Freelance Animators in WarsawFreelance Animators in Warsaw
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hossein abbas's avatar
hossein abbas
Warsaw, Poland
AI Video Content Creator
New to Contra
AI Video Content Creator
Cover image for Cinematic AI Video Ads & Commercials
Cinematic AI Video Ads & Commercials
0
0
Cover image for Kling AI 3.0 is not
Kling AI 3.0 is not just about generating videos — it’s about building a complete cinematic production pipeline with AI. For this fantasy project about a young sorceress and a king, the entire process started long before animation. First, I developed the cinematic structure using ChatGPT & Claude: • Story foundation • Scene-by-scene screenplay direction • Dialogue flow • Camera concepts • World-building and atmosphere planning After the creative skeleton was complete, I moved into visual pre-production: • Creating concept frames to establish the cinematic mood • Designing scene previews and shot composition • Developing character sheets for consistency across all sequences Then came the main AI production stage: • High-detail image generation in Nano Banana 2 • Cinematic animation and motion workflows in Kling AI 3.0 • Advanced consistency techniques to maintain characters, lighting, and environments between scenes • Refining realism, textures, depth, and cinematic movement The audio pipeline was built separately: • Voice acting and dubbing with ElevenLabs • Cinematic background music generated with Suno • Additional sound effects from ElevenLabs and my personal SFX library Finally, everything went through post-production: • Visual corrections and compositing in Adobe Photoshop • Full cinematic editing, pacing, transitions, sound synchronization, and final mastering in Adobe Premiere Pro Kling AI 3.0 is accelerating the evolution of AI filmmaking — where a single creator can now build cinematic worlds with a complete AI-driven production workflow. Currently working with Higgsfield AI & Kling AI.
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25
Cover image for Kling AI 3.0 is now
Kling AI 3.0 is now here — and it’s already delivering in 4K. The latest update marks a significant leap in AI video generation, pushing the boundaries of cinematic storytelling, realism, and visual fidelity. Key improvements in Kling AI 3.0: -Advanced AI video generation in 4K resolution -More detail and high-definition textures -Enhanced cinematic realism and lighting quality -Improved motion consistency and lifelike animation -Stronger text-to-video accuracy and scene coherence -Optimized output for short-form content (TikTok, Reels, ads) Kling AI 3.0 sets a new standard for AI-generated video content, enabling creators to produce high-end cinematic visuals without traditional production limitations. The evolution of generative AI video is accelerating, moving toward fully hyper-realistic content creation. Currently working with Higgsfield AI & Kling AI.
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87
Cover image for Seedance 2.0 just hit 1080p
Seedance 2.0 just hit 1080p — sharper, cleaner, and finally production-ready. I ran a quick experiment — and the jump in quality over the past year is honestly insane. This time: a Viking chase sequence inspired by Assassin’s Creed Valhalla by Ubisoft (https://www.linkedin.com/company/ubisoft/) — built to feel like a real cinematic trailer, not “AI content.” Method: image-to-video workflow — all scenes generated in Nano Banana 2. Here’s what actually makes it work: • structured storytelling (not random prompts) • precise action sequences • strong visual direction • controlled atmosphere That’s the difference between generic AI output and content that feels directed. For brands, this means: • faster concept validation • high-end visuals without full production • content that actually stops the scroll Add ElevenLabs sound design — and it starts competing with real video pipelines. We’re not replacing production — we’re compressing it. If you’re a brand, agency, or creator looking to produce cinematic AI video that doesn’t look like AI — let’s talk. Open for collaborations & custom projects. Currently working with Higgsfield AI (https://www.linkedin.com/company/higgsfield/) & ElevenLabs (https://www.linkedin.com/company/elevenlabsio/).
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120
Animator(2)
Junior Fonseca's avatar
Junior Fonseca
Warsaw, Poland
FONCk/ Illustrator/ Motion Design/ frame by frame.
51
Followers
FONCk/ Illustrator/ Motion Design/ frame by frame.
Cover image for MXAS! Hohoho.
MXAS! Hohoho.
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32
Cover image for THE SOUND OF COQUÍ
THE SOUND OF COQUÍ
2
14
Cover image for The Devil's Pill Animation Challenge
The Devil's Pill Animation Challenge
1
15
Cover image for DIGIDOG Project on Rive Marketplace
DIGIDOG Project on Rive Marketplace
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6
Animator(4)
Arkadio Janik's avatar
Arkadio Janik
Warsaw, Poland
Hardworking UI/UX Designer & Motion Pro
Hardworking UI/UX Designer & Motion Pro
Cover image for Mood Selector Animation
Mood Selector Animation
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6
Cover image for Planet Button Animation
Planet Button Animation
0
6
Cover image for MediCo
MediCo
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10
Cover image for HealthPoint
HealthPoint
0
2
Animator(2)
Paweł Andrzejewski's avatar
Paweł Andrzejewski
maxWarsaw, Poland
We design products and brands for companies that care
$5k+
Earned
37
Followers
FRAMER_EXPERT

expert

We design products and brands for companies that care
Cover image for Car interfaces keep gaining features,
Car interfaces keep gaining features, but experience gets lost in complexity. With River, we stripped that back: only surface what the driver needs, when they need it. We wanted the HMI to belong to the car, not sit on top. So we designed both as one system: car, interior, cluster, main display, app. Rive was key to bringing the whole system to life. We used joysticks and blend states to animate the cluster gauges, solos to play back a pre-rendered Blender navigation scene on the central display, and state machine inputs to bring the whole prototype to life. We then built a companion app and plugged it into a manufacturer's API to test against real vehicle data. The app works like a key: gives you access and gets out of the way. Just the right function at the right moment. One ecosystem where every screen earns its place.
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29
108
6.2K
Cover image for Flod. We design products and
Flod. We design products and brands for companies that care. A senior team, together for over a decade. Products, brands, motion and 3D for fintech, SaaS, AI and Web3. You work directly with the people doing the work, from brief to launch.
2
4
355
Cover image for We created the Arrow Markets
We created the Arrow Markets brand from zero and designed the entire Web3 trading platform including Lite and Pro modes, competition flows and advanced derivatives mechanics. The UX turns complex options logic into clear, actionable steps, while the visual identity gives Arrow a confident technical presence across all surfaces. The result is a platform that feels deep enough for experienced users yet approachable for those new to crypto derivatives.
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321
Cover image for RedStone
RedStone
0
4
Animator(3)
Tolik Nguyen's avatar
Tolik Nguyen
proWarsaw, Poland
CEO at Fireart Studio. Design Oriented Software Agency.
5.0
Rating
14
Followers
RIVE_EXPERT

expert

CEO at Fireart Studio. Design Oriented Software Agency.
Cover image for CFI Digital Presence Overhaul
CFI Digital Presence Overhaul
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7
Cover image for Interactive data visualization with Rive📉 Exploring
Interactive data visualization with Rive📉 Exploring new ways to make data more approachable and hands-on on the web. Feel free to try it out here (https://rive.app/s/dyUnQrkE0kilXf7tNA1HAQ/?runtime=rive-renderer)!
3
102
Cover image for A button is never just a button🌟 With Rive micro-animations...
A button is never just a button🌟 With Rive micro-animations, we turn static UI into responsive, delightful experiences that users actually enjoy interacting with. This hover animation is just one example of how we bring products to life with real-time motion. Feel free to check it live here (https://rive.app/s/HiDa_utKT0SyimtIBKDgkQ/?runtime=rive-renderer).
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265
Cover image for Rive prototype of the food delivery app
Rive prototype of the food delivery app
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10
Animator(4)