AI VIsual Designer Projects in BrazilAI VIsual Designer Projects in Brazil
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Cover image for In addition to being a
In addition to being a creator and Kittl platform expert, I’ve been actively using the system for both personal and client projects since last year, diving deeply into the platform’s integrated AI tools and capabilities. To be honest, even though I’ve previously worked with Motion Design, Video Editing, and even Photography, this side of the creative process was never really my strongest skill nor something I particularly enjoyed professionally. However, ever since @Kittl introduced video workflows inside Kittl Flows, I’ve started creating templates there, and it has been an incredibly interesting journey so far. Especially with the latest briefs released. These are some of the video and templates I created this week, and I hope they’ll soon be published in the library.
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Cover image for Discover CapCut Pocket™: A Retro Gaming Experience Reimagined
I remember spending hours playing on my Game Boy Color. Putting in the cartridge, hearing those simple sounds, and entering a whole world made of just a few pixels felt like magic. Back then I wasn't thinking about creativity, design, or tools. I was just pressing Start and beginning an adventure. Then I had a thought: what if CapCut was a game? That’s how CapCut Pocket™ was born — a reimagined version of CapCut as a retro handheld game inspired by the Game Boy era. Instead of opening an editor, you enter a pixel-art world where every tool becomes part of the journey: Cut Zones, Template Worlds, Effect Labs, and new paths unlocking creative possibilities. The idea was to mix a childhood memory with something that is now part of my life: creating. Built with CapCut Design Studio ⚡ Project: https://www.capcut.com/ai-design?shareId=7644596427745787911
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Cover image for The first one was built
The first one was built around a product update announcement. Instead of a generic "new feature" post, we led with the brand asse, a 3D version of the logo rendered with a glassmorphism finish, purple neon depth, the kind of visual that makes people stop and think the company is bigger than it is. The "arrasta para o lado" mechanic turned a single post into a swipeable reveal, which keeps engagement higher without needing to explain anything. The second one answered the question most first-time visitors have but nobody asks out loud: okay, but what does this actually solve? We structured it around both sides of the marketplace, freelancers and companies, visible in the frame at the same time. The copy is direct, the CTA is low-friction, and the image does the work of showing the product is for real people, not a landing page concept. Together they cover the two things any marketplace needs to communicate early: credibility and clarity. One tells you the platform is evolving. The other tells you why it exists.
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Cover image for Recently, while working on a
Recently, while working on a client production, I hit a common wall in the AI workflow: the lack of spatial agency. I had a very specific cinematic vision in mind, a low-angle perspective to set the narrative tone. I spent almost an hour refining prompts, but the results were consistently generic. The AI was guessing, not directing. The insight was simple: Why fight an algorithm for an angle when I can define the geometry myself? Then I jumped into Blender, spent 4 minutes on a block-out (placing the object, locking the camera height and focal length) and used that as the structural skeleton for the AI. The shift: ·        From Passive Prompting: Hoping the machine "gets it" right. ·        To Active Art Direction: Ensuring every frame is a deliberate choice. Check out the workflow below.
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