Freelance Film Producers

Freelance Film ProducersFreelance Film Producers

Projects People

proLos Angeles, USA

Filmmaker/Musician | Full-Service Video & Audio Production

$1k+: Earned

4x: Hired

5.0: Rating

67: Followers

Top

Filmmaker/Musician | Full-Service Video & Audio Production

Cover image for Psychopomp: A Short Dark Comedy Musical Film

Psychopomp: A Short Dark Comedy Musical Film

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29

Cover image for Ode to Cutlery

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Cover image for Breathe: Sound Design and Composition for Animated Short

Breathe: Sound Design and Composition for Animated Short

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Cover image for Love’s Last Stand

Love’s Last Stand

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67

Film Producer(2)

Mario Busto Studios™

Expert Video Editing and Cinematic Storytelling

$250k+: Earned

25x: Hired

5.0: Rating

1.6K: Followers

Top

Hired

+1

Expert Video Editing and Cinematic Storytelling

Cover image for Mario Busto Directing & Editing Reel

Mario Busto Directing & Editing Reel

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173

Cover image for Reflex Robotics Hero Video - YouTube

Reflex Robotics Hero Video - YouTube

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116

Cover image for Splice Studio Tour featuring Film Composer, Kris Bowers

Splice Studio Tour featuring Film Composer, Kris Bowers

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14

Cover image for Benefactor Non-Profit Tribute Video

Benefactor Non-Profit Tribute Video

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62

Film Producer(5)

Robin Holesinsky

proPrague, Czechia

Product designer who feels like part of the team.

$25k+: Earned

3x: Hired

5.0: Rating

195: Followers

expert

expert

Product designer who feels like part of the team.

Cover image for Launch Film for Reducto Redesign

Launch Film for Reducto Redesign

2

83

Atom.money: Brand Identity for a Regulated Fintech Platform

5

36

Cover image for Fathom: B2B Sales Analytics Dashboard

Fathom: B2B Sales Analytics Dashboard

1

13

Cover image for This time I wanted to

This time I wanted to create something special: a Web3.0 hero animation with lighting effects. Hopefully it doesn’t feel cheesy. 😃

7

23

1.3K

Film Producer(1)

proNorth Macedonia

Brand Identity Designer | Founder - Muzza Studio

$25k+: Earned

18x: Hired

4.9: Rating

685: Followers

Brand Identity Designer | Founder - Muzza Studio

Cover image for Morphic challenge | Winner — Community Favorite

Morphic challenge | Winner — Community Favorite

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345

Cover image for My entry for the Envato

My entry for the Envato × Contra Human by Design challenge. AI has changed the game and made almost anything possible. But just because you can make anything doesn’t mean you always know what to make. For this one, I took one simple piece of Envato’s identity, the logo, and pushed it as far as I could with one goal: make a pretty sick ad. From there, it was a lot of experimenting, prompting, failing, refining, and eventually bringing all those ideas to life using Envato’s AI tools. The result is my take on Human by Design. AI can give us endless possibilities, but someone still has to come up with the idea and decide where to take it. 100% created using Envato’s AI features.

56

160

12.4K

Cover image for Rebranding uBloom | Creative Agency

Rebranding uBloom | Creative Agency

28

472

Logo Folio 2024/2025: Identity Design Collection

11

139

Film Producer(1)

proİstanbul, Turkey

Cinematic AI Filmmaker/AI Video Producer for premium brands

$1k+: Earned

7x: Hired

4.7: Rating

59: Followers

expert

Partner

Cinematic AI Filmmaker/AI Video Producer for premium brands

Cover image for Luxury AI Beauty Campaign Concept for NYX Cosmetics

Luxury AI Beauty Campaign Concept for NYX Cosmetics

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26

LSV – Lusvia Skin Vision | Italian Luxury Foundation Brand

0

45

Cover image for The Inspection – "NIL" Glass Cleaner — Cinematic AI Ad

The Inspection – "NIL" Glass Cleaner — Cinematic AI Ad

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6

Cover image for THE RETURN — A Solo-Directed AI Film (André Santoro)

THE RETURN — A Solo-Directed AI Film (André Santoro)

0

12

Film Producer(2)

São Paulo, Brazil

AI cinema & filmmaking | CPP: CapCut/Dreamina/MiniMax

12: Followers

AI cinema & filmmaking | CPP: CapCut/Dreamina/MiniMax

Cover image for THE MARK | Coming soon

THE MARK | Coming soon

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52

Cover image for Final CALL 🎬
One-take short film

Final CALL 🎬 One-take short film created with Seedance 2.5 in CapCut Video Studio. One photo. One memory. One final call. #CapCutCPP #CriadorProCapCut

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91

Cover image for FIRE — a cinematic protest

FIRE — a cinematic protest music video exploring the human cost of conflict through the eyes of firefighters — those who step into the flames while others ignite them from afar. Created with Seedance via Dreamina AI

2

110

Cover image for A SMALL MERCY
30 seconds. One

A SMALL MERCY 30 seconds. One act of kindness. One unbroken take. While the whole station rushed toward the next train, one little girl quietly shared her bread with the smallest life. 🐭🍞 Sometimes humanity survives in the quietest moments. A SMALL MERCY is a 30-second wartime short about tenderness surviving inside urgency. Set in a winter London railway station in the 1940s, the film begins high above a vast world of soldiers, civilian travelers, luggage, steam, orders, and constant movement. In one uninterrupted physical camera move, the perspective gradually descends from the scale and pressure of the station to the vulnerable world of a small mouse at floor level. The mouse moves almost unnoticed through the crowd. Its struggle is quiet, physical, and easy for the larger world to overlook. Eventually, it reaches the torn shoe of a little girl waiting beside her grandmother at the ticket window. The camera rises naturally to reveal the girl quietly eating a small piece of coarse bread. When she notices the mouse, her response is deliberately simple: no speech, no dramatic reaction. She simply recognizes another living creature in need and shares part of what little she has. Because the bread itself is scarce, the gesture carries weight. Her compassion is not grand or performative. It is instinctive. The girl’s worn clothing and torn shoe are intentional. They are not simply period details; they place her within the same wartime world of scarcity and vulnerability as the mouse. The mouse first reaches her through the damaged part of that shoe — a visible sign that she, too, is living with less. That makes the bread more important. She is not giving from excess. She is sharing something that has value to her. The mouse first encounters her vulnerability, and then her mercy. What begins as an instinctive act of survival — the mouse nibbling at the torn shoe — becomes an encounter between two vulnerable lives when the girl chooses to offer it part of her own food instead. The gesture matters precisely because she has little to spare. The One-Take Language Camera choreography: high → descend → track → rise → observe → descend → hold. The uninterrupted take is not simply a technical device. It is the storytelling itself. The camera begins with the scale of the station, then physically lowers our attention toward something almost invisible within it. As the camera moves closer to the mouse, the sound perspective narrows too — from the huge reverberation of the railway station to boots, footsteps, floor vibrations, fabric, dry bread, and small movements. When the girl notices the mouse, the camera does not isolate the moment from the world around it. The grandmother’s ticket transaction continues quietly in the background. Trains still wait. People still move. Orders are still given. The station remains urgent. Nothing stops for this moment. Yet, for a few seconds, the girl creates a small space of care within it. The guiding thought behind the film was: “In a world moving too fast to notice, someone noticed.” The line is never spoken or displayed. It is simply the principle beneath the film. The final camera decision is essential to that idea. When the girl and her grandmother leave, the camera does not follow them. It stays behind. The station continues moving in the background while the mouse remains beside the wall, eating the bread she left for it. The film does not resolve the war. It does not transform the station. It does not suggest that one small gesture can change the world. It simply allows that gesture to exist. And for one small life, for one brief moment, that is enough. Production Approach The process began with crafting the story, followed by visual research using archival references of 1940s London railway stations to establish the period, architecture, scale, and atmosphere. From there, dedicated visual references were developed for the girl, grandmother, and mouse, alongside period-specific research and reference material for British soldiers, civilian travelers, wartime clothing, footwear, luggage, weapons, and supporting props. Before generation, the station geography and character blocking were mapped with precise timing across the full 30 seconds — defining exactly when the camera would discover the mouse, follow its journey, reach the girl, reveal the human relationship, observe the act of compassion, descend again, and settle into the final frame. The complete camera choreography and cinematography were then defined: lens character, camera height, physical movement, composition, depth, winter lighting, atmospheric treatment, and the restrained pale blue-grey visual language of the film. The storyboard was designed not as a sequence of separate shots, but as one uninterrupted 30-second take, mapping a single physical camera journey from the high architecture of the station to the final mouse-level hold. Music and sound design were also planned before generation. The sound perspective was designed to move with the camera — from the large reverberant environment of the station to the intimate world of boots, floor vibrations, fabric, bread, and the mouse — while the restrained score follows the same emotional progression without becoming sentimental. Story → archival research → visual references → blocking & timing → camera choreography → cinematography → continuous-take storyboard → music & sound design → generation This structured pre-production became the foundation for the final execution. The core 30-second film was achieved in the very first generation, demonstrating how detailed filmmaking decisions made before generation can shape a coherent one-take result rather than leaving storytelling, performance, and camera language to chance. Created with Seedance 2.5 via CapCut Video Studio. Note: the opening title was generated as part of the film itself. Links🚀 X: https://x.com/Berikystudios/status/2089171298664546759 TikTok: https://www.tiktok.com/@berikystudios/video/7674809187699805458 https://www.tiktok.com/@berikystudios/video/7674814580530482450 Instagram: https://www.instagram.com/p/DcH39B8gkgH/ https://www.instagram.com/p/DcH4WpygYzK/ Youtube: https://youtu.be/R7Z2UWulVlw LinkedIn: https://www.linkedin.com/feed/update/urn:li:ugcPost:7494945424458276864/ https://www.linkedin.com/feed/update/urn:li:ugcPost:7494946347880714241/

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423

Film Producer(32)

proDelhi, India

Creative Director AI video and Animation Production

5.0: Rating

13: Followers

Creative Director AI video and Animation Production

Cover image for What if a tyre commercial

What if a tyre commercial could be created with the power of AI? This project combines cinematic automotive visuals, realistic motion, and AI driven storytelling to showcase how modern content creation is evolving. From concept to final render, every frame is designed to highlight the product while demonstrating the future of commercial production. 🎬 AI Generated Commercial 🚗 Automotive Product Showcase ⚡ Next Generation Content Creation #AIVideo #TyreCommercial #AutomotiveContent #ProductShowcase #CreativeTech #AIAdvertising #MotionGraphics #DigitalProduction

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1

126

Cover image for A female explorer moves through

A female explorer moves through ancient underground caves, holding a burning torch that casts warm orange light across the stone walls. The film opens on a tight close-up, her face caught between shadow and firelight, eyes wide, expression tense. She turns slowly, torch raised, revealing carved stone markings on the cave wall behind her. The camera cuts to a wider shot, her silhouette small against the towering cave architecture, blue-tinted light bleeding in from a distant opening. Every frame is composed like a Hollywood production: deep focus, cinematic colour grade shifting between the warmth of the torch and cool ambient blue, and a protagonist performance that carries genuine tension and discovery. Shot entirely using AI

1

169

Cover image for This project showcases how AI

This project showcases how AI can be used to create high-quality cinematic content with faster workflows, dynamic visuals, and scalable creative production. From concept to final frames, the process highlights how technology and creativity can work together to push content creation forward. We’re excited to keep experimenting with new ways of producing engaging digital experiences using AI. 🚀 #AI #ArtificialIntelligence #AIVideo #AIContent #ContentCreation #VideoProduction #CreativeAI #MotionGraphics #DigitalContent #VisualStorytelling #GenerativeAI #CreativeTechnology #Innovation #VideoMarketing #FutureOfContent #Animation #Filmmaking #BrandContent #CreativeStudio #SketchwaveStudios

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157

Cover image for Can AI create a commercial

Can AI create a commercial that feels cinematic, engaging, and brand-ready? In this showcase, we present a fully AI generated commercial video created through a blend of creative direction, storytelling, and advanced AI tools. Explore how modern AI workflows can transform ideas into high-quality advertising content faster than ever before. Produced by Sketch Wave Studios

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74

Film Producer(2)

Alexander Moon Ai

Los Angeles, USA

🎬 Film Director | Cinematic AI Ads, Films & Music Videos 🏆

87: Followers

🎬 Film Director | Cinematic AI Ads, Films & Music Videos 🏆

Cover image for Title: The Zen of Not

Title: The Zen of Not Giving a Damn WHAT I BUILT: A continuous 30-second photorealistic one-take sci-fi comedy film created natively with Seedance 2.5 in CapCut Video Studio. The story follows Daniel, an unbothered office worker walking to work with his morning coffee while a full-scale apocalyptic alien invasion erupts around him—collapsing skyscrapers, airborne burning taxis, dimensional rifts, and colossal robotic walkers. Without a single cut, the camera tracks Daniel through revolving glass doors and security turnstiles into a serene open-space office, culminating in the ultimate workplace horror: a jammed printer while a 60-foot leviathan roars right outside the panoramic window. WHY I MADE IT: To test the full cinematic limits of Seedance 2.5’s native 30-second continuous generation. My goal was to execute a seamless spatial transition (from extreme outdoor warzone destruction to structured corporate interior), consistent deadpan character acting, and photorealistic physics in one uninterrupted shot. WORKFLOW: • Platform: CapCut Video Studio • Model: Seedance 2.5 (Single 30-second continuous one-take generation) #contraseedancechallenge

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Cover image for My entry for the CapCut

My entry for the CapCut Seedance 2.5 Challenge: "The Zen of Not Giving a Damn" ☕ A continuous 30s one-take sci-fi comedy generated with a single prompt in Seedance 2.5 & CapCut Video Studio. Zero cuts, pure deadpan chaos!

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6

257

Cover image for 🎬 UNTIL LIES DO US

🎬 UNTIL LIES DO US PART Created for CapCut CRE[AI]TE AI Festival #CapCutCREAITE in the Film category. A story of betrayal, truth, and the choices that define us... Made with @CapCut #CapCut #CapCutAIFestival #CapCutCPP #AIFilm #FilmFestival #filmmakers #filmfestival

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166

Cover image for Still hard to believe this

Still hard to believe this is real... 😍 IT'S OFFICIAL! Our short film UNTIL LIES DO US PART has been officially selected for the New York Lift-Off Film Festival 2026! 🙌 🎉 To celebrate this milestone, my co-writer and concept artist @Alen Beni and I created this brand new official trailer! ️️ This trailer was edited entirely inside @CapCut Video Studio, with all the gritty video assets generated using Dreamina Ai Thank you so much to everyone who watched, supported, shared, and truly believed in our crazy stories @Marlenn Alba Your energy is everything! ️ Bravo to the whole team! ️🚀 What started as a simple idea became a story of stolen promises, a stolen ring, desert chases, and three women discovering the truth behind the same lie ️🔥 New York, we are coming! #DreaminaCPP #DreaminaAI #CapCutCPP #Capcut #Seedance2 #CapCutVideoStudio #AIFilm #LiftOffGlobalNetwork #FilmFestival #SupportIndieFilm

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Film Producer(10)