Ethereal Filmmaker | Photographer | Creative Direction | AI
Ethereal Filmmaker | Photographer | Creative Direction | AI
memory . zip ♡ an art exhibition at NAVEL
the signs, the exchanges and the eyes, and the cities
original title: los signos, los intercambios y los ojos, y las ciudades
This was my exhibition at NAVEL in Madrid, presented from May 14 to June 28, 2026.
A love letter to the home I was leaving after five years, and to the people, rituals and tiny gestures that made it ours.
Built from photography, poetry, printed texts and fragmented images, the installation treated the house as more than architecture: the kitchen became a meeting place, the hallways held our exchanges and each bedroom became its own private universe.
I cut, enlarged, blurred and reprinted the images on different materials to recreate the way memory behaves: unstable, marked, fading, repeating and always returning in pieces.
Part farewell, part visual diary, part attempt to touch something just before it disappears ౨ৎ
I love sharing my personal artistic projects alongside my freelance work because I do not see them as separate worlds. They might live in different folders, but they come from the same hard drive ♡
The same curiosity, visual sensitivity and emotional storytelling move through everything I create. Every photograph I make, film I edit, text I write and installation I build shapes the creator I bring to each collaboration.
Photography, writing, image manipulation, creative direction + installation by Mont Carver.
Exhibited at NAVEL, Madrid.:
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theatre rehearsals, but cinematic ౨ৎ ⋆｡˚
For La carta fue un error, I stepped behind the scenes to film the cast during rehearsals and transform the process into a series of Instagram Reels.
I captured the glances, gestures, movement and tiny in-between moments that bring a play to life, then shaped them into intimate, dynamic edits designed for social media ✶
shot + edited by me
written & directed by Camila Elejalde
performed at NAVE 73, Madrid
✧ filming
✧ creative editing
✧ vertical content
✧ Instagram Reels
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FUENSANTA.zip // actress portraits ✦
A black-and-white portrait series with actress Fuensanta ♡ From quiet intimacy to main-character energy, we created a collection of images that shows her range while keeping everything soft, timeless and a little early-2000s editorial.
Photographed + edited by me ✧₊˚
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✦ ✦ ✦ ✦ ✦ ✦a new series I'm thinking of makin: visual menu ✦ ✦ ✦ ✦ ✦ ✦
La Terraza de Alba, Madrid ✦ ✦ I love all kinds of photography, but food photography is my soft spot. Mostly because I’m obsessed with food, textures, light, and making every plate look like it deserves its own main character moment.
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Photographer/videographer/video editor/ mixed media artist.
- $1k+
- Earned
- 3x
- Hired
- 5.0
- Rating
- 10
- Followers
Photographer/videographer/video editor/ mixed media artist.
Río Tinto, Huelva
Personal project
Río Tinto in southern Spain looks like another planet: highly acidic waters, iron-rich soil, and thousands of years of mining that have reshaped the land. NASA even studies it as a Mars analog.
This wasn't a commission. I simply went to look, and this series is what I found by getting closer: cracks that read like maps, crusts that echo aerial views, a scale that dissolves. What looks like rusted rock from afar can, up close, become a river, a delta, an entire territory.
I'm sharing it because it shows how I see: patiently, with attention to texture and color, looking for the abstract inside the real.
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FRG-MN-TS: Detail Photography of a Live Cinema Performance
Photographic series documenting the analog instruments and objects behind FRG-MN-TS, a live cinema piece by Kansas Anymore that blends analog instruments, performance and live music into a space of attention and contemplation.
My role: photography at Casa de Socorro, Málaga, in collaboration with LCAmálaga and Promálaga. I focused on the tools and materials of the piece, plus one frame of the projection with the performer. I also filmed the full performance; video coming soon.
Creative team:
Pedro Lopey: video animation
Martina Álvarez: performance
Nuria Luq: musical composition
Javier Lopez: visual concept
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Editorial photography for BlooMoaz, an embroidery atelier.
Styled with models to bring the pieces to life — warm tones, natural light, intentional framing.
Photography & creative direction — Antea Haauk
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Portraying Caro R.D. through contrast — frozen moments and deliberate blur, stillness and motion. Nothing accidental, everything in service of capturing who she is.
These images are part of a larger project — a video collage combining photography, stop motion and video. You can find it on my profile.
Photography & creative direction — Antea Haauk
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Creative Director: Versatile Designer, DoP & Editor ✨
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Creative Director: Versatile Designer, DoP & Editor ✨
Dedicated and imaginative freelance writer and blogger.
- 5.0
- Rating
- 5
- Followers
Dedicated and imaginative freelance writer and blogger.
Content Creator
Lead 3D Artist / CGI Art Director
Im a Senior Product Designer with over 8 years of experience
New to Contra
Im a Senior Product Designer with over 8 years of experience
Normalized Violence is a printed logbook, developed as an academic project, that uses Federico García Lorca's Blood Wedding as a narrative structure to talk about something rarely named: the violence we exert on others without recognizing it as such, and the violence we receive without questioning it. Lorca's work — honor, lineage, arranged marriage, the weight of "what will people say," jealousy read as love — works as a mirror for dynamics that still operate today, normalized under custom, tradition, or silence. The logbook's goal isn't to analyze the play from a literary standpoint, but to use it as a tool so the reader recognizes themselves in two roles at once: someone who, at some point, has enacted a normalized violence toward another, and someone who has received it without identifying it as such.
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Elevating visuals & processes through UX thinking
Elevating visuals & processes through UX thinking
