Freelance Creative Directors in QuebecFreelance Creative Directors in Quebec
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Serena Tyrrell's avatar
Serena Tyrrell
maxMontreal, Canada
Crafting Intentional Brand & Web Experiences
$50k+
Earned
11x
Hired
5.0
Rating
1.3K
Followers
TOP_INDEPENDENT

Top

FRAMER_EXPERT

expert

+2
Crafting Intentional Brand & Web Experiences
Cover image for SYN Brand Identity Design
SYN Brand Identity Design
92
1.4K
Cover image for Upscaled Tennis Wear for Women | Branding
Upscaled Tennis Wear for Women | Branding
4
127
Cover image for Upscaled swimwear backed by a strategic visual identity.
Upscaled swimwear backed by a strategic visual identity.
29
467
Cover image for Custom Brand Identity + Wix Studio Web Design
Custom Brand Identity + Wix Studio Web Design
21
357
Creative Director(3)
Faadil Boussari's avatar
Faadil Boussari
proGatineau, Canada
Product Designer · Framer · Brand Systems · Prototypes
17
Followers
Product Designer · Framer · Brand Systems · Prototypes
Cover image for Day 15: PROOF IS BROKEN In
Day 15: PROOF IS BROKEN In 2007, Blendtec’s Will It Blend? turned extreme product demonstrations into proof. The formula was simple: Watch the video. Believe the product. But today, spectacular footage can be generated, enhanced, or fabricated. A visually impressive demonstration no longer guarantees credibility. So I explored a new business problem: How can a brand still prove product performance when video alone is no longer enough? I reimagined the campaign around a new question: WOULD YOU BELIEVE IT? The new concept introduces The Proof Room—a controlled testing environment where the object, process, camera angles, and physical result are all visibly documented. The campaign evolves from: Will it blend? to: Can the demonstration be verified? For this project, I created: an original-versus-reimagined campaign film; a complete storyboard; AI-generated product and motion sequences; a verification-based visual system; a campaign poster and thumbnail; sound design and final editing. The final idea:
1
73
Cover image for VOLLENT: Operational Acknowledgment Interlock
VOLLENT: Operational Acknowledgment Interlock
0
12
Cover image for Before Bar One: The First
Before Bar One: The First Version Proved the Mechanism. Squarespace Turned It Into an Experience. Before Bar One did not begin as a website. It began as a small functional prototype for Day 3 of my 30 Days of Real Business Problems challenge. The original idea came from a very specific orchestral problem: Five musicians receive their parts and begin rehearsal together. Four parts continue normally from rehearsal mark C to rehearsal mark D. But in one edition, the Horn in F part contains eight missing bars. The page still looks complete. The paper is still ruled. The rehearsal continues. But one musical route has quietly disappeared. That first prototype was designed to prove a single interaction: The mechanism worked. Visitors could move from the fictional 1987-F field edition to the revised 2001-R edition and watch the orchestral route reconnect. But the experience still felt like a product demonstration. It explained the mechanism, but it did not yet feel like the kind of environment where someone might discover, inspect and interpret an edition discrepancy. For the Squarespace Make It Real Challenge, I decided not to replace the original idea with a more conventional brand website. I kept the interaction and rebuilt everything around it. The result is Before Bar One An Interactive Critical Archive. Rather than presenting the problem as a dashboard or software tool, the Squarespace experience treats it as a fictional archival incident. The visitor enters an editorial environment built around records, catalog references, edition controls, rehearsal routes, incident reports and constructed evidence. The visual system uses warm ivory, charcoal, archival brass, fault red and restoration mint. Editorial serif typography is paired with monospace archive labels, fine rules, stamps and catalog notation. The central question remains simple: What changes when the edition changes? In the 1987-F state, the Horn in F becomes silent between rehearsal marks C and D. The visitor can inspect: five orchestral routes; one interrupted path; eight empty measure cells; a ruled but unprinted passage; a tactile archive record; an unresolved incident status; a restoration diagram that remains incomplete. The part does not look damaged. That is the point. The issue is not the physical copy. The issue is the edition. When the visitor selects 2001-R, the archive changes with it. The missing measures return. The archive object is recatalogued. The incident status changes. The Horn in F route reconnects. The five parts arrive together again. The edition selector is therefore not simply a visual toggle. It becomes the central reading device for the entire experience. I also created a second page called The Reading Room. This page expands the interaction into a fuller archival consultation and includes: Archive Record 001; Archive Record 002; a direct edition comparison; an Incident Report; an Evidence Wall; a Build Record; the final closing notice. The Evidence Wall presents several fictional artifacts: a photographed leaf, a copyist-style marginal cue, a constructed sketch source, a restoration analysis tag and a transcribed cue sheet. All institutions, dates, editions, records and musical evidence in the project are explicitly labelled as fictional or constructed. The goal is not to imitate a real historical discovery, but to demonstrate how an edition-comparison workflow could be transformed into an interactive narrative. One of the most important additions came late in the process. I realized that visitors could see the missing passage, but they could not yet hear what it changed. So I created two versions of the same short orchestral rehearsal: Both versions use the same tempo, harmony, strings, duration and arrangement. The only intended difference is the Horn in F during the central eight-bar passage. In 1987-F, the strings continue while the horn disappears. In 2001-R, the horn remains present and rejoins the ensemble through the restored passage. These recordings were added through a native Squarespace Listening Station using Squarespace Audio Blocks. The visitor can now: Squarespace became more than the place where the prototype was published. It provided the structure for turning one interaction into a complete public experience: a clearer five-second introduction; a responsive editorial layout; a two-page narrative architecture; navigation between the Archive and Reading Room; native audio presentation; a stronger visual hierarchy; a final layer of polish and atmosphere. The core edition mechanism is implemented as a custom HTML and CSS interaction embedded within Squarespace. Around it, Squarespace provides the public-facing framework, page structure, responsive composition and native Listening Station that make the project feel complete. The transformation was not: It was: The original version proved that the idea could work. The Squarespace version gave the idea a world, a rhythm and a reason to explore it. Explore the project Interactive Critical Archive https://horse-grey-66kc.squarespace.com/before-bar-one The Reading Room https://horse-grey-66kc.squarespace.com/reading-room Password 1234 Original Day 3 prototype https://faadil1.github.io/before-bar-one/ The first version proved the mechanism. Squarespace turned it into a visual, editorial and audible experience. Before every rehearsal, check the edition. #SquarespaceChallenge #MakeItReal #Squarespace #FinishLayer #WebDesign #CreativeDevelopment #InteractionDesign #EditorialDesign #SoundDesign #UIUX #Contra
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Cover image for Day 8/30 — OFFBITE Most snack
Day 8/30 — OFFBITE Most snack brands place a mascot on every package. OFFBITE does the opposite. Each cookie flavor carries only one fragment of a shared negative-space system. Separated, the cartons remain abstract. Aligned, they reveal one collective presence. The system extends into motion and behavior without adding eyes, a mouth, or literal limbs. Expression comes through weight, distance, compression, and form. A self-initiated speculative project exploring packaging, brand systems, motion, and 3D art direction. View the full case study: https://faadil1.github.io/offbite/ Would this make you stop and look twice on a shelf?
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86
Creative Director(15)
Sébastien Lavoie's avatar
Sébastien Lavoie
proQuebec City, Canada
Director, motion designer and 2D animator
27
Followers
Director, motion designer and 2D animator
Cover image for Satori video
Satori video
1
7
Cover image for What is Index Coop?
What is Index Coop?
0
7
Cover image for Explainer Videos for Index Coop's Crypto Products
Explainer Videos for Index Coop's Crypto Products
0
6
Cover image for CSPQ - Consolidation des CTI (French)
CSPQ - Consolidation des CTI (French)
1
5
Creative Director(5)
Omar Boubess's avatar
Omar Boubess
Montreal, Canada
Creative Director | Hospitality & Real Estate Brands
5.0
Rating
86
Followers
Creative Director | Hospitality & Real Estate Brands
Cover image for Stil 1827 | Boutique Hotel Branding & Web
Stil 1827 | Boutique Hotel Branding & Web
2
28
Cover image for Sienna Wines | Wine Agency Branding & Web
Sienna Wines | Wine Agency Branding & Web
2
23
Cover image for O's Focacceria | Restaurant Branding
O's Focacceria | Restaurant Branding
3
22
Cover image for Bn Coffee Bar | Cafe Branding & Packaging
Bn Coffee Bar | Cafe Branding & Packaging
1
27
Creative Director(4)
Mernat Blaise's avatar
Mernat Blaise
Montreal, Canada
UGC, Short-Form Video & Social Media for Brands | AI VIDEO
UGC, Short-Form Video & Social Media for Brands | AI VIDEO
Cover image for What if a fashion campaign
What if a fashion campaign didn’t need a set to feel cinematic? For this concept, I took fashion to the salt flats of Bolivia, an endless white landscape, a sculptural zebra look, flashes of gold, and movement designed to make every frame feel intentional. The final film was created with AI, but the vision wasn’t left to chance. From the styling and environment to the camera direction, pacing and visual continuity, every detail was built to feel like part of the same world. I’m interested in AI for what it can unlock creatively not just what it can generate. Creative Direction · AI Visuals · Fashion Film · Video Editing Available for select brand, fashion & creative projects.
2
123
Cover image for Turning a simple linen shirt
Turning a simple linen shirt into a full campaign 🌴 I wanted to see how far I could push one product image, so I built this desert fashion concept around it using Higgsfield AI from the location and model to the different shots and camera movements. I’m really enjoying experimenting with AI as part of my creative process, especially for fashion and product content. Simple product, completely new world. #Higgsfield #AIVideo #FashionCampaign #CreativeDirection #VideoEditor #AIContent #FreelanceCreative #SpecAd
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83
Cover image for THE ART OF THE GLOSS
THE ART OF THE GLOSS | Fenty Beauty 💄 Created as a spec UGC / product film an exploration of how I’d bring a beauty product to life through my lens. There’s something about beauty content that lives in the details “ the shine” ,the texture, the way light catches the packaging. For this Fenty Beauty spec piece, I wanted the product to feel almost tangible through the screen. Clean macro shots, intentional movement and just enough drama to let the gloss do what it does best: shine. Creative Direction · UGC · Product Videography · Beauty Content · Video Editing
1
65
Cover image for I have fun creating this
I have fun creating this short fashion video on Higgsfield Ai with seedance 2.5 👩🏽‍💻💃🏽 Ai video editor | brands marketing | Ads | fashion content
2
109
Creative Director(2)
Sebastian Samuel's avatar
Sebastian Samuel
Montreal, Canada
Brand Strategist turning complex ideas into clear brands.
New to Contra
Brand Strategist turning complex ideas into clear brands.
Cover image for Monayiti Brand Identity & Packaging
Monayiti Brand Identity & Packaging
0
2
Cover image for Creative Direction for Mary Gallery’s 2025 Mayoral Campaign
Creative Direction for Mary Gallery’s 2025 Mayoral Campaign
0
3
Cover image for Sometimes a project plunges you
Sometimes a project plunges you into a world completely different from anything you’ve experienced before. Creating the brand identity for BlackBolt Provisions did exactly that. The idea at the centre of the brand was something I hadn’t encountered before, but immediately saw the value in: fan recognition. The challenge was to create a brand that could take people into that world and make a completely new concept feel tangible, relevant and worth paying attention to. That journey shaped everything from the identity and website to the white paper that explains the bigger idea behind BlackBolt.
2
2
132
Cover image for Retrova — Naming, Brand Identity & Digital Experience
Retrova — Naming, Brand Identity & Digital Experience
0
5
Creative Director(2)