motion piece leans into quiet cinematic pacing, paired with an unexpected casual iMessage overlay hinting at an impulsive romantic escape. Editorial serifs, warm daylight, and generous negative space let the chateau breathe without screaming for attention. Turns out, true quiet luxury doesn’t need a hard sell – the stillness does the heavy lifting.

2

106

Cover image for St. Agni — Performance Ad

St. Agni — Performance Ad Concept A speculative ad creative suite I built for St. Agni as a portfolio piece, exploring how the brand's "intellectual chic" philosophy translates into paid social without collapsing into the loud, trend-driven visual language of fast fashion. The bundle leans on architectural minimalism: warm neutral textures — raw linen, polished concrete — generous negative space, restrained typography. The garment carries the frame; nothing competes with it. The motion asset uses hyper-realistic AI fashion avatars to present the capsule in natural movement — a workflow that lets the concept explore silhouette and fabric behaviour without a physical shoot. Static assets focus on tailored lines and fluid drape in still frames. Two vertical static ads and one motion asset, sized for Stories and vertical feed.

2

5

416

Cover image for Mondo Mondo — Visual Narrative

Mondo Mondo — Visual Narrative Concept A self-initiated portfolio project for Mondo Mondo, exploring how I'd approach mobile acquisition for an avant-garde jewellery and fragrance brand. The challenge is specific: tactile, artisanal products rely heavily on physical detail and atmosphere, so the mobile ads have to translate sculptural depth and raw texture without cluttering conversion-driven formats. The bundle centres on sculptural product framing — each piece staged as a singular hero within clean, stone-and-crystal environments, treating the objects as art pieces rather than standard e-commerce catalogue items. No generic lifestyle filler. The creatives balance brand mood with clear performance structure: emotive editorial headlines, strict mobile safe-zone spacing, and direct CTAs positioned for frictionless tapping. Subtle gradients and mineral textures stop attention instantly, guiding the viewer straight from visual hook to collection link. A cohesive set of static and motion-ready Stories layouts, sized for Instagram mobile feeds.

1

1

118

Cover image for IF Studio — High-Ticket Ad

IF Studio — High-Ticket Ad Concept A self-initiated portfolio project for IF Studio, exploring how I'd approach client acquisition for a luxury real estate branding agency. The challenge is specific: high-ticket real estate marketing often defaults to dry property metrics, so the ads have to translate grand architectural prestige into an aspirational lifestyle narrative without losing agency authority. The bundle centres on quiet luxury framing — Manhattan and Miami architectural case studies staged through generous negative space, editorial magazine typography, and precise grids that hero structural details rather than generic skyline stock. The motion assets rely on dynamic pacing and structured visual hooks to debunk prevalent real estate myths, connecting hard business proof with emotional storytelling. Copy hierarchy remains clean and restrained, calibrated around clear headline-CTA pairings that drive investor engagement across professional feeds. One static ad layout and two dynamic video assets, sized for LinkedIn and Meta feeds.

1

129

Adobe Photoshop(13)