Shezaan Ansari - AI Content Creator | ContraWork by Shezaan Ansari

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Shezaan Ansari

AI Video Producer | Brand Designer

$10k+: Earned

18x: Hired

5.00: Rating

266: Followers

Mumbai, India

Work Posts Products Reviews Services About

Mumbai, India

Hey Contra fam! 👋 A lot of you saw Version 1 of my Interstellar AI project when it won 2nd place in the CapCut Video Studio Challenge recently. The support from this community during that run was absolutely unreal, so I wanted to share the next evolution with you first. Here is Version 2. I wanted to see how far I could push the current AI video stack to mimic high-end cinematic language. I built this entirely from scratch—made in Higgsfield—to try and nail a very specific, gritty, and tactile aesthetic. Dialing in the prompt architecture to get consistent, heavy motion (like the massive wave and the curved space station) took a lot of trial and error, but the level of control Higgsfield offers creators right now is incredible. I’m always refining my prompt workflow for client projects, but passion pieces like this are where the real R&D happens. If anyone is currently building out their own AI video pipelines or wrestling with motion consistency, drop a comment! I’d love to chat about what tools you’re all testing right now.

When clients ask what the difference is between a generated video and a directed AI video, this is the benchmark. This project explores a high-end, cinematic visual language—specifically targeting a gritty aesthetic. The Workflow: Prompt Architecture: Built initial shot structures using custom Tapebot integration for precise, repeatable visual rules. Motion Generation: Orchestrated complex motion pipelines using Seedance and Nano Banana Pro, focusing on the physical impact of the subjects (like the heavy gallop of the horse) and subtle camera tracking. Sound Design: Grounded the generated visuals using isolated, ambient foley to build tension, proving that premium sound design is non-negotiable for AI content. Available now for AI Video Lead roles and creative motion projects. Let's build something cinematic.

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SHIRIN — AI Brand Identity & Packaging System

Hey everyone! I recently spent some time deep in the AI video pipeline, recreating a commercial guide developed by Higgsfield. When orchestrating these types of AI-generated commercials, getting the motion prompts and visual tone perfectly aligned is the biggest hurdle. For this piece, the focus was all on environmental contrast. I had to ensure the prompt architecture supported a smooth transition from a very stylized, pastel morning routine into a rigid, desaturated office space. The fluid tracking shots were crucial here to anchor the viewer in the character's "audio bubble," making the final comedic payoff—where the high-stress environment is completely neutralized by the music—actually land. Would love to hear how others in the community are currently utilizing Higgsfield or similar tools for commercial shot lists and motion direction!

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The Foundry — AXIOM ONE (15s spec spot) New spec drop: a cinematic launch film for a product I invented specifically to direct against — AXIOM ONE, a precision-milled titanium earbud. Process notes for anyone building in AI video: One 15s generation, but directed like a real spot: a locked global style prefix (cinematic / Kodak film emulation), a written product spec repeated verbatim, and three engineered cuts inside a single prompt. Continuity across the wider anthology comes from reference stills generated first, then fed into every video generation — the product never drifts. The "hyper-motion" feel is written as in-camera language: high-frame-rate capture, mixed shutter, engineered speed ramps — not "make it fast." This is Film II of four. Same product, four completely different stories, one visual DNA. Open for cinematic AI ad work — launch films, brand spots, product cinema.

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MAHABHARATA — FROZEN MOMENTS. The epic's four turning points, suspended mid-instant in bronze: the dice throw, the unending sari, the charge at Kurukshetra, the bed of arrows. The reference format is frozen-time tableaux — 26 seconds, only 3 cuts, the world stopped at 2% speed while a single camera orbits through each moment with an ease-out. I reverse-engineered its grade before shooting anything: bronze-gold chiaroscuro, warm blacks, average frame brightness under 20% — one light source carving figures out of darkness. The build inverts normal production: • The keyframe is the film — each still sculpted in Nano Banana Pro until the frozen moment is perfect, suspension baked in (dice mid-air, shards mid-shatter, embers hanging) • Seedance 2.0 animates only the camera: one 360° orbit per 6-second shot, deceleration prompted in, landing on a named final frame • Four shots, soft dissolves, one continuous score — zero hard cuts • Reference screenshots fed as style conditioning so the cast-bronze material never drifts between shots Third entry in my Mahabharata series (after Suryaputra and The Bones). This is the pipeline I bring to launch and brand films — if you're building something that deserves mythology-grade imagery, Let's Talk!

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FIRST TIME ON GROUND — a fashion film shot across Egypt, except nobody went to Egypt. The reference: a real brand film that took 7 days of shooting across the country. I reverse-engineered its edit down to the frame — one 4.5-second opening hold, cuts accelerating from 1s to 0.5s, a one-second strobe burst on the drop, then two seconds of stillness to close. That rhythm is why those films feel expensive. Then I rebuilt the whole thing from zero: • 14 scenes, directed from a full shotlist before generating a single frame • Keyframes in Nano Banana Pro — one locked style system (crimson-amber silhouettes + high-contrast B/W for negative flashes) • Motion in Seedance 2.0 — one decisive camera move per shot, the cutting rhythm lives in the timeline, not the prompt • Title cards generated too, projector flicker included, in a single multishot pass • Graded and cut in Premiere Solo. Zero flights. The edit does 60% of the work — the footage does 40%. This is the production model I bring to launch films and brand films: a real location shoot's craft, without the location. If you're launching something and want a film like this, Lets Talk!

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Recreated Inception's most iconic frames as AI film — entirely in Renoise. The folding Paris cityscape, the rotating-gravity hallway, the city crumbling into the sea, and the spinning top that never quite stops. Pipeline: Nano Banana Pro for keyframes → Seedance 2.0 for motion → stitched and graded for that cold IMAX teal. The trick with Inception is that it's set inside dreams, so any surreal instability in the motion reads as intentional dream-logic rather than an AI artifact — it's almost the perfect film to rebuild this way. This is the follow-up to my Interstellar recreation (2nd place, Contra × CapCut). Building these as a series now. Curious what scene I should take on next. 👇

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Vision driven. Intentional. Cinematic impact. Introducing the new visual foundation for my work as a Creative Director and AI Video Lead. The goal was to strip away the noise and build an identity that reflects the tactile, high-contrast world of cinematic production and immersive web design. A sleek palette of Deep Obsidian and Graphite, letting the work speak for itself. Grateful for the recent wins and features with the community that helped catalyze this next chapter. Let’s build something visually intelligent. Drop a 🎬 if you’re vibing with the dark mode aesthetic.

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Hey community! Dropping a quick style frame and motion pipeline test I wrapped up recently. The Goal: Achieve a gritty, found-footage aesthetic with an FPV drone chase that feels organic rather than a clean, digital AI generation. The Process & Workarounds: Base generations focused heavily on camera physics (banking, velocity, and high-speed tracking). Post-production work to heavily crush the color grade into a moody, midnight teal palette. Implemented heavy digital grain overlays and timed lightning flashes to mask geometry clipping and maintain the dreamlike atmosphere. I’m currently booking for late Q2/Q3 for AI video pipelines, motion design, and digital brand storytelling. If you have a project that needs a raw, cinematic edge, let’s connect and collaborate. 🚀

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👋 Sharing a new passion project I just wrapped up: a cinematic teaser for a Mahabharata series focusing on Karna. As a Creative Producer, I'm always looking to push the boundaries of AI video pipelines to see how close we can get to a massive, big-budget aesthetic. For this, I found a sweet spot using Nano Banana Pro for the gritty base imagery and Seedance 2.0 to get that heavy, grounded motion on complex actions. Always experimenting with new workflows—would love to hear what tools you all are using for motion generation lately!

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Veil — A Manifesto, Not a Landing Page

Diving deep into macro simulations for a 4K kinetic beverage spot. 🧊🍊 Wanted to push the boundaries of high-velocity liquid simulation and cinematic art direction. For this dynamic spec ad for 'Fizzon,' the goal was to seamlessly transition from a crisp, macro product open straight into a surreal, immersive world of fizzing liquid landscapes and high-contrast fruit geometry. Focused heavily on backlighting to get that warm, premium glow piercing through the splashes, paired with punchy, tactile sound design to ground the abstract visuals. Always looking for ways to make the product reveal feel inevitable but unpredictable. Would love to know: How is the pacing hitting for you? Does the audio sync build enough tension before the final splashdown? Drop your thoughts below! 👇

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How do you make a viewer feel a flavor? ⚡🍬 For my second spot for Fizzbears, I pushed the creative execution past pure environmental rendering and into mixed-media storytelling. Pushing a prompt to get a cool background is easy. Crafting a cohesive 15-second commercial that handles product placement, character animation, a massive shift in scale, and a live-action human reaction? That’s where the real work happens. What I focused on for this edit: 🏙️ The Gummy Metropolis: Building a stylized, festival-inspired city with distinct mascot personalities (from DJs to skateboarders). 🪡 Seamless Pacing: Syncing the heavy synth-pop track with rapid focal-length shifts to keep the energy high-octane. 🎯 Product Framing: Ensuring the "Fizzbears" packaging remains the hero asset at the start and finish of the journey. Great commercial work isn't about the tools you use; it’s about how seamlessly you blend them to keep a user from scrolling past. 🔥 Let’s build your brand’s universe.

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A cinematic exploration of scale, atmosphere, and survival.🏜️📽️ I wanted to see how far I could push Seedance 2.0 and GPT Image 2 by using them non-linearly. Instead of generating single clips, I used a Custom Text node to set a strict visual language, built a 2x2 storyboard sheet to guarantee asset control, and fed that entire structure into the video engine. The final cut features custom sound nodes to drive the narrative pacing from a quiet opening whisper to a massive industrial crescendo.

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If your creative assets don't evoke a physical reaction, they fail. 🧠⚡ In CPG marketing, attention is the only currency that matters. If a user doesn't stop within the first 1.5 seconds, your render didn't happen. For this Fizzbears spot, my goal as a Creative Producer wasn't just to make something "look cool"—it was to trigger a sensory memory. I wanted to simulate the exact, mouth-watering feeling of biting into a sour gummy using style scale and hyper-vibrant color theory. The Attention-Stopping Stack: 💎 Crystalline sugar rendering that feels tangible. 🌌 An "Interstellar-style" light tunnel transition. ⚡ Audio design that snaps perfectly on the beat. Stop chasing generic loops. Start building worlds that command attention. 📌 Drop a comment or message me if you want to elevate your brand’s next visual campaign.

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THE SOUTH | 360° Campaign

INTERSTELLAR BY AI: A Cinematic Tribute

FLUX-GEN: AI Motion Commercial Project

Fizzbears: A Study in Texture & Motion 🍬⚡ Bringing "sour" to life. The goal for this Fizzbears spot was simple: make the viewer feel the texture. I focused on the macro details of the sugar crystals and high-energy physics to create a 9-second hook that’s as punchy as the product. Key Deliverables: Macro Realism: Pushing for tangible texture in every gummy. Vibrant Palette: Flavor-coded transitions with a clean, high-end polish. Rhythmic Edit: Precision-synced sound design for maximum impact. Created with an end-to-end AI video workflow.

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How I built a cinematic brand identity in the "White Void. I recently wrapped this spec project for Nike, focusing on a minimalist aesthetic I call "The White Void." As an AI Video Lead and Developer, I treat AI as a digital camera, not a "generator. Key Takeaways for Clients: Texture over Shine: We used matte satin and pilled cotton textures to avoid the "AI look." Motion Logic: Every camera move (from dolly zooms to impact tremors) was prompted to feel like a $1M production. Sonic Sync: The edit is driven by the heartbeat of the character. I’m currently taking on new projects for studios looking to bridge the gap between AI tech and high-end cinematic standards. Check out my full portfolio on my profile!

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Fizzbears — Sour That Pops

FROST - Premium Hydration Brand Identity

EMBER — Premium Hot Sauce Brand Identity

FIZZON: Brand Identity for Energy Drink

NORI — A Modern Matcha Ritual

1 Collaborator

VELOR — Luxury Haircare Brand Identity

NOVA: Brand Identity and Campaign Development

2nd Place in the CapCut AI Video Studio Challenge! 🥈 I’m incredibly stoked to announce that I’ve taken 2nd Place ($2,000) in the CapCut Video Studio Challenge right here on Contra. For this piece, I leaned into my obsession with the "Nolan" aesthetic—specifically focusing on 70mm IMAX textures and a cinematic narrative that bridges the gap between the grounded and the galactic. Hearing the judges break down my "Interstellar" tribute and call the shots "VFX-worthy" during the live announcement was a massive highlight. The Workflow: I utilized the new VideoStudio ecosystem, using the integrated Seedance engine to art-direct every frame. It was all about precision—syncing the atmosphere and scale to ensure the AI felt like a high-end camera, not just a generator. The Mindset: Most people look for a peak, but I’ve learned that when you’re built to keep climbing, there is no ceiling. This win is just the new baseline. Huge thanks to Zoë and the Contra team for the recognition and for pushing the boundaries of what’s possible in the freelance ecosystem. On to the next one.

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AURA Product Film 🎥 As a Creative Producer and Developer, I’m constantly looking for the "sweet spot" where technical AI workflows meet premium art direction. This 30-second trailer is a masterclass in high-cadence editing and tactile AI textures. Winning the next challenge? Maybe. Building the best AI-driven portfolio? Definitely. Hire me for your next launch.

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1 Collaborator

Impact at an IMAX scale. ☄️⚔️ Exploring the intersection of deep red samurai lore and "Interstellar" visual language. Key Beats: 0:03 - The Terminal Velocity Impact. 0:06 - Ethereal Titan Eruption. 0:11 - The Mountain-Cleaving Cleave. Crafted with Seedance 2.0. No music—just the raw, seismic SFX of a continental-sized blade parting the earth.

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2 Collaborators

Bloom AI — Cinematic Landing Page & Boot Sequence Developed the interactive landing page for Bloom, an AI-powered floral design platform. The project demanded a highly premium, "Awwwards-caliber" aesthetic merging organic video elements with futuristic, dark-mode glassmorphism. Technical Highlights: Custom Preloader: Engineered a "Botanical Boot Sequence" featuring a dynamic iridescent SVG loading ring that expands into a portal wipe. Advanced Glassmorphism: Wrote custom CSS layers utilizing background-blend-mode: luminosity, fractal noise SVGs, and gradient borders via -webkit-mask-composite. Fluid Motion: Implemented Framer Motion for buttery-smooth staggered entrances, spring-physics hover states, and a custom mix-blend-difference fluid cursor. Tech Stack: React, Tailwind CSS, Framer Motion, Lucide Icons.

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Breaking the mold for Mindloop. 🌀 I wanted to create an entry experience that felt less like a landing page and more like a digital environment. From the glitch initialization to the surrealist 3D landscapes, every frame is designed to keep the user curious. Built with a focus on: Immersive 3D: Blending organic flora with high-tech chrome elements. Editorial Typography: Balancing tech vibes with sophisticated serif layouts. Conversion-Driven: Scaling a community of 7,000+ through high-impact visuals. I’m currently opening up my calendar for April and May. If you’re looking to elevate your brand with high-end AI video, immersive web design, or a complete visual overhaul, let’s chat. Check the full website here: https://mindloop-seven.vercel.app/

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FinTech Brand & Pitch Deck: Fyno

1 Collaborator

Is it time for a Spotify redesign? 🧪 Dived into the lab to create a high-octane 3D look for my favorite streaming app. Wanted to see how far I could push the "Dark Mode" vibe using cinematic lighting and smooth UI transitions. Which feature would you actually want to see in the app? 👇 1️⃣ Live Activity Glow 2️⃣ 3D Asset Integration 3️⃣ Smoother Social Glitch UI

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VOLTRA // [BUILDATHON] THE NEW ERA OF INTERACTIVE DESIGN. Wrapping up my second entry for the @Contra x @Omma Buildathon. Moving away from the dark void into a vibrant, high-fidelity studio environment. THE SPECS: 70/30 Rule: 100% Native Omma geometry and layouts. Zero external 3D models. Interactivity: Smooth scroll-triggered camera paths and floating micro-interactions (Drones & Spheres). Visuals: Depth-of-field glassmorphism, soft ambient lighting, and kinetic "pathway" motion design. Built to show that web design doesn't have to be flat. 🛠️ Live Link: https://omma.build/j3zqgl1q7tn

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Verdant Matcha: From Concept to Canned Luxury

Orbis.NFT Cinematic WebGL Experience

ACCESS GRANTED. 🔓 The Nike Shox TL // EXE LAB. A study in mechanical precision and industrial noir. 19 shots. Zero filler. Created using a custom AI pipeline to bridge the gap between concept and cinematic reality. 🔊

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Is AI the future of cinematography? 🎬 I used AI to remake #GameOfThrones as if it were shot by Christopher Nolan on 70mm IMAX. The goal wasn’t just "cool visuals," but capturing that specific atmospheric dread and scale.

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Harry Potter. Shot on 70mm IMAX. 📽️⚡️ No humans. Just the weight of the stone, the hum of the magic, and the grit of the Wizarding World through a Nolan-esque lens. I directed this to prove that AI video doesn't have to look "AI." It should look like cinema. From the brushed-metal texture of the opening monolith to the viscous silver of the Pensieve, every frame was prompted for maximum tactile realism.

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POV: It's 1998. You just downloaded a NEW FLAVOR. Chasing a full-on retro '90s vibe for this one. We're talking CRT monitors, lava lamps, and a total flavor overload with Rainbow Sherbet. - This project was all about the "tactile" feel—making you practically taste the neon through the screen. Which shot is your favorite? 1, 8, or 14? Let me know below!

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INTERSTELLAR BY AI 🪐 A tribute to the film that started it all for me. 🎥✨ I've been producing AI video for a while now, but this one hits different. Interstellar is the gold standard for scale and emotion, and I wanted to see how far I could push the current tools to respect that legacy. From the dusty car interior to the crushing silence of Gargantua—this is AI filmmaking with a human soul.

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Lost in the textures of Patagonia. 🇨🇱✨ I recently wrapped this spec project capturing the atmospheric essence of Chile. My primary challenge was "Style Locking"—ensuring that the color grade and lighting remained consistent from the wide-scale landscapes to the intimate macro details of the horse gear. Which shot is your favorite? 1, 5, or 10? 👇

Cinema is a feeling, not just a tool. 🎞️✨ Spent the week pushing AI to its absolute limit to see if it could capture that "Nolan-esque" soul. No hallucinations, no jitters—just pure atmosphere. Which shot felt the most "real" to you? The mirror opening or the server room? Let me know in the comments. 👇

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Pushing the boundaries of AI cinematography with this one. 🎬 AI Safari: A Journey Through the Impossible. 🌍✨ From the lens of an AI Producer. 🎥

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From golden sails to volcanic sands. A journey through colors and waves🌊 Cinematic Seascape Montage: Pushing the limits High-end drone cinematography usually requires a pilot, a travel budget, and perfect weather. I created this entire global 'nature' reel from my desk and rhythmic editing.

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Catching a buzz. 🍯✨ Pushing the limits of AI-driven camera paths with this FPV bee flight. From the living room to the kitchen spill, I wanted to capture that frantic, high-speed energy of a bumblebee on a mission.

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BULL VS. MACHINE: A Cinematic AI Experiment A high-concept AI video production exploring the intersection of organic power and mechanical speed. This project serves as a case study in advanced AI cinematography, utilizing capcut & Higgsfield AI to create complex environmental interactions—specifically the "Vortex" sequence and synchronized tracking shots between F1 cars and animal subjects.

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Rhythm in Red. 🔴⚡️ Pushed the textures on this one to get that gritty, silk-screened feel. I love how the "ghosting" effects emphasize the footwork. Which frame is your favorite? 1, 2, or 3? Let me know in the comments! 👇

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☣️ PROJECT: HAZARD_CORE // [BUILDATHON] DESIGN THAT DEMANDS ATTENTION. Just wrapped my entry for the @Contra x @Omma Buildathon. I wanted to move away from "friendly" 3D and build a high-tension, industrial reactor that stops the scroll. THE SPECS: 70/30 Rule: 100% Native Omma geometry. 0% external assets. Interactivity: Mouse-proximity "System Load" HUD + Click-to-Overload camera shake. Visuals: Liquid Chrome refraction + "Boiling" internal vertex shaders. Built for the future of interactive web. 🛠️ Live Link: https://omma.build/cxlbx7z0kmr

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Think different. Move faster. ⚡️ Spent some time in After Effects crafting this high-octane tribute to the Apple aesthetic. It’s all about the snap, the color, and that perfect "hello" moment. 🖥️✨ Which color are you picking: Mint, Pink, Midnight, or Silver? 👇

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The Vision AI NOIR is a cinematic exploration of atmosphere, scale, and visceral motion. The project was built around a "Surreal Noir" aesthetic, using high-contrast black and white to emphasize texture and light. Rather than relying on random generation, the piece is structured as a three-act narrative: The Tension, The Chaos, and The Ascent. View-Only Project Link (https://app.kittl.com/project/cmmq8i7bk8hlu0i8dhxem5ccz)

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Pushing the boundaries of AI-driven aesthetics. 🎹🔥 I recently wrapped on this experimental piece, focusing on textural consistency (latex, gold filigree, and ivory) and high-dynamic-range lighting. This project explores the juxtaposition between the elegance of classical performance and the raw, surreal nature of digital glitch and "mask" identity.

Reimagining F1 through a gritty, 90s-inspired cinematic anime lens. High-octane visuals, deep cel-shading, and total character consistency. Built for the fast lane. 🏁✨

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The Submariner Cinematic AI Product Showcase Kittl, Adobe Premiere Pro (Audio/Polish) Concept & Execution: For this challenge, I wanted to push the boundaries of luxury product storytelling using generative AI. The goal was to create a "scroll-stopping" cinematic ad for a high-end timepiece that feels indistinguishable from a professional brand campaign. I utilized Kittl Video to generate the core sequences, focusing on macro-detail textures and a "blue-gray" cinematic color grade. Using the Kittl Typography Engine, I integrated minimalist technical callouts—such as the "Triplock System" and "Calibre 3235"—ensuring the design stayed refined and premium. The project demonstrates a seamless workflow between AI-generated motion and intentional typographic hierarchy. https://app.kittl.com/project/cmmlwco3771pd0ib0ei6aukug

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Just finished a personal project titled "Red Rage." This was an exercise in Style Locking. As a AI Video Director / Producer, I’m always looking for ways to bridge the gap between static brand identities and high-octane motion. For this piece, I developed a custom prompt "anchor" to ensure that the lighting and line weight remained identical across every frame. Which shot is your favorite? The Torch The Gallop The Lion 🦁 The Eagle 🦅 Let me know in the comments! 👇

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Men-in-Black Inspired AI Opening Film

ARIA — “A Daughter’s Smile” | AI Cinematic Brand Film

YieldRun: Scaling Cinematic AI for Web3

AI video tools are moving at warp speed—and honestly, the "how" is becoming just as exciting as the "what." ⚡️ I’m currently pushing Higgsfield AI to its limits for their latest contest. For this Roman-inspired piece, I focused heavily on character consistency and cinematic lighting to see if I could achieve a "big studio" look from a single prompt. The toolkit at Pixelforge Studio right now: Generation: Higgsfield AI Editing/Refinement: Adobe Premiere Pro Audio/Voice: ElevenLabs Which tools are you all currently betting on for 2026? Are you sticking with the giants like Sora/Veo, or finding better luck with the niche specialists? Check out the Higgsfield challenge: higgsfield.ai (http://higgsfield.ai)

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455K+ Views: Turning an AI Concept into a Viral Campaign 📈 Visuals are only half the battle; results are the other half. I created this Porsche 911 "Watermelon Sugar" cinematic to prove that AI-integrated workflows can outperform traditional content when executed with professional precision. By focusing on a consistent subject—the classic Porsche—rather than a series of random clips, I was able to build a cohesive narrative that feels like a big-budget automotive commercial. Looking for a partner to scale your brand’s visual identity? Let’s talk about your next campaign.

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If high-end car commercials and National Geographic had a baby. 🦁🔥 I wanted to see if I could take a raw idea—a Ford Mustang GTR drifting through the savanna—and turn it into a production-ready ad using my AI workflow. The result? Golden hour glows, dust trails that feel real, and a rhythmic edit that builds tension. This isn’t just a "prompt"; it’s a full-scale creative direction intended to prove that AI can handle high-end aesthetics without the $100k location budget. Drop a "🏎️" in the comments if you think the lighting is on point! Available for cinematic video projects. Let's build something wild.

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Year of the Fire Horse. Rapid change. New energy. No looking back. Built this cinematic piece around motion, momentum, and instinct. Sometimes you don’t wait for opportunities. You run toward them.

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$2.5K+ earned

GPU-Powered Interactive Hero Background

Fresh out of the render queue. ❄️ Tried to push the mood on this one using only Premiere Pro for the grade (no AE or plugins). I really wanted to nail that "freezing" atmosphere with a heavy cyan/teal palette and rapid rhythm in the intro. Curious to hear what you all think of the pacing! 👇

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I made this Porsche ad without leaving my desk. 🖥️ Exploring the limits of AI video consistency with this 911 GT2 RS spec piece. No 3D software, no physical filming—just prompts, curation, and editing. If you need high-fidelity commercial visuals at a fraction of the traditional production cost, let's talk.

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AltSociety Product Launch Motion Design

They called me... the Supa-Animator! 🦸 Seriously though, check out this explainer I whipped up for SupaHub. If your product team is drowning in feedback and begging for a roadmap, this video—and the product it sells—is their superhero. It's got clean motion, great colors, and zero mentions of "synergy." Let me know what you think of the flow! 👇

Warning: May cause immediate inspiration. My 2025 Showreel is live! ✨ I poured a lot of energy into making every second count, combining stunning product shots (Tom Ford, Coca-Cola) with vibrant character animation and futuristic aesthetics. If you need your brand assets to look expensive, fluid, and unforgettable, let's talk. Hit the comments with your favorite clip!

Who said FinTech has to be boring? 💸 Designed this banking app concept with a vibrant, abstract visual identity to make finance feel accessible and user-friendly. The goal was to create a modern feel that stands out in a sea of blue and white apps. Check out the subtle transitions and the clean data analysis screen! Feedback welcome—what's your take on using bold colors in FinTech UI?

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Experimenting with new tools! How is everyone else integrating AI into their content workflow? 🤔 I used Higgsfield AI's Sora 2 to craft this full-feature UGC ad for a new basketball—from unboxing to court-ready performance demo. I'm loving the blend of human authenticity with AI-enhanced fidelity. What's your biggest challenge in short-form video right now? Drop a comment! 👇

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Archived but never forgotten: My favorite project blending purpose and pixels. Proud to have designed and developed this website for Two Good Co., a social enterprise that helps women who have experienced trauma and homelessness build confidence and careers. Seeing the brand's 'Change The Course' philosophy come to life digitally was incredibly rewarding. It’s a great reminder of the power of design to amplify vital work. What's a project in your archive that you're still proud of? 👇

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Just finished designing and animating this immersive hero section for a portfolio piece. Loved working with the liquid chromatic effect in the background. Thinking of using this on my Contra profile. What do you guys think of the vibe?

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Got lost creating this hypnotic audio-visual experiment. Crafted this piece in Unicorn Studio to explore fluid motion and iridescent light. Sound on is a must for the full vibe. 🔊 What do you see in the waves? Let me know!:

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AI Assistant Development for Sonic

Support AI Agent for Cartelle

Throwback to a project from 2023. This might look like a video, but it's actually a real-time 3D character experience I built and coded using WebGL and Three.js. Love exploring what's possible right in the browser. Check it out live (https://shezaan2210.github.io/cyberfiction/) What should I build next?🧠

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Just cooked this up in After Effects today. Playing around with some glitch and chromatic aberration for a retro look. Thinking of the Contra community! What do you guys think?🔥

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Cover image for Had a lot of fun with this one. I challenged myself to creat...

Had a lot of fun with this one. I challenged myself to create a photorealistic fashion editorial using only Midjourney. Pretty blown away by the results.

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They Said AI Can't Be Art... So I Made This. The debate around AI art is one of the most important conversations in the creative world right now. Is it the tool that defines the artist, or the vision and intention behind it? This is my take. Every piece in this video was crafted with a specific vision, using Midjourney as my digital paintbrush. The human element is in the concept, the curation, and the endless refinement. What do you think? Let me know in the comments.

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Cinematic Teaser Trailer for Historical Drama '1790'