Freelancers using Adobe Illustrator in ColombiaFreelancers using Adobe Illustrator in Colombia
ProjectsPeople
Jairo Ruiz's avatar
Jairo Ruiz
proMedellín, Colombia
Engaging animations that solve real user problems
$5k+
Earned
6x
Hired
4.8
Rating
38
Followers
RIVE_EXPERT

expert

Engaging animations that solve real user problems
Cover image for Modular Rive Character System for Music-Driven Interactions
Modular Rive Character System for Music-Driven Interactions
0
24
Cover image for For this @Rive x @Contra HQ Challenge, I wanted to explore a...
For this @Rive x @Contra HQ Challenge, I wanted to explore an idea that was technically demanding from a data-binding perspective, but still centered around a small story. My goal was for the technical side to become a vehicle—something that supports and amplifies the experience, rather than overshadowing it. I started with something simple: a candle crossing a dark forest, trying not to be consumed by the shadow. The entire piece—animation, interaction, and logic—was built inside Rive, and the narrative emerges from how each variable reacts in real time. I hope you enjoy this little experiment as much as I enjoyed creating it.
6
35
971
Cover image for Cozy Landing Page Hero Animation
Cozy Landing Page Hero Animation
1
24
Cover image for Sanctuary of Goals: Narrative Microinteraction
Sanctuary of Goals: Narrative Microinteraction
2
48
Adobe Illustrator(4)
José Tovar's avatar
José Tovar
proBogota, Colombia
Creating what matters, for brands with vision.
$1k+
Earned
1x
Hired
5.0
Rating
93
Followers
Creating what matters, for brands with vision.
Cover image for Sten & Kant — Logo Design
Sten & Kant — Logo Design
1
22
Cover image for Wisp — Brand Identity Design
Wisp — Brand Identity Design
3
21
Cover image for Autip — Brand Identity Design
Autip — Brand Identity Design
3
16
Cover image for “A splash of life in
“A splash of life in a summer landscape.” For the #FLORAMuseumChallenge, I brought together two Vincent van Gogh paintings from The Met’s public domain collection: Self-Portrait with a Straw Hat and Wheat Field with Cypresses. https://www.metmuseum.org/art/collection/search/436535 https://www.metmuseum.org/art/collection/search/436532 I have always wondered what it would feel like for Van Gogh to step inside one of his own paintings. Not simply to visit it, but to finally live within the beauty and peace he created for everyone else. His self-portrait shows a young artist determined to improve, even when he could not afford a model. Just two years later, he painted Wheat Field with Cypresses, which he considered one of his best summer landscapes. He described its cypresses as “a splash of black in a sunny landscape.” That line became the emotional center of my piece. It felt like more than a description of the painting. It felt like a reflection of his life, carrying so much darkness while still creating something full of color, movement, and light. Using Flora AI, I imagined him entering that landscape and slowly becoming part of it. A version of paradise where he is no longer restless or fighting to be understood. A place where he can finally see that his work survived, that it mattered, and that the world eventually saw what he was trying to show us. He never received that peace or recognition during his lifetime. This is my small way of giving it to him. 🌾
18
69
3.8K
Adobe Illustrator(3)
Daniel Castellanos's avatar
Daniel Castellanos
proBogota, Colombia
Brand Identity & Video & Motion
5.0
Rating
23
Followers
Brand Identity & Video & Motion
Cover image for BIRRIA. There's a version of food
BIRRIA. There's a version of food content that treats the dish as the star and rushes to get there. This isn't that. Birria is a slow process — layers of dried chiles, bones, hours of heat. The edit follows that logic. The music is slow, almost pre-Columbian, but the cuts don't drag. They move with the rhythm, not against it. Close on the clay pot. The char on the chiles. Hands working. The result feels warm. Domestic. Like something your grandmother would recognize even if she'd never seen a camera. Detail-first food cinematography, edited to feel like the dish tastes.
3
220
Cover image for THE FULL PIECE IS HERE. German
THE FULL PIECE IS HERE. German doesn't talk about climbing the way most people do. For him, it's not a sport you practice — it's a language you learn to speak with your body. That's what we wanted to capture. The first half is deliberate: static wide shots that hold the space, detail cuts that show the work behind the warmup. Intentional restraint before the release. Then the fade to black. What follows is the same athlete — same walls, same hands — but a completely different energy. The low-end of the beat dictates the cut. Movement becomes rhythm. He ends where he started. Sitting on the wall. The logo closes it. Shot and edited at his gym, built around his vision of the sport. Hope you like it !
3
263
Cover image for There are design decisions that
There are design decisions that don't come from the client. They come from within—and sometimes, that is exactly the problem. The previous logo for Boroló Estudio had soul. It had pre-Columbian roots, a hand-drawn stroke, and an indigenous character. It evoked drums, authenticity, and the Chocó—one of the most biodiverse and culturally rich regions in Colombia, a land of jungle, rivers, and a visual identity unlike any other. I loved it. And precisely because of that, I failed to evaluate the challenges the logo would face on real-world platforms: on a website, as an Instagram avatar, or in digital spaces. The redesign wasn't about letting go of the logo. It was about letting go of the attachment. The problem wasn't aesthetic—it was one of coherence. The studio’s brand had evolved, but the logo hadn't. A composition with too many elements in tension made the icon struggle to be memorable; what people saw didn't connect with who Boroló truly is. The new system retains the bird—now geometric, set in negative space within the icon. The inner container references the studio’s actual architectural blueprint: the diagonal of the cyclorama ceiling and the two zones of the space. The brackets refer to photographic framing. No layer imposes itself over the other—they are discovered. The result is a versatile system: imagotype, vertical logo, and wordmark. It works on a sticker, a billboard, an avatar, or a website. It scales without losing its identity. Redesigning doesn't mean the initial design was bad. It means communication needed to evolve. And from that point of view, the change isn't a correction—it’s a decision.
3
220
Cover image for When a product needs to
When a product needs to be understood, not just seen. Chemyunion is a high-performance cosmetic ingredients company. Their client isn't the end consumer — it's the formulator, the distributor, the professional making technical decisions about what goes into a product. For the presentation of Seriliss, their active ingredient for hair straightening and nutrition, the challenge was clear: show the product in action and explain why it works at the same time. The piece combines studio audiovisual production — with a professional demonstrating the application process step by step, from root to tip — with motion graphics integrated directly over the video to highlight specific areas of the hair, visualize the technical process, and translate chemical information into something digestible without sacrificing precision. Two languages in a single piece. The video demonstrates. The motion explains. Neither one is excess. That balance is what defines a strong technical content piece: it's not about making the product look good — it's about making the client understand it well enough to trust it.
1
214
Adobe Illustrator(22)
Daniel Muller's avatar
Daniel Muller
Medellin, Colombia
From the first spark to their brightest form.
$1k+
Earned
11x
Hired
5.0
Rating
41
Followers
From the first spark to their brightest form.
Cover image for Btterwin
Btterwin
0
13
Cover image for Mistico
Mistico
0
6
Cover image for Dota 2 The International 12
Dota 2 The International 12
0
3
Cover image for Waves
Waves
0
6
Adobe Illustrator(18)
Anna Selkova's avatar
Anna Selkova
Bogota, Colombia
Ad Creatives, Websites, Branding | Multidisciplinary Design
26
Followers
Ad Creatives, Websites, Branding | Multidisciplinary Design
Cover image for Cron (Notion Calendar) — Performance
Cron (Notion Calendar) — Performance Ad Concept A speculative ad creative bundle I built for Cron to explore how I'd approach user acquisition for a productivity tool with strong existing design DNA. The challenge is specific: the product is already visually confident, so the ads have to extend the aesthetic without competing with it. The bundle centres on the interface itself — Cron's UI shown in real workplace contexts on laptop and mobile, framing the calendar as something already in someone's day rather than a product being sold. No lifestyle overlays, no stock office shots. Typography stays direct: one problem-hook per frame, tight hierarchy, dark mode against the signature orange. The orange does the work of stopping attention; everything else stays quiet so the message reads in the first second. Three static banner variations and one motion asset, sized for Meta and LinkedIn feed.
3
206
Cover image for MovixTech – Website My role: Creative Director Project
MovixTech – Website My role: Creative Director Project description: I created a website for MovixTech, a company that automates the clear-aligner production workflow using AI-powered digital employees. The site highlights how the QC agent integrates directly into clinics’ and labs’ systems, performs real-time quality control, and eliminates manual bottlenecks. With a futuristic visual style, dynamic 3D elements, and a concise product narrative, the website communicates the brand’s focus on precision, speed, and reliable automation in dental manufacturing.
0
218
Cover image for Crystal Art Boutique – logo-book My
Crystal Art Boutique – logo-book My role: Creator Project description: We developed the brand identity for Crystal Art Boutique, an atelier specializing in custom ballroom and stage costumes, focused on individuality, precision, and strong stage presence. The visual style combines elegance and confidence: a script logo reflects artistry and a personal approach, while a deep burgundy palette enhances the premium feel. The identity system is clear and structured, ensuring consistent use across digital, fabric, packaging, and signage. Crystal Art Boutique positions itself as a refined and trustworthy brand for dancers who value quality and a strong visual image.
0
164
Cover image for Forus – Sleep Supplement Launch
Forus – Sleep Supplement Launch Creative Designed the launch creative suite for Forus, a sleep and nervous system supplement brand entering a crowded recovery market. Supplement ads live or die in the first two seconds — trust has to be built before the user has even registered what the product is. So I split the creative across four conversion angles instead of one hero message: customer social proof, ingredient breakdowns, bundle offers, and expert endorsements from medical professionals. Each one answers a different buyer objection in isolation, which gives the media buyer clean testing signal on day one. Visually, kept the system restrained – matte black bottles, floating capsule motion, oversized typography doing the hooks. The product is premium-priced, so the ads had to signal that without leaning on lifestyle photography the category already overuses. Full suite of vertical video and motion creatives, sized for Meta and TikTok, plus the creative strategy for post-launch scaling.
0
9
Adobe Illustrator(3)