Freelance Spline Designers in MumbaiFreelance Spline Designers in Mumbai
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Joeerito ‎'s avatar
Joeerito ‎
proMumbai, India
3D & Animated Websites for Startups | Framer + Spline
$1k+
Earned
2x
Hired
5.0
Rating
37
Followers
FRAMER_EXPERT

expert

SPLINE_EXPERT

expert

3D & Animated Websites for Startups | Framer + Spline
Cover image for Futuristic 3D Web Experience for Zerebro
Futuristic 3D Web Experience for Zerebro
1
16
Cover image for RealisWorlds Website Revamp | Design | Development | 3D | vision
RealisWorlds Website Revamp | Design | Development | 3D | vision
1
16
Cover image for Interactive 3d torus animation ✦ Spline
Interactive 3d torus animation ✦ Spline
1
32
Cover image for Web3 Access Platform for Thirstcoin (Solana Gated)
Web3 Access Platform for Thirstcoin (Solana Gated)
1
22
Spline Designer(3)
Shezaan Ansari's avatar
Shezaan Ansari
proMumbai, India
AI Video Producer | Brand Designer
$10k+
Earned
18x
Hired
5.0
Rating
249
Followers
KITTL_EXPERT

expert

AGENT_EXPERT

Expert

+4
AI Video Producer | Brand Designer
Cover image for VOLTRA // [BUILDATHON] THE NEW ERA
VOLTRA // [BUILDATHON] THE NEW ERA OF INTERACTIVE DESIGN. Wrapping up my second entry for the @Contra x @Omma Buildathon. Moving away from the dark void into a vibrant, high-fidelity studio environment. THE SPECS: 70/30 Rule: 100% Native Omma geometry and layouts. Zero external 3D models. Interactivity: Smooth scroll-triggered camera paths and floating micro-interactions (Drones & Spheres). Visuals: Depth-of-field glassmorphism, soft ambient lighting, and kinetic "pathway" motion design. Built to show that web design doesn't have to be flat. 🛠️ Live Link: https://omma.build/j3zqgl1q7tn
9
22
1.2K
Cover image for MAHABHARATA — FROZEN MOMENTS. The
MAHABHARATA — FROZEN MOMENTS. The epic's four turning points, suspended mid-instant in bronze: the dice throw, the unending sari, the charge at Kurukshetra, the bed of arrows. The reference format is frozen-time tableaux — 26 seconds, only 3 cuts, the world stopped at 2% speed while a single camera orbits through each moment with an ease-out. I reverse-engineered its grade before shooting anything: bronze-gold chiaroscuro, warm blacks, average frame brightness under 20% — one light source carving figures out of darkness. The build inverts normal production: • The keyframe is the film — each still sculpted in Nano Banana Pro until the frozen moment is perfect, suspension baked in (dice mid-air, shards mid-shatter, embers hanging) • Seedance 2.0 animates only the camera: one 360° orbit per 6-second shot, deceleration prompted in, landing on a named final frame • Four shots, soft dissolves, one continuous score — zero hard cuts • Reference screenshots fed as style conditioning so the cast-bronze material never drifts between shots Third entry in my Mahabharata series (after Suryaputra and The Bones). This is the pipeline I bring to launch and brand films — if you're building something that deserves mythology-grade imagery, Let's Talk!
4
256
Cover image for FIRST TIME ON GROUND —
FIRST TIME ON GROUND — a fashion film shot across Egypt, except nobody went to Egypt. The reference: a real brand film that took 7 days of shooting across the country. I reverse-engineered its edit down to the frame — one 4.5-second opening hold, cuts accelerating from 1s to 0.5s, a one-second strobe burst on the drop, then two seconds of stillness to close. That rhythm is why those films feel expensive. Then I rebuilt the whole thing from zero: • 14 scenes, directed from a full shotlist before generating a single frame • Keyframes in Nano Banana Pro — one locked style system (crimson-amber silhouettes + high-contrast B/W for negative flashes) • Motion in Seedance 2.0 — one decisive camera move per shot, the cutting rhythm lives in the timeline, not the prompt • Title cards generated too, projector flicker included, in a single multishot pass • Graded and cut in Premiere Solo. Zero flights. The edit does 60% of the work — the footage does 40%. This is the production model I bring to launch films and brand films: a real location shoot's craft, without the location. If you're launching something and want a film like this, Lets Talk!
14
13
1K
Cover image for Recreated Inception's most iconic frames
Recreated Inception's most iconic frames as AI film — entirely in Renoise. The folding Paris cityscape, the rotating-gravity hallway, the city crumbling into the sea, and the spinning top that never quite stops. Pipeline: Nano Banana Pro for keyframes → Seedance 2.0 for motion → stitched and graded for that cold IMAX teal. The trick with Inception is that it's set inside dreams, so any surreal instability in the motion reads as intentional dream-logic rather than an AI artifact — it's almost the perfect film to rebuild this way. This is the follow-up to my Interstellar recreation (2nd place, Contra × CapCut). Building these as a series now. Curious what scene I should take on next. 👇
4
3
446
Spline Designer(1)