Freelancers in Baja California

Freelancers in Baja CaliforniaFreelancers in Baja California

Projects People

proTijuana, Mexico

Kajabi Migrations, Redesigns & Funnels: www.kajabininja.com

$25k+: Earned

33x: Hired

5.0: Rating

14: Followers

Expert

Kajabi Migrations, Redesigns & Funnels: www.kajabininja.com

Cover image for Client: Qualified Nutrition

Client: Qualified Nutrition

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149

Cover image for Kajabi Client: BeamBod

Kajabi Client: BeamBod

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258

Cover image for Kajabi Client: Matias Cardozo

Kajabi Client: Matias Cardozo

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282

Cover image for Kajabi Client: Nordic Meditation Club

Kajabi Client: Nordic Meditation Club

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284

Tijuana, Mexico

Filmmaker & Editor - Telling Stories through film

Filmmaker & Editor - Telling Stories through film

Cover image for Corporate Project | Natures Choice Produce

Corporate Project | Natures Choice Produce

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23

Cover image for Creative Promo

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7

Cover image for Baseball School Commercial

Baseball School Commercial

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4

Cover image for Event Promotional

Event Promotional

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6

Gilberto Riveros

Ensenada, Mexico

AI Video Producer building high-performing ad creatives

New to Contra

AI Video Producer building high-performing ad creatives

Cover image for UGC AD TESTING SYSTEM

UGC AD TESTING SYSTEM

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6

Cover image for Built a workflow that turns

Built a workflow that turns market insight into high-converting ad creatives. Instead of guessing what to create, it structures the entire decision process — from audience psychology to final visual. Try it here: https://www.morphic.com/en/workflows/019dcab9-466e-7790-9aa0-6f311a3e44f1/ad-creative-generator

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98

Cover image for Most creatives don’t fail because

Most creatives don’t fail because of ideas. They fail because creative decisions are made without a system. That’s the real bottleneck in paid media: teams don’t lack creativity — they lack a structured way to decide what should be created in the first place. So I rebuilt how creative strategy works. I built a FLORA (https://www.linkedin.com/company/floraai/) Technique: UGC Performance Engine https://lnkd.in/gbC8ihVx (https://lnkd.in/gbC8ihVx)A repeatable system that transforms a single product brief into structured creative hypotheses for performance testing. Instead of random variations, it generates three intentional ad directions: → Attention: scroll-stopping hook → Conversion: direct response ad → Trust: social proof concept Before: Creative direction is based on intuition, with no shared framework. After: Creative direction is defined as structured hypotheses before production begins. This is the shift: From making ads → to designing the system that decides which ads get made. From intuition-based testing → to structured creative decision systems. This removes randomness from creative production and replaces it with repeatable performance logic. And this is the real change: Paid media is evolving from content creation… into creative engineering. Built inside FLORA (https://www.linkedin.com/company/floraai/) for the #FLORATechnique (https://www.linkedin.com/search/results/all/?keywords=%23floratechnique&origin=HASH_TAG_FROM_FEED) Challenge.

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Cover image for Most creative workflows are rebuilt

Most creative workflows are rebuilt from scratch every time. That’s the bottleneck. Great creatives don’t scale effort — they scale systems. I built something to change that: Conversion Creative Intelligence Engine™ Try the Technique here: 🔗 https://lnkd.in/gJu9FcEg (https://lnkd.in/gJu9FcEg)Built inside FLORA (https://www.linkedin.com/company/floraai/) using the Technique Builder, this system behaves like a performance strategist. Before: Creative work often starts with outputs — hooks, visuals, or scripts — without a defined decision structure. After: Creative work starts with structured decisions before anything is generated. It defines: • Strategy & ad angles • Audience clarity • High-converting hooks • Visual direction • Script logic Most AI tools generate content. This system structures decisions. #FLORATechnique (https://www.linkedin.com/search/results/all/?keywords=%23floratechnique&origin=HASH_TAG_FROM_FEED)

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237

Tijuana, Mexico

Director, producer and editor

8: Followers

Director, producer and editor

Cover image for I created this 30-second piece

I created this 30-second piece to portray a vampire-hunter story featuring an action scene with a unique approach. It was also a great opportunity to try Seedance 2.5 capabilities and the director mode in CapCut. This sequence belongs in the same universe as a long-format series. Also, it works as an stand alone back story for the character, in which some of the scenes will be used as flashbacks and will contribute to the development of that character through the series.

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105

Cover image for One reference image. Nine cinematic

One reference image. Nine cinematic keyframes. A complete fight scene. Upload your input, describe the mood and setting, and this workflow builds 9 keyframes optimized for action sequences. Made for filmmakers, storyboard artists, and editors who move fast. Workflow Link: https://www.morphic.com/en/workflows/019d9843-3e90-772b-aca8-9152d475f316/cinematic-fight-scene

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18

589

Cover image for This is my submission for

This is my submission for the FLORA Technique Challenge 🎉 This technique allows you to create cinematic coverage of a two-shot interrogation, multi-angle scene with only one reference image. Also, it doesn't necessarily need to be an interrogation scene; this technique also works in another context that involves a two-shot situation, like two people talking at a restaurant or on a bench on the street. Possibilities are endless! How the workflow works: when the user uploads the input, it reads it and creates 9 different angles from the scene, starting with a two-shot scene. All in one click — repeatable and shareable. Built for: AI Filmmakers, storyboard artists, and editors. Technique Link: https://app.flora.ai/techniques/interrogation-scene

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341

Cover image for It's awesome to see that

It's awesome to see that finally motion control in AI is catching up to fast movement and adaptability, a few months ago it was nearly impossible to adhere fast movement with motion control, it's certainly not perfect yet but a very good improvement. What do you think?

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370

Tijuana, Mexico

Strategic UX Designs and Engaging Experiences

Strategic UX Designs and Engaging Experiences

Cover image for UX Design Strategies for Website & Mobile App

UX Design Strategies for Website & Mobile App

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27

Cover image for Website Design and Development for Korean Language Academy

Website Design and Development for Korean Language Academy

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11

Cover image for Extensive Website Replatforming - Information Architecture

Extensive Website Replatforming - Information Architecture

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17

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Marco Emmanuel Carranza Bazan

Ensenada, Mexico

Data automation, dashboards, and practical AI systems

New to Contra

Data automation, dashboards, and practical AI systems

Cover image for Lead Scoring Prototype in Python

Lead Scoring Prototype in Python

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5

Cover image for Order Tracking System for a Bakery

Order Tracking System for a Bakery

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4

Cover image for Quote and Event Pipeline Dashboard

Quote and Event Pipeline Dashboard

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5

Cover image for Client Follow-Up Tracker for Small Businesses

Client Follow-Up Tracker for Small Businesses

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4

Gonzalo Vazquez

Tijuana, Mexico

Funkier than a mosquito's tweeter

Funkier than a mosquito's tweeter

Cover image for Mundo de los Ojos : Behance

Mundo de los Ojos : Behance

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21

Cover image for P✺RTALS : Behance

P✺RTALS : Behance

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19

Cover image for NBA Top Shot : Behance

NBA Top Shot : Behance

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16

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Tijuana, Mexico

3D artist providing generalist and archviz services

3D artist providing generalist and archviz services

Cover image for Blender Fluid Simulation

Blender Fluid Simulation

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4

Cover image for 3D and 2D Design Project

3D and 2D Design Project

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6

Cover image for TREX VFX Test

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4

Cover image for Architectural Modeling and Particle Simulation

Architectural Modeling and Particle Simulation

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4