Freelancers using Adobe Photoshop in ColombiaFreelancers using Adobe Photoshop in Colombia
ProjectsPeople
Juan Hoyos's avatar
Juan Hoyos
proColombia
Frontend Developer | Framer & Webflow Expert
$25k+
Earned
10x
Hired
5.0
Rating
22
Followers
FRAMER_EXPERT

expert

Frontend Developer | Framer & Webflow Expert
Cover image for FORDIVINE • Framer Redesign & Framer Build
FORDIVINE • Framer Redesign & Framer Build
0
9
Cover image for SolarYou — Solar System Platform for Spain
SolarYou — Solar System Platform for Spain
0
9
Cover image for Heritage Club • Framer Redesign & Framer Build
Heritage Club • Framer Redesign & Framer Build
0
11
Cover image for Smartwyre • Website Migration & Scalable Design System
$9K+ earned
Smartwyre • Website Migration & Scalable Design System
0
55
Adobe Photoshop(1)
Marlon Velásquez's avatar
Marlon Velásquez
Colombia
Motion designer
$25k+
Earned
6x
Hired
5.0
Rating
15
Followers
Motion designer
Cover image for Zilverk - Stream Assets
Zilverk - Stream Assets
4
15
Cover image for Dupla - Animated assets
Dupla - Animated assets
2
17
Cover image for Portfolio
Portfolio
3
35
Placeholder project card media
View more →
Adobe Photoshop(3)
Daniel Castellanos's avatar
Daniel Castellanos
proBogota, Colombia
Brand Identity & Content Creation | Video & Motion
5.0
Rating
22
Followers
Brand Identity & Content Creation | Video & Motion
Cover image for There are design decisions that
There are design decisions that don't come from the client. They come from within—and sometimes, that is exactly the problem. The previous logo for Boroló Estudio had soul. It had pre-Columbian roots, a hand-drawn stroke, and an indigenous character. It evoked drums, authenticity, and the Chocó—one of the most biodiverse and culturally rich regions in Colombia, a land of jungle, rivers, and a visual identity unlike any other. I loved it. And precisely because of that, I failed to evaluate the challenges the logo would face on real-world platforms: on a website, as an Instagram avatar, or in digital spaces. The redesign wasn't about letting go of the logo. It was about letting go of the attachment. The problem wasn't aesthetic—it was one of coherence. The studio’s brand had evolved, but the logo hadn't. A composition with too many elements in tension made the icon struggle to be memorable; what people saw didn't connect with who Boroló truly is. The new system retains the bird—now geometric, set in negative space within the icon. The inner container references the studio’s actual architectural blueprint: the diagonal of the cyclorama ceiling and the two zones of the space. The brackets refer to photographic framing. No layer imposes itself over the other—they are discovered. The result is a versatile system: imagotype, vertical logo, and wordmark. It works on a sticker, a billboard, an avatar, or a website. It scales without losing its identity. Redesigning doesn't mean the initial design was bad. It means communication needed to evolve. And from that point of view, the change isn't a correction—it’s a decision.
3
166
Cover image for Not every brand needs to
Not every brand needs to shout. CPLUS Ingeniería sells reliability to the industrial sector. Their clients make high-impact technical decisions — they don't buy on impulse. The communication I developed for them reflects that reality: social media graphics presenting products, services, and application notes without detours, without unnecessary visual noise, without artificial urgency. Just clear information, well structured, and with the tone the brand demands. Some brands need to move slow. Communicating with calm isn't a limitation — it's a strategic decision.
1
3
199
Cover image for Design for Inclusion: Crafting Educational
Design for Inclusion: Crafting Educational Tools for Neurodiversity I’m proud to share my work on a key initiative for the Gobernación de Cundinamarca in partnership with LICA (Liga Colombiana de Autismo). I led the editorial design and layout of the central pedagogical guidebook, a vital resource created to support inclusive education for students with neurodevelopmental disorders (ASD) across the region. My role focused on transforming complex technical content into a highly functional, visually accessible editorial piece. By bridging the gap between specialized information and practical classroom application, I ensured that teachers and families had a clear, intuitive roadmap for implementing inclusive strategies. While this was part of a larger toolkit, the guidebook served as the visual and structural anchor for the printed materials. This project reinforced my belief that design is a powerful tool for social change, especially when it comes to making education more accessible for every mind.
1
3
416
Cover image for BIRRIA. There's a version of food
BIRRIA. There's a version of food content that treats the dish as the star and rushes to get there. This isn't that. Birria is a slow process — layers of dried chiles, bones, hours of heat. The edit follows that logic. The music is slow, almost pre-Columbian, but the cuts don't drag. They move with the rhythm, not against it. Close on the clay pot. The char on the chiles. Hands working. The result feels warm. Domestic. Like something your grandmother would recognize even if she'd never seen a camera. Detail-first food cinematography, edited to feel like the dish tastes.
2
23
Adobe Photoshop(3)
Daniel Muller's avatar
Daniel Muller
Medellin, Colombia
From the first spark to their brightest form.
$1k+
Earned
11x
Hired
5.0
Rating
41
Followers
From the first spark to their brightest form.
Cover image for PARIMATCH: RIYADH MASTERS
PARIMATCH: RIYADH MASTERS
0
7
Cover image for Btterwin
Btterwin
0
8
Cover image for Mistico
Mistico
0
2
Cover image for Dota 2 The International 12
Dota 2 The International 12
0
2
Adobe Photoshop(17)
Samuel Eastmond's avatar
Samuel Eastmond
Bogota, Colombia
Architect | Interior Designer | 3D Rendering |
5.0
Rating
11
Followers
Architect | Interior Designer | 3D Rendering |
Cover image for MALL KIOSK DESIGN + 3D RENDERS
MALL KIOSK DESIGN + 3D RENDERS
0
7
Cover image for GUK RETAIL STORE DESIGN + 3D RENDERS
GUK RETAIL STORE DESIGN + 3D RENDERS
0
11
Cover image for MAIA APARTMENT - INTERIOR DESIGN + 3D RENDERS
MAIA APARTMENT - INTERIOR DESIGN + 3D RENDERS
0
12
Cover image for MAIA BUILDING - 3D EXTERIOR / INTERIOR RENDERINGS
MAIA BUILDING - 3D EXTERIOR / INTERIOR RENDERINGS
3
19
Adobe Photoshop(3)
Miguel Morales's avatar
Miguel Morales
Bogota, Colombia
Freelance Logo, Brand and Motion Designer
New to Contra
Freelance Logo, Brand and Motion Designer
Cover image for Oreo® Christmas Key Visual
Oreo® Christmas Key Visual
0
4
Cover image for Advertainment Visual Identity Design
Advertainment Visual Identity Design
1
2
Cover image for The Air Rocket | Cover Book Illustration
The Air Rocket | Cover Book Illustration
0
3
Cover image for Visual identity | Edu.Tec™
Visual identity | Edu.Tec™
0
5
Adobe Photoshop(4)
Emerson Barona's avatar
Emerson Barona
Cali, Colombia
Art Director Building brands that connect, compete, and grow
New to Contra
Art Director Building brands that connect, compete, and grow
Cover image for Obec Foods — Full Branding Obec
Obec Foods — Full Branding Obec Foods had a starting point —but it needed a fresh start. The brand produces oat-based cookies, granola, and muffins made from homemade recipes. The core idea is straightforward and honest: healthy snacks that complement an active lifestyle without asking you to give up what you love. That proposition became the center of gravity for the entire rebrand. The project covered full brand development: concept, brand guidelines, handmade illustrations, packaging, and key visuals for graphic content. The illustrations were one of the most defining elements of the project —drawn by hand to reinforce the artisanal nature of the products and give the brand a warm, distinctive personality. The color palette follows the same logic: vibrant, natural, and health-forward, without falling into the visual clichés of the wellness world. The result is an identity that holds together across every touchpoint —from packaging to communication pieces— and speaks directly to people who live actively and choose what they consume with intention. Obec Foods isn't a diet brand. It's a brand for conscious enjoyment.
0
62
Cover image for PAC — Brand Identity PAC brings
PAC — Brand Identity PAC brings together over 30 years of combined experience in project management, property administration, construction, and maintenance services. The challenge was translating that depth of expertise into a visual identity that could compete on a different level —one that felt clear, modern, and professional in a sector where most players look the same. The project was built from scratch: every visual asset and communication strategy developed with a single goal in mind —differentiation. The result is a brand that reflects the seriousness and scale of what PAC actually delivers, and has since become a recognizable presence in their market.
0
85
Cover image for Anarí — Brand Refresh Anarí already
Anarí — Brand Refresh Anarí already existed. It worked. But there was a gap between what the brand actually was and what it was showing the world. Behind Anarí is an independent fashion designer with a distinct voice, a genuine obsession with Vivienne Westwood, and an aesthetic that lives in the tension between punk rock and high fashion. The work was closing that gap —reinterpreting the brand's ideology and building a visual system that could finally match its real personality. The process started with concept. Graphic elements from the designer's own creative process were recovered and reintegrated, the color palette was simplified, and an expanded visual language was layered in: punk rock, high fashion photography, torn paper as a graphic device, and the energy of strong, fresh-spirited brands like Stüssy. All of it held together by a system that doesn't constrain —it amplifies. The deliverables covered the full refresh: new brand guidelines, website design, and art direction for the brand's audiovisual presence across social media and graphic content. Every piece built to say the same thing —an independent fashion brand that doesn't ask for permission.
0
123
Cover image for Adamus Accessories — Full Branding Some
Adamus Accessories — Full Branding Some brands arrive with a story worth telling from scratch. Adamus Accessories came with a singular material —bonded marble— and a clear conceptual obsession: alchemy. The challenge was building a visual universe from the ground up that could carry the weight of that inspiration. With no existing identity to work from, the process started where it had to: concept. Three pillars defined the visual direction —gothic art, sacred geometry, and alchemy as the brand's philosophical and aesthetic keystone. Every design decision that followed had to earn its place within that symbolic system. The logo was one of the most rewarding problems to solve. The brief was to compress three ideas into a single mark: the A as origin, the elemental star, and the phoenix as a symbol of transformation. The result fuses all three into a precise geometric form with a subtle resonance to masonic symbolism —enigmatic without being cryptic, distinctive without being loud. The scope covered the full brand ecosystem: brand identity, brand guidelines, art direction for graphic and audiovisual content, social media, stationery, packaging, and e-commerce website design. Every touchpoint was treated as part of a unified experience, not a collection of isolated deliverables. Art direction was the second major challenge —and the second major achievement. Translating the physical nature of the pieces into a visual language for screen and print required finding the exact tension between fashion, statement, and darkness. The outcome is an aesthetic that doesn't imitate its references —it distills them. Visuals that communicate the brand's personality before a single word is read. Adamus isn't an accessories brand that uses alchemy as decoration. It's a brand built inside out, where the symbol and the object are the same thing.
0
129
Adobe Photoshop(4)