Freelancers using Adobe Premiere Pro in Masovian VoivodeshipFreelancers using Adobe Premiere Pro in Masovian Voivodeship
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hossein abbas's avatar
hossein abbas
Warsaw, Poland
AI Video Content Creator
New to Contra
AI Video Content Creator
Cover image for Kling AI 3.0 is not
Kling AI 3.0 is not just about generating videos — it’s about building a complete cinematic production pipeline with AI. For this fantasy project about a young sorceress and a king, the entire process started long before animation. First, I developed the cinematic structure using ChatGPT & Claude: • Story foundation • Scene-by-scene screenplay direction • Dialogue flow • Camera concepts • World-building and atmosphere planning After the creative skeleton was complete, I moved into visual pre-production: • Creating concept frames to establish the cinematic mood • Designing scene previews and shot composition • Developing character sheets for consistency across all sequences Then came the main AI production stage: • High-detail image generation in Nano Banana 2 • Cinematic animation and motion workflows in Kling AI 3.0 • Advanced consistency techniques to maintain characters, lighting, and environments between scenes • Refining realism, textures, depth, and cinematic movement The audio pipeline was built separately: • Voice acting and dubbing with ElevenLabs • Cinematic background music generated with Suno • Additional sound effects from ElevenLabs and my personal SFX library Finally, everything went through post-production: • Visual corrections and compositing in Adobe Photoshop • Full cinematic editing, pacing, transitions, sound synchronization, and final mastering in Adobe Premiere Pro Kling AI 3.0 is accelerating the evolution of AI filmmaking — where a single creator can now build cinematic worlds with a complete AI-driven production workflow. Currently working with Higgsfield AI & Kling AI.
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Cover image for Seedance 2.0 just hit 1080p
Seedance 2.0 just hit 1080p — sharper, cleaner, and finally production-ready. I ran a quick experiment — and the jump in quality over the past year is honestly insane. This time: a Viking chase sequence inspired by Assassin’s Creed Valhalla by Ubisoft (https://www.linkedin.com/company/ubisoft/) — built to feel like a real cinematic trailer, not “AI content.” Method: image-to-video workflow — all scenes generated in Nano Banana 2. Here’s what actually makes it work: • structured storytelling (not random prompts) • precise action sequences • strong visual direction • controlled atmosphere That’s the difference between generic AI output and content that feels directed. For brands, this means: • faster concept validation • high-end visuals without full production • content that actually stops the scroll Add ElevenLabs sound design — and it starts competing with real video pipelines. We’re not replacing production — we’re compressing it. If you’re a brand, agency, or creator looking to produce cinematic AI video that doesn’t look like AI — let’s talk. Open for collaborations & custom projects. Currently working with Higgsfield AI (https://www.linkedin.com/company/higgsfield/) & ElevenLabs (https://www.linkedin.com/company/elevenlabsio/).
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Cover image for Seedance 2.0 is redefining what’s
Seedance 2.0 is redefining what’s possible in short-form advertising. As an experiment, I created a dynamic Nike-style concept: a futuristic creature in a high-intensity chase for a shoe — blending cinematic storytelling, fast-paced motion, and visually striking environments. What stood out the most is how seamlessly AI can now translate abstract ideas into engaging, production-ready visuals. This opens up entirely new opportunities for brands: – faster concept validation – high-quality content at scale – unique, scroll-stopping creatives tailored for platforms like TikTok and Reels We’re entering a phase where creativity is no longer limited by production barriers — only by imagination. If you’re a brand, agency, or creator looking to explore high-converting AI-driven video content, feel free to reach out via private message. I’m open to collaborations and custom projects. Currently, it’s available on Higgsfield AI (https://www.linkedin.com/company/higgsfield/).
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Cover image for Seedance 2.0 continues to surprise
Seedance 2.0 continues to surprise me — and I’m still actively testing its limits. As an experiment, I created a dynamic concept: a ninja being relentlessly chased by a futuristic Medusa — blending cinematic storytelling, fast-paced action, and visually striking environments. What I’ve discovered through multiple iterations: if you build the right narrative structure, Seedance 2.0 can intuitively reconstruct your original vision with impressive accuracy. Structure that works: • Location — define exactly where the scene takes place (city, desert, futuristic hall, rainy night street) • Emotion — set the tone and feeling (tension, euphoria, dark determination, adrenaline) • Action — describe step-by-step what is happening (who does what, and in what sequence) • Atmosphere — establish the overall visual style (cinematic, neon, raw, minimalistic) The more precise your structure, the better AI understands your intent — leaving less room for randomness. This unlocks a new level of possibilities for brands: • rapid validation of creative concepts • high-quality content at scale • scroll-stopping visuals for TikTok & Reels Adding sound design through ElevenLabs takes it even further — giving these visuals a whole new layer of immersion and realism. We’re entering a phase where creativity is no longer limited by production — only by imagination. If you're a brand, agency, or creator looking to explore AI-driven video content — feel free to reach out via DM. Open to collaborations and custom projects. Currently available on Higgsfield AI (https://www.linkedin.com/company/higgsfield/) & ElevenLabs (https://www.linkedin.com/company/elevenlabsio/).
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Adobe Premiere Pro(6)
Bartosz Majcher's avatar
Bartosz Majcher
Warsaw, Poland
I turn raw footage into cinematic stories that connect.
I turn raw footage into cinematic stories that connect.
Cover image for Polish Business Roundtable / trailer
Polish Business Roundtable / trailer
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Cover image for New Balance / Grey Day 2023
New Balance / Grey Day 2023
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Cover image for Jack Daniel's / Make It Count
Jack Daniel's / Make It Count
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Placeholder project card media
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Adobe Premiere Pro(2)
Magdalena Zielinska's avatar
Magdalena Zielinska
Warsaw, Poland
Treatment Design, Visual and Creative Research & Layout
Treatment Design, Visual and Creative Research & Layout
Cover image for June | YANA | Music Video
June | YANA | Music Video
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Cover image for Pitch Deck | Director's Treatment | Documentary
Pitch Deck | Director's Treatment | Documentary
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Cover image for Kiehl's | Pitch Deck | Director's Treatment
Kiehl's | Pitch Deck | Director's Treatment
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Cover image for Pepsi | Director's Treatment
Pepsi | Director's Treatment
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Adobe Premiere Pro(1)