Freelance Animators in Warsaw

Freelance Animators in WarsawFreelance Animators in Warsaw

Projects People

✨ GIF Animation

5.0: Rating

10: Followers

✨ GIF Animation

Cover image for Showreel 📢 and Promo

Showreel 📢 and Promo

1

16

Cover image for REELS 🤳 Shorts and TikTok

REELS 🤳 Shorts and TikTok

0

10

Cover image for Whiteboard ✍️ Animation

Whiteboard ✍️ Animation

0

18

Cover image for WHO 🌐 Infographic Animation

WHO 🌐 Infographic Animation

1

24

proWarsaw, Poland

Premium Design Partner | UX/UI, Brand Identity & 2D Motion

$50k+: Earned

10x: Hired

5.0: Rating

199: Followers

expert

Premium Design Partner | UX/UI, Brand Identity & 2D Motion

Cover image for Sim.ai (YC X25) — Product Film

Sim.ai (YC X25) — Product Film

0

6

Cover image for Operand (YC W25) — Product Film

Operand (YC W25) — Product Film

0

21

Cooderz Brand Identity Design

2

15

Cover image for Customerly — Website Design & Development

Customerly — Website Design & Development

3

96

proWarsaw, Poland

Web experiences for founders. Felt, not just seen.

$1k+: Earned

1x: Hired

5.0: Rating

160: Followers

expert

Web experiences for founders. Felt, not just seen.

Cover image for I had the privilege of collaborating with the team at norths...

I had the privilege of collaborating with the team at northstar.cx (http://northstar.cx), who crafted the beautiful brand identity for Alokai (formerly Vue Storefront). Based on their exceptional work, I was invited to create this brand showreel introduction that brings visual identity to life.

35

2K

Cover image for uPark / Visual id • Web Design • Animation

uPark / Visual id • Web Design • Animation

20

228

Cover image for Wozownia Bar / Web Design • Animation

Wozownia Bar / Web Design • Animation

5

21

Cover image for OrdoStrategica / Visual id • Web Design • No-code Dev

OrdoStrategica / Visual id • Web Design • No-code Dev

9

90

proWarsaw, Poland

Web design & clean dev for brands that value aesthetics.

28: Followers

Web design & clean dev for brands that value aesthetics.

Cover image for Clean process workflow for Leading UGC Agency

Clean process workflow for Leading UGC Agency

0

3

Cover image for Hey Contra community! 👋
Just wanted

Hey Contra community! 👋 Just wanted to pop in and introduce myself. I’m a web designer and developer, and my main rule is simple: design must be buildable. We’ve all seen beautiful layouts that completely fall apart the moment a developer touches them. I hate that. Because I understand code, I build Figma files and design systems that are clean, organized, and actually ready for production. Right now, I’m wrapping up a smart home interface and putting together a tight design system for it. My question for the founders and product managers: What drives you crazy the most when handing design over to your developers? Where does it usually go wrong?

2

268

Cover image for When it comes to premium

When it comes to premium e-commerce, less is always more. Clean layout discipline and sharp typography hierarchy are what make a brand look effortlessly expensive. I’m currently opening a few spots for Branding, Digital Design and Development. If you want your product to do the talking without corporate fluff, send over a DM.

1

2

106

Cover image for If your website is loud,

If your website is loud, it looks desperate. Look at most digital marketing or Google Ads agencies today, their sites are usually packed with generic stock photos, flashy badges, and visual noise that you completely lose track of their expertise. It’s a common mistake to think that to look successful, a B2B website needs to be chaotic, when in reality, serious corporate clients care much more about clarity than visual glitter. This layout on the screen is a quick look at how I design for high-ticket service businesses, using a different approach: More focus on your results: I clean up the layout and remove useless decorations so your actual track record, numbers, and case studies stand out instantly. Easy to scan for busy clients: I use clean typography and sharp contrast so future corporate partners can understand your core expertise and positioning in less than five seconds. Built properly for Webflow & Framer: A premium design is useless if it lags or breaks on phones. I build clean, structured layouts that look flawless on mobile and transfer perfectly to code. Your website is the mirror of your operations, and if it looks like a cheap template, you are simply turning away clients who are ready to pay for a premium service.

2

285

FONCk/ Illustrator/ Motion Design/ frame by frame.

66: Followers

FONCk/ Illustrator/ Motion Design/ frame by frame.

Cover image for MXAS!
Hohoho.

0

47

Cover image for THE SOUND OF COQUÍ

THE SOUND OF COQUÍ

2

18

Cover image for The Devil's Pill Animation Challenge

The Devil's Pill Animation Challenge

1

17

Cover image for DIGIDOG Project on Rive Marketplace

DIGIDOG Project on Rive Marketplace

0

8

Hardworking UI/UX Designer & Motion Pro

Hardworking UI/UX Designer & Motion Pro

Cover image for Planet Button Animation

Planet Button Animation

0

7

Cover image for Mood Selector Animation

Mood Selector Animation

0

8

Cover image for MediCo

0

12

Cover image for HealthPoint

0

3

AI Video Content Creator

New to Contra

AI Video Content Creator

Cover image for Cinematic AI Video Ads & Commercials

Cinematic AI Video Ads & Commercials

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0

Cover image for Kling AI 3.0 is not

Kling AI 3.0 is not just about generating videos — it’s about building a complete cinematic production pipeline with AI. For this fantasy project about a young sorceress and a king, the entire process started long before animation. First, I developed the cinematic structure using ChatGPT & Claude: • Story foundation • Scene-by-scene screenplay direction • Dialogue flow • Camera concepts • World-building and atmosphere planning After the creative skeleton was complete, I moved into visual pre-production: • Creating concept frames to establish the cinematic mood • Designing scene previews and shot composition • Developing character sheets for consistency across all sequences Then came the main AI production stage: • High-detail image generation in Nano Banana 2 • Cinematic animation and motion workflows in Kling AI 3.0 • Advanced consistency techniques to maintain characters, lighting, and environments between scenes • Refining realism, textures, depth, and cinematic movement The audio pipeline was built separately: • Voice acting and dubbing with ElevenLabs • Cinematic background music generated with Suno • Additional sound effects from ElevenLabs and my personal SFX library Finally, everything went through post-production: • Visual corrections and compositing in Adobe Photoshop • Full cinematic editing, pacing, transitions, sound synchronization, and final mastering in Adobe Premiere Pro Kling AI 3.0 is accelerating the evolution of AI filmmaking — where a single creator can now build cinematic worlds with a complete AI-driven production workflow. Currently working with Higgsfield AI & Kling AI.

1

47

Cover image for Kling AI 3.0 is now

Kling AI 3.0 is now here — and it’s already delivering in 4K. The latest update marks a significant leap in AI video generation, pushing the boundaries of cinematic storytelling, realism, and visual fidelity. Key improvements in Kling AI 3.0: -Advanced AI video generation in 4K resolution -More detail and high-definition textures -Enhanced cinematic realism and lighting quality -Improved motion consistency and lifelike animation -Stronger text-to-video accuracy and scene coherence -Optimized output for short-form content (TikTok, Reels, ads) Kling AI 3.0 sets a new standard for AI-generated video content, enabling creators to produce high-end cinematic visuals without traditional production limitations. The evolution of generative AI video is accelerating, moving toward fully hyper-realistic content creation. Currently working with Higgsfield AI & Kling AI.

1

74

Cover image for Seedance 2.0 just hit 1080p

Seedance 2.0 just hit 1080p — sharper, cleaner, and finally production-ready. I ran a quick experiment — and the jump in quality over the past year is honestly insane. This time: a Viking chase sequence inspired by Assassin’s Creed Valhalla by Ubisoft (https://www.linkedin.com/company/ubisoft/) — built to feel like a real cinematic trailer, not “AI content.” Method: image-to-video workflow — all scenes generated in Nano Banana 2. Here’s what actually makes it work: • structured storytelling (not random prompts) • precise action sequences • strong visual direction • controlled atmosphere That’s the difference between generic AI output and content that feels directed. For brands, this means: • faster concept validation • high-end visuals without full production • content that actually stops the scroll Add ElevenLabs sound design — and it starts competing with real video pipelines. We’re not replacing production — we’re compressing it. If you’re a brand, agency, or creator looking to produce cinematic AI video that doesn’t look like AI — let’s talk. Open for collaborations & custom projects. Currently working with Higgsfield AI (https://www.linkedin.com/company/higgsfield/) & ElevenLabs (https://www.linkedin.com/company/elevenlabsio/).

0

99

Paweł Andrzejewski

maxWarsaw, Poland

We design products and brands for companies that care

$5k+: Earned

39: Followers

expert

We design products and brands for companies that care

Cover image for Car interfaces keep gaining features,

Car interfaces keep gaining features, but experience gets lost in complexity. With River, we stripped that back: only surface what the driver needs, when they need it. We wanted the HMI to belong to the car, not sit on top. So we designed both as one system: car, interior, cluster, main display, app. Rive was key to bringing the whole system to life. We used joysticks and blend states to animate the cluster gauges, solos to play back a pre-rendered Blender navigation scene on the central display, and state machine inputs to bring the whole prototype to life. We then built a companion app and plugged it into a manufacturer's API to test against real vehicle data. The app works like a key: gives you access and gets out of the way. Just the right function at the right moment. One ecosystem where every screen earns its place.

1

30

113

4.7K

Cover image for Flod. We design products and

Flod. We design products and brands for companies that care. A senior team, together for over a decade. Products, brands, motion and 3D for fintech, SaaS, AI and Web3. You work directly with the people doing the work, from brief to launch.

2

4

390

Cover image for We created the Arrow Markets

We created the Arrow Markets brand from zero and designed the entire Web3 trading platform including Lite and Pro modes, competition flows and advanced derivatives mechanics. The UX turns complex options logic into clear, actionable steps, while the visual identity gives Arrow a confident technical presence across all surfaces. The result is a platform that feels deep enough for experienced users yet approachable for those new to crypto derivatives.

0

356

Cover image for RedStone

0

8