Freelance Animators in Warsaw

Freelance Animators in WarsawFreelance Animators in Warsaw

Projects People

✨ GIF Animation

5.0: Rating

12: Followers

✨ GIF Animation

Cover image for Showreel 📢 and Promo

Showreel 📢 and Promo

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23

Cover image for REELS 🤳 Shorts and TikTok

REELS 🤳 Shorts and TikTok

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12

Cover image for Whiteboard ✍️ Animation

Whiteboard ✍️ Animation

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22

Cover image for WHO 🌐 Infographic Animation

WHO 🌐 Infographic Animation

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proWarsaw, Poland

Web experiences for founders. Felt, not just seen.

$1k+: Earned

1x: Hired

5.0: Rating

169: Followers

expert

Web experiences for founders. Felt, not just seen.

Cover image for I had the privilege of collaborating with the team at norths...

I had the privilege of collaborating with the team at northstar.cx (http://northstar.cx), who crafted the beautiful brand identity for Alokai (formerly Vue Storefront). Based on their exceptional work, I was invited to create this brand showreel introduction that brings visual identity to life.

35

2.1K

Cover image for uPark / Visual id • Web Design • Animation

uPark / Visual id • Web Design • Animation

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231

Cover image for Wozownia Bar / Web Design • Animation

Wozownia Bar / Web Design • Animation

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32

Cover image for OrdoStrategica / Visual id • Web Design • No-code Dev

OrdoStrategica / Visual id • Web Design • No-code Dev

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proWarsaw, Poland

Webflow/Framer Expert & UX/UI Designer

2x: Hired

3.5: Rating

62: Followers

Webflow/Framer Expert & UX/UI Designer

Cover image for Clean process workflow for Leading UGC Agency

Clean process workflow for Leading UGC Agency

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9

Cover image for Hey Contra community! 👋
Just wanted

Hey Contra community! 👋 Just wanted to pop in and introduce myself. I’m a web designer and developer, and my main rule is simple: design must be buildable. We’ve all seen beautiful layouts that completely fall apart the moment a developer touches them. I hate that. Because I understand code, I build Figma files and design systems that are clean, organized, and actually ready for production. Right now, I’m wrapping up a smart home interface and putting together a tight design system for it. My question for the founders and product managers: What drives you crazy the most when handing design over to your developers? Where does it usually go wrong?

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Cover image for A quick look through the

A quick look through the landing page layout for WAct 👀 🔗 Explore the full case study on Behance: WAct on Behance (https://www.behance.net/gallery/253815513/WACT)I believe most founders know the frustration of running paid ads that bring plenty of clicks, but zero qualified leads. The WAct team needed more than just a visually appealing layout, they needed a site that immediately explains how their platform connects ad spend to actual WhatsApp conversations. What I focused on here: Clear hero section: Addresses the pain point right away by showing how ad budget converts directly into real customer chats. Logical flow: Guides the reader step-by-step from the main problem to key analytics, integrations, and the contact form without any fluff. Approachable visual style: Combines warm editorial tones and sharp typography so complex B2B data feels straightforward and easy to digest. For me, combining UI architecture with clean technical implementation is what transforms a site from a static showcase into a high-converting product tool. I'm currently open to new project opportunities and collaborations. DM me if you have a project in mind!

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169

Cover image for When designing WAct, the main

When designing WAct, the main challenge was to make complex analytics feel calm, approachable, and actionable. Marketing tech platforms often suffer from visual noise: endless charts, aggressive contrast, and buried data. For WAct, I took an editorial SaaS approach: Visual Hierarchy: Kept the primary metric cards (CPL, Lead Quality Score) instantly readable at a glance. Warm Aesthetic: Used a soft, olive-green gradient backdrop paired with editorial typography to make the brand stand out from generic blue dashboard templates. Dashboard Logic: Structured the flow so users can track multi-channel ad conversions straight into WhatsApp chats without getting overwhelmed. Building a complex B2B platform or analytics tool? Let’s connect and create a seamless UI/UX for your product. 🔗 Explore the full case study on Behance: Check out WAct on Behance (https://www.behance.net/gallery/253815513/WACT)

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575

FONCk/ Illustrator/ Motion Design/ frame by frame.

79: Followers

expert

FONCk/ Illustrator/ Motion Design/ frame by frame.

Cover image for MXAS!
Hohoho.

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161

Cover image for THE SOUND OF COQUÍ

THE SOUND OF COQUÍ

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28

Cover image for The Devil's Pill Animation Challenge

The Devil's Pill Animation Challenge

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23

Cover image for DIGIDOG Project on Rive Marketplace

DIGIDOG Project on Rive Marketplace

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14

Hardworking UI/UX Designer & Motion Pro

Hardworking UI/UX Designer & Motion Pro

Cover image for Planet Button Animation

Planet Button Animation

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12

Cover image for Mood Selector Animation

Mood Selector Animation

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13

Cover image for MediCo

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14

Cover image for HealthPoint

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4

AI Video Content Creator

New to Contra

AI Video Content Creator

Cover image for Cinematic AI Video Ads & Commercials

Cinematic AI Video Ads & Commercials

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8

Cover image for Kling AI 3.0 is not

Kling AI 3.0 is not just about generating videos — it’s about building a complete cinematic production pipeline with AI. For this fantasy project about a young sorceress and a king, the entire process started long before animation. First, I developed the cinematic structure using ChatGPT & Claude: • Story foundation • Scene-by-scene screenplay direction • Dialogue flow • Camera concepts • World-building and atmosphere planning After the creative skeleton was complete, I moved into visual pre-production: • Creating concept frames to establish the cinematic mood • Designing scene previews and shot composition • Developing character sheets for consistency across all sequences Then came the main AI production stage: • High-detail image generation in Nano Banana 2 • Cinematic animation and motion workflows in Kling AI 3.0 • Advanced consistency techniques to maintain characters, lighting, and environments between scenes • Refining realism, textures, depth, and cinematic movement The audio pipeline was built separately: • Voice acting and dubbing with ElevenLabs • Cinematic background music generated with Suno • Additional sound effects from ElevenLabs and my personal SFX library Finally, everything went through post-production: • Visual corrections and compositing in Adobe Photoshop • Full cinematic editing, pacing, transitions, sound synchronization, and final mastering in Adobe Premiere Pro Kling AI 3.0 is accelerating the evolution of AI filmmaking — where a single creator can now build cinematic worlds with a complete AI-driven production workflow. Currently working with Higgsfield AI & Kling AI.

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Cover image for Kling AI 3.0 is now

Kling AI 3.0 is now here — and it’s already delivering in 4K. The latest update marks a significant leap in AI video generation, pushing the boundaries of cinematic storytelling, realism, and visual fidelity. Key improvements in Kling AI 3.0: -Advanced AI video generation in 4K resolution -More detail and high-definition textures -Enhanced cinematic realism and lighting quality -Improved motion consistency and lifelike animation -Stronger text-to-video accuracy and scene coherence -Optimized output for short-form content (TikTok, Reels, ads) Kling AI 3.0 sets a new standard for AI-generated video content, enabling creators to produce high-end cinematic visuals without traditional production limitations. The evolution of generative AI video is accelerating, moving toward fully hyper-realistic content creation. Currently working with Higgsfield AI & Kling AI.

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Cover image for Seedance 2.0 just hit 1080p

Seedance 2.0 just hit 1080p — sharper, cleaner, and finally production-ready. I ran a quick experiment — and the jump in quality over the past year is honestly insane. This time: a Viking chase sequence inspired by Assassin’s Creed Valhalla by Ubisoft (https://www.linkedin.com/company/ubisoft/) — built to feel like a real cinematic trailer, not “AI content.” Method: image-to-video workflow — all scenes generated in Nano Banana 2. Here’s what actually makes it work: • structured storytelling (not random prompts) • precise action sequences • strong visual direction • controlled atmosphere That’s the difference between generic AI output and content that feels directed. For brands, this means: • faster concept validation • high-end visuals without full production • content that actually stops the scroll Add ElevenLabs sound design — and it starts competing with real video pipelines. We’re not replacing production — we’re compressing it. If you’re a brand, agency, or creator looking to produce cinematic AI video that doesn’t look like AI — let’s talk. Open for collaborations & custom projects. Currently working with Higgsfield AI (https://www.linkedin.com/company/higgsfield/) & ElevenLabs (https://www.linkedin.com/company/elevenlabsio/).

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127

proWarsaw, Poland

Premium UI/UX & Web Design for Fintech, SaaS & Web3 | Framer

1x: Hired

5.0: Rating

331: Followers

expert

expert

+1

Premium UI/UX & Web Design for Fintech, SaaS & Web3 | Framer

Cover image for B2B SaaS website design for

B2B SaaS website design for Proof — an identity platform that lets AI agents act on behalf of real people, built to convert enterprise security buyers. Proof issues cryptographically verified credentials: a human verifies once, and their AI agent is then authorized to sign, notarize or transact for them. The site had to sell a category most buyers had never heard of — agent authorization — to security, compliance and engineering leads at banks, law firms and hospitals, and move them into a sales conversation instead of a bounce. The hero says it in five words — "Verify one. Authorize for everything." — next to a live credential card, so an abstract protocol becomes something you can see in two seconds. The page alternates near-black, white and electric blue, and every switch marks a new argument: the risk, the mechanism, the network, the platform, the API. That rhythm keeps a 14-section B2B SaaS website scannable in a single scroll. I built 20+ Lottie animations for the parts copy can't carry — credential signing, the authorization handshake, the global network map — kept light enough not to cost load time. For imagery I wrote a style recipe for AI generation (one lens, one lighting setup, one grade) so the finance, legal and healthcare scenes read as one commissioned shoot rather than stock AI. Technical buyers get a real code block with real API calls, because that section is what they scroll to find. 14+ sections, desktop and mobile designed separately, a component library, Lottie files ready for the dev team, and a written art-direction guide for generating new imagery in-brand.

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273

Cadvel Brand Identity Design

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39

Cover image for Designed the website for Dovora

Designed the website for Dovora — an agency that builds businesses for creators, not brand deals. "We don't represent brands, we don't split focus" is basically the whole pitch, and I wanted the site to feel just as uncompromising. So no polished stock creator-economy visuals. The hero is a wall of real streamer/podcast footage arranged in overlapping diamonds and rounded frames — actual creators, mid-stream, mid-laugh — with a glowing gradient orb behind bold "WE BUILD CREATOR BUSINESSES" type. It reads more like a highlight reel than a landing page, which felt right for an audience that lives on camera. The second section flips the energy completely — dark, minimal, almost aggressive typography ("BUILT EXCLUSIVELY FOR CREATORS. FULL STOP.") paired with huge chrome-and-neon 3D letterforms spelling out CREATORS. It's loud in a completely different way than the hero, and that contrast is intentional — this isn't a buttoned-up agency deck, it's built for people who make content for a living. Genuinely fun brief to lean all the way into.

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16

786

Cover image for Clark Baldwin Travel Website Redesign

Clark Baldwin Travel Website Redesign

2

15

Matt Jedrzejewski

proWarsaw, Poland

2D & 3D Animator - Rive, AE, C4d 🎨

1x: Hired

5.0: Rating

124: Followers

expert

2D & 3D Animator - Rive, AE, C4d 🎨

Cover image for This is the full production

This is the full production process behind Luvu 👋 sketches, color concepts, final look, 100+ unique animations, start to finish. And this is Luvu himself: companion and unofficial gym buddy to over 1 million people who probably didn't expect to bond with a cartoon character while doing lunges 😂 He doesn't do the "wave once and disappear" mascot thing, he sticks around. No transitions, no cutting away between tabs, he's just there the whole workout, judging your form (and he can really dish it out when it's off). Live voice with lip sync, every animation blending smoothly into the next through a full Rive (https://contra.com/matt_jedrzejewski_f7ljy1gy) state machine. He talks. He reacts. He has moods. Built with an ex-Duolingo team who basically dared me to make people addicted to opening a fitness app, which, fair warning, is a strange thing to be proud of 🙌 Shipped v1 in 6 weeks. Somehow ended up past 1M users. Still not over it. Product: https://apps.apple.com/us/app/luvu-home-fitness-workouts/id6747844405 Live Luvu Preview: https://rive.app/s/Z9lVdZjLk0qKPXkIJR2BaQ/?runtime=rive-renderer (use startLuvu trigger and pick 1-2 idle states)

17

45

1.8K

Cover image for Interactive Flashlight UI Animation

Interactive Flashlight UI Animation

10

114

Cover image for Pettable - Web Hero

Pettable - Web Hero

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Cover image for Luvu - Home Workouts & Fitness - Rive Project

Luvu - Home Workouts & Fitness - Rive Project

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