Freelancers using Figma in SeafordFreelancers using Figma in Seaford
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Anoos Sohotra's avatar
Anoos Sohotra
maxLevittown, USA
Website Designer & Developer
$250k+
Earned
15x
Hired
5.0
Rating
250
Followers
TOP_INDEPENDENT

Top

FRAMER_EXPERT

expert

Website Designer & Developer
Cover image for Black Box Media
Black Box Media
0
44
Cover image for Infinity.edu
Infinity.edu
0
32
Cover image for Mane & Steel
Mane & Steel
0
26
Cover image for Neso - Shopify Store and Landing pages
Neso - Shopify Store and Landing pages
1
19
Figma(4)
Louis Charron's avatar
Louis Charron
Brooklyn, USA
Design for innovation & science
$25k+
Earned
2x
Hired
4.7
Rating
67
Followers
Design for innovation & science
Cover image for Branding & Website for Data Driven EnviroLab
Branding & Website for Data Driven EnviroLab
1
31
Cover image for Visual Identity for Public Environmental Data Partners
Visual Identity for Public Environmental Data Partners
24
319
Cover image for Yale Livable City Lab - Branding & Website design
Yale Livable City Lab - Branding & Website design
65
648
Cover image for Climate Conference - Landing page design
Climate Conference - Landing page design
14
209
Figma(5)
Devin Fountain's avatar
Devin Fountain
Brooklyn, USA
Design partner for brands with big imaginations
$1k+
Earned
3x
Hired
5.0
Rating
4
Followers
WEBFLOW_EXPERT

Certified Partner

Design partner for brands with big imaginations
Cover image for TYTO Lock System
TYTO Lock System
0
252
Cover image for Marino Franulovic - Website Design
Marino Franulovic - Website Design
0
138
Cover image for Webflow Site – Teller Agency
Webflow Site – Teller Agency
0
347
Cover image for Webflow Design + Dev for Copywriting Portfolio
Webflow Design + Dev for Copywriting Portfolio
0
227
Figma(5)
Ammara K's avatar
Ammara K
Brooklyn, USA
UX/UI for Web & Mobile | Figma, Framer, Wix, Squarespace
5.0
Rating
13
Followers
UX/UI for Web & Mobile | Figma, Framer, Wix, Squarespace
Cover image for Readymag - Website Design
Readymag - Website Design
1
26
Cover image for CryptoFlow - Built with Readymag
CryptoFlow - Built with Readymag
0
12
Cover image for Website Redesign - WIX Studio
Website Redesign - WIX Studio
0
12
Cover image for Landing Page Design | Figma
Landing Page Design | Figma
0
14
Figma(7)
Juan Pablo Toro's avatar
Juan Pablo Toro
Brooklyn, USA
Senior Product Designer & Webflow Developer 🚀
Senior Product Designer & Webflow Developer 🚀
Cover image for Bahia Clinic - Webflow Website
Bahia Clinic - Webflow Website
0
9
Cover image for Luxury Villa Webflow Design
Luxury Villa Webflow Design
0
30
Cover image for Dog Walking App Design
Dog Walking App Design
0
14
Cover image for Marketing E-Commerce Webflow Site
Marketing E-Commerce Webflow Site
0
7
Figma(9)
Taryn Fahoury's avatar
Taryn Fahoury
proCommack, USA
Brand & Creative Strategist. The foundation for brands.
New to Contra
Brand & Creative Strategist. The foundation for brands.
Cover image for PORTFOLIO WEBSITE Client: Bjorn G. Amelan
PORTFOLIO WEBSITE Client: Bjorn G. Amelan (Artist) Bjorn is a visual artist whose paintings, made on antique French hemp bedsheets in Sumi ink, acrylic, and vinylic emulsion, have been exhibited at New York Live Arts, The Garage NYC, and Longhouse Foundation, with works held in the collections of Agnes Gund and 21c Museum Hotels. He came to me through a personal connection, introduced by my brother Jonathan, who photographs for both of us. The ask on the surface was a portfolio website. What it actually required was translation. Bjorn had strong instincts about how his work should feel but no framework for getting those instincts into a site. That gap is exactly where I work. I started with feeling before structure. His work is intimate and monumental at once, made from the sheets he and his husband sleep on, hung like tapestries, dense with imagery that rewards the longer you look. The site needed that same quality. Unhurried, material, serious without being cold. Everything followed from that. EB Garamond for the typography, warm off-white and near-black for the palette, a single scrolling home page with the full body of work presented chronologically. No decorative accents. No color beyond the artwork itself. The work speaks for itself and the design gets out of the way. The build is hand-coded in vanilla HTML, CSS, and JavaScript, no frameworks, no CMS, deployed via Netlify. I also developed a full photography brief for 19 works that needed reshooting, including a shooting guide diagram, and coordinated the reshoot with the photographer.
2
96
Cover image for BRAND PARTNERSHIP PITCH DECK Client: Kiss
BRAND PARTNERSHIP PITCH DECK Client: Kiss My Face / Serena Wolman (Creative Founder) Kiss My Face is an underground dance variety show in NYC, now in its 8th iteration. Professional dancers from NYC Ballet, Juilliard, and Broadway performing in immersive nightlife environments. Founded by choreographer and director Serena Wolman, it sits at the raw intersection of high art and underground culture. The work here was taking something that feels undeniable in a room and making it legible on paper to a brand or sponsorship audience. Those are two very different things. I started by getting clear on the feeling KMF actually creates. Unleashed, unfiltered, uninhibited. Front row access to something you can't see anywhere else. That feeling became the foundation for the pitch, because the real value for a brand partner isn't the impressions. It's the cultural credibility that comes from being embedded in something this specific and this real. From there the strategy shaped the narrative. What KMF is, why the moment matters, who shows up and why that audience is valuable, and what a brand partnership actually looks like in practice. Then I translated all of it into a full deck, built in the visual language of the show itself. The goal was a pitch that felt as bold and considered as the experience it was selling.
0
89
Cover image for CREATOR COLLABORATION PITCH  Client: Serena Wolman
CREATOR COLLABORATION PITCH  Client: Serena Wolman (Creative Founder) This one started with a creative concept that already existed. Serena Wolman, an independent director and choreographer, came with a vision for a content collaboration with the brand Vibram. My job was to figure out how to position it for a brand audience. The work was understanding who Serena is at her core, her curiosity, her relationship to movement and culture, and translating that into something Vibram could see themselves in. Not as a sponsorship, not as an influencer play, but as a real creative collaboration. Someone whose perspective and presence would generate content that didn't look like an ad because it wasn't one. The pitch had to make that value exchange legible. What she brings, what the brand gets, and how it would actually live in practice on their social channels. Strategy first, so the creative vision had a business case underneath it. Vibram hasn't moved forward yet, but the deck is the proof. The work is in the translation, taking a creative's world and making it land for a brand audience. That's the part I'm built for.
0
100
Cover image for PERSONAL BRAND SHOOT Client: GRCE Projects
PERSONAL BRAND SHOOT Client: GRCE Projects (My Personal Brand) When I decided to do a brand shoot for GRCE Projects, I had to answer the same question I ask every client first. What do I want people to feel when they encounter this? What kept coming back was an open invitation. A presence that makes someone feel safe enough to really go there. That feeling, safety, trust, ease, became the brief. Not a mood, not an aesthetic, a feeling. And everything else had to flow from it. The concept came from that feeling. "Join me at the table." From there I built out the three visual territories that would hold it in frame: the presence, the invitation, and the emotion. The moodboard, the styling, the location, the shot list, all of it traced back to the same feeling underneath. What I learned doing this for myself is that when the feeling is clear first, every decision gets easier. You stop second-guessing the styling because you know what it needs to feel like. You stop debating locations because you know what the space has to hold. The result was a body of work that became the foundation for everything GRCE Projects is built on visually. Shot on film by Remy Young.
0
100
Figma(5)