Freelancers using Squarespace in Quebec
Freelancers using Squarespace in Quebec
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Samantha Brandes
Montreal, Canada
Graphic and web designer crafting clean, modern design.
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Graphic and web designer crafting clean, modern design.
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Glow & Luxe E-Commerce Website
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7
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Pawfect Match Landing Page
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4
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Glow & Luxe E-Commerce Website
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9
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Lunivel Skincare Branding
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5
Squarespace
(3)
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Anna Oguienko
Montreal, Canada
✦ Squarespace Website Designer ✦
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✦ Squarespace Website Designer ✦
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Website Redesign for a Massage Therapist
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12
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Bilingual Squarespace Site for Psychotherapist
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10
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Lush, Poetic Web Presence for a Psychotherapist
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15
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Serena Tyrrell
max
Montreal, Canada
Crafting Intentional Brand & Web Experiences
$50k+
Earned
11x
Hired
5.0
Rating
1.3K
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expert
+2
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Crafting Intentional Brand & Web Experiences
9
Branding + Web Design for a therapy clinic
9
166
92
SYN Brand Identity Design
92
1.3K
21
Custom Brand Identity + Wix Studio Web Design
21
355
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Redefining the country club experience | Branding + Web design
82
836
Squarespace
(1)
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ClΞms x
pro
Laval, Canada
Technical Product Owner & AI Automation Expert
$1k+
Earned
2x
Hired
5.0
Rating
23
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Expert
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Technical Product Owner & AI Automation Expert
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E-commerce UX Revamp That Delivered a 30% Conversion Increase
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6
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Evolution of my first UGC video creation process. for #diet #water brand.
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Foyer Nordic website design and development.
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In 2025, I helped launch Pulse, and today we’re celebrating a major milestone: 1 million visitors. This new homepage is designed to earn that next million by making the fresh categories instantly scannable, with clearer navigation, stronger visual hierarchy, and dedicated space for our fastest‑growing content pillars—so visitors land, recognize what matters to them in seconds, and move deeper into the product experience without friction. https://pulse.us.com
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197
Squarespace
(1)
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Faadil Boussari
pro
Gatineau, Canada
Product Designer · Framer · Brand Systems · Prototypes
17
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Product Designer · Framer · Brand Systems · Prototypes
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Before Bar One: The First Version Proved the Mechanism. Squarespace Turned It Into an Experience. Before Bar One did not begin as a website. It began as a small functional prototype for Day 3 of my 30 Days of Real Business Problems challenge. The original idea came from a very specific orchestral problem: Five musicians receive their parts and begin rehearsal together. Four parts continue normally from rehearsal mark C to rehearsal mark D. But in one edition, the Horn in F part contains eight missing bars. The page still looks complete. The paper is still ruled. The rehearsal continues. But one musical route has quietly disappeared. That first prototype was designed to prove a single interaction: The mechanism worked. Visitors could move from the fictional 1987-F field edition to the revised 2001-R edition and watch the orchestral route reconnect. But the experience still felt like a product demonstration. It explained the mechanism, but it did not yet feel like the kind of environment where someone might discover, inspect and interpret an edition discrepancy. For the Squarespace Make It Real Challenge, I decided not to replace the original idea with a more conventional brand website. I kept the interaction and rebuilt everything around it. The result is Before Bar One An Interactive Critical Archive. Rather than presenting the problem as a dashboard or software tool, the Squarespace experience treats it as a fictional archival incident. The visitor enters an editorial environment built around records, catalog references, edition controls, rehearsal routes, incident reports and constructed evidence. The visual system uses warm ivory, charcoal, archival brass, fault red and restoration mint. Editorial serif typography is paired with monospace archive labels, fine rules, stamps and catalog notation. The central question remains simple: What changes when the edition changes? In the 1987-F state, the Horn in F becomes silent between rehearsal marks C and D. The visitor can inspect: five orchestral routes; one interrupted path; eight empty measure cells; a ruled but unprinted passage; a tactile archive record; an unresolved incident status; a restoration diagram that remains incomplete. The part does not look damaged. That is the point. The issue is not the physical copy. The issue is the edition. When the visitor selects 2001-R, the archive changes with it. The missing measures return. The archive object is recatalogued. The incident status changes. The Horn in F route reconnects. The five parts arrive together again. The edition selector is therefore not simply a visual toggle. It becomes the central reading device for the entire experience. I also created a second page called The Reading Room. This page expands the interaction into a fuller archival consultation and includes: Archive Record 001; Archive Record 002; a direct edition comparison; an Incident Report; an Evidence Wall; a Build Record; the final closing notice. The Evidence Wall presents several fictional artifacts: a photographed leaf, a copyist-style marginal cue, a constructed sketch source, a restoration analysis tag and a transcribed cue sheet. All institutions, dates, editions, records and musical evidence in the project are explicitly labelled as fictional or constructed. The goal is not to imitate a real historical discovery, but to demonstrate how an edition-comparison workflow could be transformed into an interactive narrative. One of the most important additions came late in the process. I realized that visitors could see the missing passage, but they could not yet hear what it changed. So I created two versions of the same short orchestral rehearsal: Both versions use the same tempo, harmony, strings, duration and arrangement. The only intended difference is the Horn in F during the central eight-bar passage. In 1987-F, the strings continue while the horn disappears. In 2001-R, the horn remains present and rejoins the ensemble through the restored passage. These recordings were added through a native Squarespace Listening Station using Squarespace Audio Blocks. The visitor can now: Squarespace became more than the place where the prototype was published. It provided the structure for turning one interaction into a complete public experience: a clearer five-second introduction; a responsive editorial layout; a two-page narrative architecture; navigation between the Archive and Reading Room; native audio presentation; a stronger visual hierarchy; a final layer of polish and atmosphere. The core edition mechanism is implemented as a custom HTML and CSS interaction embedded within Squarespace. Around it, Squarespace provides the public-facing framework, page structure, responsive composition and native Listening Station that make the project feel complete. The transformation was not: It was: The original version proved that the idea could work. The Squarespace version gave the idea a world, a rhythm and a reason to explore it. Explore the project Interactive Critical Archive https://horse-grey-66kc.squarespace.com/before-bar-one The Reading Room https://horse-grey-66kc.squarespace.com/reading-room Password 1234 Original Day 3 prototype https://faadil1.github.io/before-bar-one/ The first version proved the mechanism. Squarespace turned it into a visual, editorial and audible experience. Before every rehearsal, check the edition. #SquarespaceChallenge #MakeItReal #Squarespace #FinishLayer #WebDesign #CreativeDevelopment #InteractionDesign #EditorialDesign #SoundDesign #UIUX #Contra
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What if information only existed while you were warm enough to reveal it?
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INNER CALDERA: Visual Exploration This experiment started with a familiar visual trope: a landscape reflected inside an eye. Instead of pushing it toward fire, spectacle, or a “lava iris,” I wanted to move in the opposite direction. The idea became an ancient dormant caldera compressed into a living human iris. The pupil remains completely black, almost eclipse-like. Around it, cooled obsidian forms irregular ridges, eroded peaks, mineral fractures, and barely visible residual heat. Natural iris fibers are still present between the geological structures, while moisture and tear film keep the eye unmistakably alive. The main challenge was balancing two readings at once: a real human eye and a geological landscape that feels millions of years old. I explored multiple variations in topology, material behavior, depth, and light before selecting the versions where anatomy and geology felt like one continuous structure rather than a landscape pasted into an iris. AI-assisted image exploration, iterative art direction, and visual selection. #ArtDirection #DigitalArt #VisualExperiment
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Day 15: PROOF IS BROKEN In 2007, Blendtec’s Will It Blend? turned extreme product demonstrations into proof. The formula was simple: Watch the video. Believe the product. But today, spectacular footage can be generated, enhanced, or fabricated. A visually impressive demonstration no longer guarantees credibility. So I explored a new business problem: How can a brand still prove product performance when video alone is no longer enough? I reimagined the campaign around a new question: WOULD YOU BELIEVE IT? The new concept introduces The Proof Room—a controlled testing environment where the object, process, camera angles, and physical result are all visibly documented. The campaign evolves from: Will it blend? to: Can the demonstration be verified? For this project, I created: an original-versus-reimagined campaign film; a complete storyboard; AI-generated product and motion sequences; a verification-based visual system; a campaign poster and thumbnail; sound design and final editing. The final idea:
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65
Squarespace
(1)
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Adel Al-Ezzi
Quebec, Canada
Designing clean, responsive, and high-performing websites
20
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Designing clean, responsive, and high-performing websites
1
E-commerce Website Development - Basmex INC
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5
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Wholesaler Website Development - My Canada Group INC
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10
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Website Development for Kindergarten - Valse Des Fleurs INC
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5
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Sebastian Samuel
Montreal, Canada
Brand Strategist turning complex ideas into clear brands.
New to Contra
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Brand Strategist turning complex ideas into clear brands.
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BlackBolt Provisions — Brand Strategy, Identity & Web
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Sometimes a project plunges you into a world completely different from anything you’ve experienced before. Creating the brand identity for BlackBolt Provisions did exactly that. The idea at the centre of the brand was something I hadn’t encountered before, but immediately saw the value in: fan recognition. The challenge was to create a brand that could take people into that world and make a completely new concept feel tangible, relevant and worth paying attention to. That journey shaped everything from the identity and website to the white paper that explains the bigger idea behind BlackBolt.
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102
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Monayiti Brand Identity & Packaging
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1
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Creative Direction for Mary Gallery’s 2025 Mayoral Campaign
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2
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Tia Osuma
Montreal, Canada
Email Marketing Manager | Lifecycle Strategist
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Email Marketing Manager | Lifecycle Strategist
2
End-to-End Digital Product Funnel & Launch for Personal Brand
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17
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Membership Referral Program - Email Campaign Launch for CILA
3
18
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Conversion Design Portfolio
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9
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Landing Page Design for Customachinery (1) | Images
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4
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(1)
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