Harry Potter. Shot on 70mm IMAX. 📽️⚡️
No humans. Just the weight of the stone, the hum of the magic, and the grit of the Wizarding World through a Nolan-esque lens.
I directed this to prove that AI video doesn't have to look "AI." It should look like cinema. From the brushed-metal texture of the opening monolith to the viscous silver of the Pensieve, every frame was prompted for maximum tactile realism.
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POV: It's 1998. You just downloaded a NEW FLAVOR.
Chasing a full-on retro '90s vibe for this one. We're talking CRT monitors, lava lamps, and a total flavor overload with Rainbow Sherbet. -
This project was all about the "tactile" feel—making you practically taste the neon through the screen.
Which shot is your favorite? 1, 8, or 14? Let me know below!
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From golden sails to volcanic sands. A journey through colors and waves🌊
Cinematic Seascape Montage: Pushing the limits High-end drone cinematography usually requires a pilot, a travel budget, and perfect weather. I created this entire global 'nature' reel from my desk and rhythmic editing.
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BULL VS. MACHINE: A Cinematic AI Experiment
A high-concept AI video production exploring the intersection of organic power and mechanical speed. This project serves as a case study in advanced AI cinematography, utilizing capcut & Higgsfield AI to create complex environmental interactions—specifically the "Vortex" sequence and synchronized tracking shots between F1 cars and animal subjects.
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Lost in the textures of Patagonia. 🇨🇱✨
I recently wrapped this spec project capturing the atmospheric essence of Chile. My primary challenge was "Style Locking"—ensuring that the color grade and lighting remained consistent from the wide-scale landscapes to the intimate macro details of the horse gear.
Which shot is your favorite? 1, 5, or 10? 👇
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INTERSTELLAR BY AI 🪐
A tribute to the film that started it all for me. 🎥✨
I've been producing AI video for a while now, but this one hits different. Interstellar is the gold standard for scale and emotion, and I wanted to see how far I could push the current tools to respect that legacy.
From the dusty car interior to the crushing silence of Gargantua—this is AI filmmaking with a human soul.
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Cinema is a feeling, not just a tool. 🎞️✨
Spent the week pushing AI to its absolute limit to see if it could capture that "Nolan-esque" soul. No hallucinations, no jitters—just pure atmosphere.
Which shot felt the most "real" to you? The mirror opening or the server room? Let me know in the comments. 👇
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Rhythm in Red. 🔴⚡️
Pushed the textures on this one to get that gritty, silk-screened feel. I love how the "ghosting" effects emphasize the footwork.
Which frame is your favorite? 1, 2, or 3? Let me know in the comments! 👇
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☣️ PROJECT: HAZARD_CORE // [BUILDATHON]
DESIGN THAT DEMANDS ATTENTION.
Just wrapped my entry for the @Contra x @Omma Buildathon. I wanted to move away from "friendly" 3D and build a high-tension, industrial reactor that stops the scroll.
THE SPECS:
70/30 Rule: 100% Native Omma geometry. 0% external assets.
Interactivity: Mouse-proximity "System Load" HUD + Click-to-Overload camera shake.
Visuals: Liquid Chrome refraction + "Boiling" internal vertex shaders.
Built for the future of interactive web. 🛠️
Live Link: https://omma.build/cxlbx7z0kmr
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Think different. Move faster. ⚡️
Spent some time in After Effects crafting this high-octane tribute to the Apple aesthetic. It’s all about the snap, the color, and that perfect "hello" moment. 🖥️✨
Which color are you picking: Mint, Pink, Midnight, or Silver? 👇
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Pushing the boundaries of AI cinematography with this one. 🎬
AI Safari: A Journey Through the Impossible. 🌍✨
From the lens of an AI Producer. 🎥
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The Vision
AI NOIR is a cinematic exploration of atmosphere, scale, and visceral motion. The project was built around a "Surreal Noir" aesthetic, using high-contrast black and white to emphasize texture and light. Rather than relying on random generation, the piece is structured as a three-act narrative: The Tension, The Chaos, and The Ascent.
View-Only Project Link (https://app.kittl.com/project/cmmq8i7bk8hlu0i8dhxem5ccz)
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Pushing the boundaries of AI-driven aesthetics. 🎹🔥
I recently wrapped on this experimental piece, focusing on textural consistency (latex, gold filigree, and ivory) and high-dynamic-range lighting. This project explores the juxtaposition between the elegance of classical performance and the raw, surreal nature of digital glitch and "mask" identity.
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Reimagining F1 through a gritty, 90s-inspired cinematic anime lens. High-octane visuals, deep cel-shading, and total character consistency.
Built for the fast lane. 🏁✨
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The Submariner Cinematic AI Product Showcase
Kittl, Adobe Premiere Pro (Audio/Polish)
Concept & Execution:
For this challenge, I wanted to push the boundaries of luxury product storytelling using generative AI. The goal was to create a "scroll-stopping" cinematic ad for a high-end timepiece that feels indistinguishable from a professional brand campaign.
I utilized Kittl Video to generate the core sequences, focusing on macro-detail textures and a "blue-gray" cinematic color grade. Using the Kittl Typography Engine, I integrated minimalist technical callouts—such as the "Triplock System" and "Calibre 3235"—ensuring the design stayed refined and premium. The project demonstrates a seamless workflow between AI-generated motion and intentional typographic hierarchy.
https://app.kittl.com/project/cmmlwco3771pd0ib0ei6aukug
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Catching a buzz. 🍯✨
Pushing the limits of AI-driven camera paths with this FPV bee flight. From the living room to the kitchen spill, I wanted to capture that frantic, high-speed energy of a bumblebee on a mission.
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Just finished a personal project titled "Red Rage." This was an exercise in Style Locking.
As a AI Video Director / Producer, I’m always looking for ways to bridge the gap between static brand identities and high-octane motion. For this piece, I developed a custom prompt "anchor" to ensure that the lighting and line weight remained identical across every frame.
Which shot is your favorite?
The Torch
The Gallop
The Lion 🦁
The Eagle 🦅
Let me know in the comments! 👇
AI video tools are moving at warp speed—and honestly, the "how" is becoming just as exciting as the "what." ⚡️
I’m currently pushing Higgsfield AI to its limits for their latest contest. For this Roman-inspired piece, I focused heavily on character consistency and cinematic lighting to see if I could achieve a "big studio" look from a single prompt.
The toolkit at Pixelforge Studio right now:
Generation: Higgsfield AI
Editing/Refinement: Adobe Premiere Pro
Audio/Voice: ElevenLabs
Which tools are you all currently betting on for 2026? Are you sticking with the giants like Sora/Veo, or finding better luck with the niche specialists?
Check out the Higgsfield challenge: higgsfield.ai (http://higgsfield.ai)
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455K+ Views: Turning an AI Concept into a Viral Campaign 📈
Visuals are only half the battle; results are the other half. I created this Porsche 911 "Watermelon Sugar" cinematic to prove that AI-integrated workflows can outperform traditional content when executed with professional precision.
By focusing on a consistent subject—the classic Porsche—rather than a series of random clips, I was able to build a cohesive narrative that feels like a big-budget automotive commercial.
Looking for a partner to scale your brand’s visual identity? Let’s talk about your next campaign.
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If high-end car commercials and National Geographic had a baby. 🦁🔥
I wanted to see if I could take a raw idea—a Ford Mustang GTR drifting through the savanna—and turn it into a production-ready ad using my AI workflow.
The result? Golden hour glows, dust trails that feel real, and a rhythmic edit that builds tension. This isn’t just a "prompt"; it’s a full-scale creative direction intended to prove that AI can handle high-end aesthetics without the $100k location budget.
Drop a "🏎️" in the comments if you think the lighting is on point!
Available for cinematic video projects. Let's build something wild.
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Year of the Fire Horse.
Rapid change.
New energy.
No looking back.
Built this cinematic piece around motion, momentum, and instinct.
Sometimes you don’t wait for opportunities.
You run toward them.
Fresh out of the render queue. ❄️
Tried to push the mood on this one using only Premiere Pro for the grade (no AE or plugins). I really wanted to nail that "freezing" atmosphere with a heavy cyan/teal palette and rapid rhythm in the intro.
Curious to hear what you all think of the pacing! 👇
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I made this Porsche ad without leaving my desk. 🖥️
Exploring the limits of AI video consistency with this 911 GT2 RS spec piece. No 3D software, no physical filming—just prompts, curation, and editing.
If you need high-fidelity commercial visuals at a fraction of the traditional production cost, let's talk.
They called me... the Supa-Animator! 🦸
Seriously though, check out this explainer I whipped up for SupaHub. If your product team is drowning in feedback and begging for a roadmap, this video—and the product it sells—is their superhero.
It's got clean motion, great colors, and zero mentions of "synergy."
Let me know what you think of the flow! 👇
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Warning: May cause immediate inspiration. My 2025 Showreel is live! ✨
I poured a lot of energy into making every second count, combining stunning product shots (Tom Ford, Coca-Cola) with vibrant character animation and futuristic aesthetics.
If you need your brand assets to look expensive, fluid, and unforgettable, let's talk.
Hit the comments with your favorite clip!
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Who said FinTech has to be boring? 💸
Designed this banking app concept with a vibrant, abstract visual identity to make finance feel accessible and user-friendly. The goal was to create a modern feel that stands out in a sea of blue and white apps.
Check out the subtle transitions and the clean data analysis screen!
Feedback welcome—what's your take on using bold colors in FinTech UI?
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Experimenting with new tools! How is everyone else integrating AI into their content workflow? 🤔
I used Higgsfield AI's Sora 2 to craft this full-feature UGC ad for a new basketball—from unboxing to court-ready performance demo. I'm loving the blend of human authenticity with AI-enhanced fidelity.
What's your biggest challenge in short-form video right now? Drop a comment! 👇
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Archived but never forgotten: My favorite project blending purpose and pixels.
Proud to have designed and developed this website for Two Good Co., a social enterprise that helps women who have experienced trauma and homelessness build confidence and careers.
Seeing the brand's 'Change The Course' philosophy come to life digitally was incredibly rewarding. It’s a great reminder of the power of design to amplify vital work.
What's a project in your archive that you're still proud of? 👇
Just finished designing and animating this immersive hero section for a portfolio piece. Loved working with the liquid chromatic effect in the background.
Thinking of using this on my Contra profile. What do you guys think of the vibe?
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Got lost creating this hypnotic audio-visual experiment. Crafted this piece in Unicorn Studio to explore fluid motion and iridescent light.
Sound on is a must for the full vibe. 🔊
What do you see in the waves? Let me know!:
Throwback to a project from 2023. This might look like a video, but it's actually a real-time 3D character experience I built and coded using WebGL and Three.js. Love exploring what's possible right in the browser.
Check it out live (https://shezaan2210.github.io/cyberfiction/)
What should I build next?🧠
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Just cooked this up in After Effects today. Playing around with some glitch and chromatic aberration for a retro look. Thinking of the Contra community!
What do you guys think?🔥
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Had a lot of fun with this one. I challenged myself to create a photorealistic fashion editorial using only Midjourney. Pretty blown away by the results.
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They Said AI Can't Be Art... So I Made This.
The debate around AI art is one of the most important conversations in the creative world right now. Is it the tool that defines the artist, or the vision and intention behind it?
This is my take. Every piece in this video was crafted with a specific vision, using Midjourney as my digital paintbrush. The human element is in the concept, the curation, and the endless refinement.
What do you think? Let me know in the comments.