Freelance Brand Designers in BogotaFreelance Brand Designers in Bogota
Brand Identity & Content Creation | Video & Motion
5.0
Rating
22
Followers
Brand Identity & Content Creation | Video & Motion
Cover image for There are design decisions that
There are design decisions that don't come from the client. They come from within—and sometimes, that is exactly the problem. The previous logo for Boroló Estudio had soul. It had pre-Columbian roots, a hand-drawn stroke, and an indigenous character. It evoked drums, authenticity, and the Chocó—one of the most biodiverse and culturally rich regions in Colombia, a land of jungle, rivers, and a visual identity unlike any other. I loved it. And precisely because of that, I failed to evaluate the challenges the logo would face on real-world platforms: on a website, as an Instagram avatar, or in digital spaces. The redesign wasn't about letting go of the logo. It was about letting go of the attachment. The problem wasn't aesthetic—it was one of coherence. The studio’s brand had evolved, but the logo hadn't. A composition with too many elements in tension made the icon struggle to be memorable; what people saw didn't connect with who Boroló truly is. The new system retains the bird—now geometric, set in negative space within the icon. The inner container references the studio’s actual architectural blueprint: the diagonal of the cyclorama ceiling and the two zones of the space. The brackets refer to photographic framing. No layer imposes itself over the other—they are discovered. The result is a versatile system: imagotype, vertical logo, and wordmark. It works on a sticker, a billboard, an avatar, or a website. It scales without losing its identity. Redesigning doesn't mean the initial design was bad. It means communication needed to evolve. And from that point of view, the change isn't a correction—it’s a decision.
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Cover image for THREE WEBSITES. THREE INDUSTRIES. ONE
THREE WEBSITES. THREE INDUSTRIES. ONE RULE: THE TOOL FOLLOWS THE BRIEF. Landing pages are not a single discipline. The visual decisions, the information architecture, the build method — all of it changes depending on who the client is, what they need to communicate, and how much control they'll need after delivery. These three projects made that clear. The Challenge EndoWell is a comprehensive endocrinology practice based in New York. Impuestos & Soluciones is a tax advisory firm. NiAuditor is a financial audit software platform. Three different industries, three different audiences, three different definitions of what "trust" looks like on a screen. The brief for each was the same at its core: build a web presence that communicates authority and converts. The execution was not. The Solution EndoWell — WordPress + Elementor The brand identity was already defined — clouds as a metaphor, lavender and teal as the color system, a visual language built around calm and precision. The website's job was to translate that into a functional medical site without losing the warmth. The architecture decision was straightforward: WordPress with Elementor. The client needed to manage her own content after delivery. A custom build would have created dependency. Elementor gave us precise control over spacing, typographic hierarchy, and section structure — while keeping the backend accessible for a non-technical user. Every section was sequenced around a single conversion path: who she is, what she treats, how to book. Impuestos & Soluciones — Built with Claude An accounting firm needs to feel rigorous without feeling bureaucratic. The visual challenge here was making fiscal services readable to a non-specialist audience — people who are intimidated by the subject before they even read the first line. Building with Claude meant starting from zero on every component. No inherited theme styles to override, no default spacing to fight. The layout was designed section by section with deliberate intent: a clear hero that names the service directly, a services block structured for scannability, and a contact section that removes friction. The typography stays conservative. The grid is tight. Nothing decorative that doesn't carry information. NiAuditor — Built with Claude A B2B software platform for financial auditors. The audience here is technical and detail-oriented — they'll read the fine print and notice if something feels off. The design language had to match that standard. Same build method as Impuestos & Soluciones, different visual logic. The hierarchy leans harder into precision: more negative space, stricter alignment, a restrained color palette that signals software rather than service. The information flow was structured around the product's core value first, features second, and conversion last — because this audience doesn't respond to pressure, they respond to clarity. The Result Three live sites. Each one built with the method that fit the project, not the method that was most convenient. The technical difference between a WordPress build and a Claude build isn't a preference — it's a decision that affects everything from delivery timeline to client autonomy to design flexibility. Knowing which stack to use is part of the work. What I delivered: Information architecture · Visual design · WordPress / Elementor development · AI-powered custom web development · Copywriting structure endo-well.com (http://endo-well.com) · impuestosysoluciones.com (http://impuestosysoluciones.com) · niauditor.com (http://niauditor.com)
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Cover image for THE BRIEF WAS A NICKNAME.
David
THE BRIEF WAS A NICKNAME. David had been called MUTT for years. It stuck from a period of his career shooting street, festivals, raves — places where the camera goes where it fits, not where it's planned. The name carried texture. The problem was communicating it visually without it looking rough. The tension in the logo comes from that constraint. MUTT as a word reads raw, underground, unfinished. The mark had to hold that energy without letting it spill over into something that looked cheap. I kept the typography bold and geometric — no serifs, no decorative cuts, full weight. The letterforms needed to feel confident and urban at the same time. The decision to break "MUTT" into "MUT" and "T" with a centered dot in between was structural, not decorative. The dot reads as a lens at first glance, which works for photography. It also functions as a pause, a breath inside the name, which gives the wordmark rhythm without adding any visual noise. Black on white. No gradients, no texture overlays, no effects trying to approximate the street quality of the work. The cleanliness of the mark is the contrast — David's photography lives in chaotic environments, so the brand sits at the opposite end. Controlled. Precise. Recognizable at any size. "POTHOGRAPH" in spaced light caps anchors the bottom. The letterspacing there does the work that a heavier font would overdo. The whole mark fits on a business card or a festival screen with the same read. Deliverable: Logo design · Brand mark · Typography system Working on identity projects for creatives, artists, and photographers. Let's talk.
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Cover image for From a cloud to a
From a cloud to a brand. EndoWell started with a single image: clouds. Not as decoration, but as a metaphor. The doctor behind the brand, an endocrinologist based in New York, described her work as learning to adapt to what you can't control, the way weather changes and you adjust. That became the foundation for everything. I built the full brand identity from that idea. The logo grew from the abstraction of clouds into a stethoscope, the symbol of endocrinology hidden inside something familiar and soft. The color palette — lavender, sky blue, warm peach, and teal — was chosen to communicate calm, trust, and healing without feeling clinical or cold. From there, the visual system expanded across every touchpoint: corporate manual, typography hierarchy, pictogram system, business cards, letterheads, and print-ready files. Then the website. Then a logo animation built in After Effects, where the colored circles travel through light, pass behind a cloud, and settle into the brand mark as the name appears. Every piece was designed to hold together. The kind of consistency where a business card and a social post feel like they came from the same place, because they did. "We don't try, we achieve it." That's the EndoWell slogan. It's also the standard I held the work to. What I delivered: Brand identity and strategy · Logo design + animation · Corporate manual · Typography system · Pictogram library · Business cards · Letterheads · Print-ready files · Website design Open to branding projects. If you're building something from scratch or need a visual system that holds across formats, let's talk.
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Visual Identities That Showcase Your Brand's Unique Story
5.0
Rating
2
Followers
Visual Identities That Showcase Your Brand's Unique Story
Freelance Logo, Brand and Motion Designer
New to Contra
Freelance Logo, Brand and Motion Designer
Ad Creatives, Websites, Branding | Multidisciplinary Design
10
Followers
Ad Creatives, Websites, Branding | Multidisciplinary Design
Brand Identity Designer & Creative Director | Visual systems
Brand Identity Designer & Creative Director | Visual systems
Cover image for MRH — Website Redesign &
MRH — Website Redesign & Ecommerce Optimisation Project Type: UX/UI Redesign, Shopify Development & SEO Sector: Streetwear & Urban Apparel The context: MRH already had an online store, but it lacked structure, consistency, and a clear customer journey. Rather than redesigning isolated screens, I approached the project as part of a broader brand strategy — identifying friction points across the entire shopping experience and rebuilding the site around usability, storytelling, and scalability. My role: I led the full redesign end to end — from information architecture through custom Shopify development and SEO — working directly within the brand system I had already established for MRH. What I did: Reorganised the site's information architecture, simplifying navigation, menus, and product discovery for a more intuitive purchasing flow Redesigned the homepage — the highest-abandonment section — into a clearer introduction to the brand and its universe Separated storytelling from technical product information across product pages to improve readability and purchase decisions Built a dedicated blog giving each illustrated character its own narrative, connecting editorial content to ecommerce without interrupting the buying experience Developed custom Shopify components using Liquid, including interactive size-chart pop-ups (managed through metafields), dynamic product characteristics with visual icons, FAQs, trust indicators, and automated "Notify Me" functionality for out-of-stock items — all designed for the client to manage without touching code Restructured product categories into a dedicated Products section (previously a single catalogue-all page) and built a custom Collaborations page that auto-groups tagged products by partner brand Ran a complete SEO optimisation pass: restructured product descriptions, built keyword-focused URLs and metadata, and created a scalable metafield system so new products publish following the same optimised structure Set up quick-response templates in WhatsApp Business to streamline customer service Created a dedicated brand page explaining MRH's origins and philosophy, strengthening the connection between visual identity and digital presence The result: A website that isn't just visually stronger — it's easier to manage, more discoverable through search, and built to support MRH's growth long after launch. Full case study on Behance (https://www.behance.net/gallery/253684079/Website-Redesign-Ecommerce-Optimization)Live web (https://mrh-brand.com/)
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