Freelancers in Baja CaliforniaFreelancers in Baja California
ProjectsPeople
Poncho Black's avatar
Poncho Black
proTijuana, Mexico
Kajabi Migrations, Redesigns & Funnels: www.kajabininja.com
$25k+
Earned
33x
Hired
5.0
Rating
10
Followers
KAJABI_EXPERT

Expert

Kajabi Migrations, Redesigns & Funnels: www.kajabininja.com
Cover image for Client: Qualified Nutrition
Client: Qualified Nutrition
0
80
Cover image for Kajabi Client: BeamBod
Kajabi Client: BeamBod
0
158
Cover image for Kajabi Client: Matias Cardozo
Kajabi Client: Matias Cardozo
0
177
Cover image for Kajabi Client: Nordic Meditation Club
Kajabi Client: Nordic Meditation Club
0
187
Andres Guzman's avatar
Andres Guzman
Tijuana, Mexico
Filmmaker & Editor - Telling Stories through film
Filmmaker & Editor - Telling Stories through film
Cover image for Corporate Project | Natures Choice Produce
Corporate Project | Natures Choice Produce
0
18
Cover image for Creative Promo
Creative Promo
0
5
Cover image for Baseball School Commercial
Baseball School Commercial
0
0
Cover image for Event Promotional
Event Promotional
0
1
Gilberto Riveros's avatar
Gilberto Riveros
Ensenada, Mexico
AI Video Producer building high-performing ad creatives
New to Contra
AI Video Producer building high-performing ad creatives
Cover image for UGC AD TESTING SYSTEM
UGC AD TESTING SYSTEM
0
0
Cover image for Built a workflow that turns
Built a workflow that turns market insight into high-converting ad creatives. Instead of guessing what to create, it structures the entire decision process — from audience psychology to final visual. Try it here: https://www.morphic.com/en/workflows/019dcab9-466e-7790-9aa0-6f311a3e44f1/ad-creative-generator
0
97
Cover image for Most creatives don’t fail because
Most creatives don’t fail because of ideas. They fail because creative decisions are made without a system. That’s the real bottleneck in paid media: teams don’t lack creativity — they lack a structured way to decide what should be created in the first place. So I rebuilt how creative strategy works. I built a FLORA (https://www.linkedin.com/company/floraai/) Technique: UGC Performance Engine https://lnkd.in/gbC8ihVx (https://lnkd.in/gbC8ihVx)A repeatable system that transforms a single product brief into structured creative hypotheses for performance testing. Instead of random variations, it generates three intentional ad directions: → Attention: scroll-stopping hook → Conversion: direct response ad → Trust: social proof concept Before: Creative direction is based on intuition, with no shared framework. After: Creative direction is defined as structured hypotheses before production begins. This is the shift: From making ads → to designing the system that decides which ads get made. From intuition-based testing → to structured creative decision systems. This removes randomness from creative production and replaces it with repeatable performance logic. And this is the real change: Paid media is evolving from content creation… into creative engineering. Built inside FLORA (https://www.linkedin.com/company/floraai/) for the #FLORATechnique (https://www.linkedin.com/search/results/all/?keywords=%23floratechnique&origin=HASH_TAG_FROM_FEED) Challenge.
2
243
Cover image for Most creative workflows are rebuilt
Most creative workflows are rebuilt from scratch every time. That’s the bottleneck. Great creatives don’t scale effort — they scale systems. I built something to change that: Conversion Creative Intelligence Engine™ Try the Technique here: 🔗 https://lnkd.in/gJu9FcEg (https://lnkd.in/gJu9FcEg)Built inside FLORA (https://www.linkedin.com/company/floraai/) using the Technique Builder, this system behaves like a performance strategist. Before: Creative work often starts with outputs — hooks, visuals, or scripts — without a defined decision structure. After: Creative work starts with structured decisions before anything is generated. It defines: • Strategy & ad angles • Audience clarity • High-converting hooks • Visual direction • Script logic Most AI tools generate content. This system structures decisions. #FLORATechnique (https://www.linkedin.com/search/results/all/?keywords=%23floratechnique&origin=HASH_TAG_FROM_FEED)
2
2
301
Steve Kim's avatar
Steve Kim
Tijuana, Mexico
Strategic UX Designs and Engaging Experiences
Strategic UX Designs and Engaging Experiences
Cover image for UX Design Strategies for Website & Mobile App
UX Design Strategies for Website & Mobile App
0
24
Cover image for Website Design and Development for Korean Language Academy
Website Design and Development for Korean Language Academy
0
9
Cover image for Extensive Website Replatforming - Information Architecture
Extensive Website Replatforming - Information Architecture
0
15
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Sergio Valdez's avatar
Sergio Valdez
Tijuana, Mexico
Director, producer and editor
6
Followers
Director, producer and editor
Cover image for One reference image. Nine cinematic
One reference image. Nine cinematic keyframes. A complete fight scene. Upload your input, describe the mood and setting, and this workflow builds 9 keyframes optimized for action sequences. Made for filmmakers, storyboard artists, and editors who move fast. Workflow Link: https://www.morphic.com/en/workflows/019d9843-3e90-772b-aca8-9152d475f316/cinematic-fight-scene
10
17
746
Cover image for This is my submission for
This is my submission for the FLORA Technique Challenge 🎉 This technique allows you to create cinematic coverage of a two-shot interrogation, multi-angle scene with only one reference image. Also, it doesn't necessarily need to be an interrogation scene; this technique also works in another context that involves a two-shot situation, like two people talking at a restaurant or on a bench on the street. Possibilities are endless! How the workflow works: when the user uploads the input, it reads it and creates 9 different angles from the scene, starting with a two-shot scene. All in one click — repeatable and shareable. Built for: AI Filmmakers, storyboard artists, and editors. Technique Link: https://app.flora.ai/techniques/interrogation-scene
4
352
Cover image for It's awesome to see that
It's awesome to see that finally motion control in AI is catching up to fast movement and adaptability, a few months ago it was nearly impossible to adhere fast movement with motion control, it's certainly not perfect yet but a very good improvement. What do you think?
3
330
Cover image for This is the vertical version
This is the vertical version trailer for "Memories of an Eternal Flower." An Award-Winning Hybrid AI Documentary premiered at the Reply AI Film Festival hosted in Venice, Italy, in 2024
1
2
346
Gonzalo Vazquez's avatar
Gonzalo Vazquez
Tijuana, Mexico
Funkier than a mosquito's tweeter
Funkier than a mosquito's tweeter
Cover image for Mundo de los Ojos : Behance
Mundo de los Ojos : Behance
0
7
Cover image for P✺RTALS : Behance
P✺RTALS : Behance
0
6
Cover image for NBA Top Shot : Behance
NBA Top Shot : Behance
0
7
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Alex Gomez's avatar
Alex Gomez
Tijuana, Mexico
3D artist providing generalist and archviz services
3D artist providing generalist and archviz services
Cover image for Blender Fluid Simulation
Blender Fluid Simulation
1
1
Cover image for 3D and 2D Design Project
3D and 2D Design Project
1
1
Cover image for TREX VFX Test
TREX VFX Test
1
0
Cover image for Architectural Modeling and Particle Simulation
Architectural Modeling and Particle Simulation
0
1