Freelance AI Content Creators in City of LondonFreelance AI Content Creators in City of London
ProjectsPeople
Laura Lukasevic's avatar
Laura Lukasevic
proCity of London, UK
Social Media Strategist | Strategy, Content & Paid Media
2x
Hired
5.0
Rating
26
Followers
IDEOGRAM_EXPERT

Partner

Social Media Strategist | Strategy, Content & Paid Media
Cover image for AI Luxury Furniture Campaign for Élysée Home
AI Luxury Furniture Campaign for Élysée Home
0
39
Cover image for AI Beauty Brand Launch for VÉLOR
AI Beauty Brand Launch for VÉLOR
0
53
Cover image for Social Media Management | Content Creation | Paid Media Ads
Social Media Management | Content Creation | Paid Media Ads
0
39
Cover image for Social Media Campaign for Studio X
Social Media Campaign for Studio X
2
66
AI Content Creator(2)
Evgeniya Strygina's avatar
Evgeniya Strygina
proLondon, UK
AI Video Producer for Campaigns, UGC & Brand Films
5.0
Rating
57
Followers
LUMMI_EXPERT

expert

AI Video Producer for Campaigns, UGC & Brand Films
Cover image for Original Animated Micro-Series — THE
Original Animated Micro-Series — THE THINGS WE CARRY In a city where humans and monsters live side by side, Spindle runs a small repair shop for things that are not always meant to be repaired. The pilot follows Tobias Mourn, a quiet, imposing monster who comes to Spindle with a problem he can't explain: his heart hurts, even though there is nothing physically wrong with it. After trying to fix it himself, Tobias encounters a young woman in the city who looks at him as if she already knows him. “Dad?” Tobias doesn't remember her. But something inside him does. Each episode follows another unusual repair and the character who brings it through Spindle's shop — gradually revealing the lives, relationships and histories hidden behind the things they want fixed. At the centre of the series is Tobias and the mystery of what happened to him before he became the person he is now. I wanted The Things We Carry to feel like a world that already existed before the camera arrived: strange, human, quietly funny, and a little melancholic.
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227
Cover image for Making a Fictional AI Vlog
Making a Fictional AI Vlog Feel Real A creative experiment exploring how far generative video can go when the goal is to make a fictional vlog feel real — spontaneous, imperfect and believable rather than obviously AI-generated. The project was inspired by the current wave of speculation around a possible Kanye West visit to Russia, as well as the unexpected viral spread of 'Silver Night' in Kanye West’s voice. Both became starting points for imagining an entirely fictional trip through Saint Petersburg. The idea was to place a highly recognisable public figure into a completely different cultural and visual environment and explore how naturally the two could coexist on screen. Everyday locations, cultural details, movement and sound became part of the storytelling rather than simply serving as background. The visual language deliberately moves away from the polished aesthetic often associated with generative AI, experimenting instead with a more naturalistic, vlog-like approach. The character needed to remain consistent across different locations and situations while the footage retained a sense of spontaneity and imperfection. Created for the SYNTX AI challenge.
3
9
967
Cover image for AI-Assisted Photo Restoration & Cinematic Storytelling
AI-Assisted Photo Restoration & Cinematic Storytelling
1
8
Cover image for DracoSlides — Scalable AI Content System
DracoSlides — Scalable AI Content System
0
21
AI Content Creator(10)
Ali Isah's avatar
Ali Isah
proLondon, UK
Creative Technologist
4x
Hired
22
Followers
Creative Technologist
Cover image for In F1, the most critical
In F1, the most critical decisions are made in cramped rooms days before "lights out." This speculative ad is a tribute to the systems and the people who find the optimal path through the noise. I chose Oracle and Ansys because they represent the cognitive backbone of modern racing. One provides the massive data infrastructure needed to house millions of data points, while the other provides the simulation tools to turn that data into a predictable outcome. My narrative focus stays with the people and systems responsible for anticipating outcomes under extreme time pressure. Visually, I steered away from the "sci-fi" tropes often seen in tech ads and leaned into a grounded realism, using a tense, documentary aesthetic.
1
535
Cover image for Speculative ad brief for DefendUAS.
Speculative ad brief for DefendUAS. Shifting the needle from basic product animation to high-stakes military storytelling. Visually contrasting a gritty, hyper-realistic urban terrain with sharp, tactical holographic wireframes to show exactly how a distributed mesh network reclaims the decision window. Using a scene-by-scene strategy in Melius, starting with a master script that fed into storyboards and hero keyframes for total visual continuity across the cinematic clips. This workflow allowed me to lock the moody tactical aesthetic before generating the final video scenes, deep-voice narration, and orchestral score. Everything is laid out from left to right, showing the journey from concept to final assets. The project screenshots/canvas video are in the comments.
1
3
532
Cover image for This project involved a comprehensive
This project involved a comprehensive archival reconstruction aimed at distilling the legacy of Harvey Mackay into a series of high-impact sizzle reels. The workflow required a deep immersion into a diverse repository of assets, including magazine prints, book covers, and raw footage reels, to identify the most resonant narrative moments. The technical approach balanced traditional restoration with cutting-edge synthesis: colour correcting legacy footage and applying an intentional analogue aesthetic, while strategically integrating VEO 3.1 and Grok Imagine to bridge visual gaps. By layering refined sound design and exploratory revisions across four distinct durations, the final deliverables translate a vast professional history into a modern, energetic visual identity that both informs and excites.
0
399
Cover image for A budding film director is
A budding film director is told her ideas are too ambitious and impossible to produce. Working alone in a small apartment, she turns to Luma Dream Machine and begins creating the scenes she was once denied. In seconds, her world expands into cinematic visuals that defy cost, risk, and limitation. What was once rejected becomes real, proving that imagination no longer needs permission.
2
6
584
AI Content Creator(1)
Neelanjana Basu's avatar
Neelanjana Basu
London, UK
AI builder with 10+ years in consumer product
$5k+
Earned
6
Followers
AI builder with 10+ years in consumer product
Cover image for Explore Drift: Revolutionizing Maps with Artful Visualization
Here’s my submission for the Google Stitch Challenge A vibe mapping product called Drift! It started with a small idea: what if a map could feel like the place it shows? What is it and what does it do? DRIFT turns every neighbourhood into its own visual identity. As a p0, starting with London. Camden is a punk zine. Chelsea is an oil painting. Soho is manga. Brixton pulses with Caribbean folk art. 93 neighbourhoods, 12+ art styles. All of these were derived from real Google Maps Platform data. The art style IS the information. APIs: Maps JavaScript API, Places API (New), Geocoding API. How I Built It? Every screen was built through Stitch’s streaming agent by describing what I wanted, watching it generate live, correcting through the agent. For all screens, I used variants to explore different art directions. DESIGN.md captured the emergent design system; I exported and re-imported it for consistency. I then prototyped in Play Mode, then exported to AI Studio and deployed on Cloud Run. Features used: Streaming Agent, Agent Manager, Variants, DESIGN.md Export/Import, Play Mode, Code Export. Stitch Feedback What I loved: Image quality is exceptional. I almost want to print and frame some the art it generated. Variants are absolutely essential for creative work and generating variants once saved me a lot of back and forth. The workspace itself is very smooth with low latency. Fantastic selection of export integrations available, with key platforms covered. What could be made better: Context doesn’t persist between screens (need a “project rules” feature). Undo wipes entire history, not just the last change. Chats are not threaded in the same way as other genAI chatbots, which took a bit of getting used to. Exports to build envirenments outside of AI Studio is restrictive (I tried Lovable as well and could only export 10 screens).
1
1
210
Cover image for <Posting this for the second
<Posting this for the second time because I mistakenly included the draft video in the first post> Hello! I am a big fan of Lovable, so couldn't let this challenge go by. For this brief I was inspired by my recent experience of booking after school clubs at my son's new school. It was full of friction and back and forth exchanges, and as annoyed I was with the process, I also felt for the service provider who is likely going through the same churn with every parent trying to book an after school club. So, for this demo I rebuilt the booking operations of a small local business called AfterBell Collective, which runs specialist clubs for 840 pupils at Hollybrook Primary School in London. It's owner Samantha used to juggle answering enqueries via phone and emails, manually confirming bookings, maintining waiting lists, chasing payments and reconciling received bank transfers by hand. And because bookings are made for one term at a time, she went through the same groundhog day thrice a year! I rebuilt the journey from enquiry to confirmed place so that one booking confirms the spot, manages conflicting schedules and updates payment, register and dismissal records at school at once. This saves Samantha up to 100 hours a term! This is also great for parents, who can now see suitable clubs, live availability, timetable clashes and the full term cost before booking. They can add siblings, apply the correct discount and combine a club with school-run wraparound care. For Samatha, one confirmed booking immediately updates AfterBell’s payment record, club register, capacity planning and the waiting list. The provider dashboard then handles payment reminders, private parent communications, absence checks, session information and cascading waitlist offers. Whilst it won't put her business on 100% auto-pilot, because real world complications will remain, but for most part she no longer has to hold everything together through her inbox. Using Lovable was a breeze! Loved the free chat functionality, which saved me a lot of Lovable credits (or braintorming tokens elsewhere). I also used the built in SEO and Agent integrations functionalities to make my website more discoverable to humans (and agents too apparently). I used Elevenlabs and Descript and Capcut to make the attached video, but would have loved if there was an inhouse functionality or connectors to popular video editing websites (Elevenlabs connector was super useful!) Overall, a very enjoyable process of building. Please check out the website leave some feedback for me!
2
90
Cover image for STASH: Save. Build. Ship. A place
STASH: Save. Build. Ship. A place where ideas roost, build, and take off. Say Caw Caw to KROWE, the mascot for STASH! It is the home for all the side projects you start and never quite finish; KROWE is the crow who gets them out the door. Character brief: KROWE is the non-conformist crow who runs STASH, the portal where side projects get saved, built, and shipped. It scavenges the half-finished ideas everyone else lets rot and tucks them somewhere they can actually come back to life. Sharp, resourceful, and quietly relentless, it turns 2am sparks into shipped reality. KROWE is the difference between an idea dying in a forgotten tab and an idea going live. Whatever you stash, KROWE helps you ship. Palette: ink #14110F · bone #ECE7DF · electric blue #2D6BFF · emerald #10B981 · volt amber #FFB81F Note on the craft: @recraftai The entire project was built in Recraft Studio with a saved Recraft style for character consistency, Vectorize for the logo, and Convert-to-mockup for merch. The same KROWE (locked palette, one silhouette, one volt-amber lightning beak) was carried across a logo, sticker pack, poster, merch, an app icon, a 6-frame story, and a 30-second motion piece. Here is the project link: https://www.recraft.ai/project/f01d58ff-17c9-4e99-b1aa-0b6b40da8b84 I am adding the video here and the rest of the assets in the comments.
4
4
719
Cover image for Flat-pack furniture gives you two
Flat-pack furniture gives you two options: a baffling paper diagram, or a hunt that leads to long, confusing YouTube videos. Assembli solves that. It's an interactive 3D guide that shows you exactly what goes where, part by part. It is built for retailers, who lose $20-30 on every return, and 1 in 5 flat-pack returns is just someone who could not figure out the build. Assembli eliminates that confusion before it becomes a return or a support ticket. Made entirely in Omma, from one stool to a full catalog of 18 products. The video walks through it. PS: the link says "matte-black-sneaker-studio" because this began as a totally different idea before I pivoted to Assembli, and the slug got locked at first publish! Live build: https://omma.build/p/matte-black-sneaker-studio-shot-xn5evb (https://omma.build/p/matte-black-sneaker-studio-shot-xn5evb)Community file: https://omma.build/community/f6cfmk4ma6d9
8
28
927
AI Content Creator(1)
Leonardo Bruni's avatar
Leonardo Bruni
London, UK
CGI & AI Pipeline Architect for VFX and Product Teams
6
Followers
CGI & AI Pipeline Architect for VFX and Product Teams
Cover image for Meet Anna. Anna is a virtual influencer and an ongoing R&D p...
Meet Anna. Anna is a virtual influencer and an ongoing R&D project at Damn! We’re exploring how generative AI can be used to create a persistent digital character, not just a single AI generated image, but a consistent identity capable of producing content across different environments, styles and situations. The project investigates the intersection of: • Generative AI on 3D Outputs • Character consistency • Automated Content Creation This reel is a first look at our experiments with Anna. The project was completed over a year ago, but due to an NDA, we were only able to release the work now. At Damn!, we’re interested in what happens when AI generation meets the technical discipline of a real production pipeline. We’re open to collaborations around AI, virtual characters and next generation digital content.
3
477
Cover image for Creating Realism: A normal weekend in London
Creating Realism: A normal weekend in London
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15
Cover image for Project: RealFoodRitual - Visual Development
Project: RealFoodRitual - Visual Development
0
259
Cover image for AFTER CHRISTMAS is a 30-second
AFTER CHRISTMAS is a 30-second one-take AI short film created for the CapCut Seedance 2.5 Video Challenge. The film explores how a seemingly ordinary Christmas night can gradually become unsettling, told entirely through a single continuous camera movement. The challenge was to maintain spatial, character and prop continuity throughout the entire shot while allowing the camera to naturally discover the story. No cuts. No dissolves. No camera resets. Written & "Directed" by Leonardo Bruni Created with CapCut Video Studio + Seedance 2.5.
9
24
1.2K
AI Content Creator(1)
Abbey Menson's avatar
Abbey Menson
Enfield, UK
AI Video Creator & Creative Director | Script & Prompt Strat
AI Video Creator & Creative Director | Script & Prompt Strat
Cover image for This project showcases a cinematic
This project showcases a cinematic beauty intro created for a Classic Lash Extensions tutorial. I used a high-resolution beauty image and transformed it into an engaging video where the model opens her eyes and introduces the service with confidence. The goal was to create a luxury, professional aesthetic that immediately captures attention and sets the tone for an educational lash tutorial. This project highlights my skills in beauty branding, video editing, visual storytelling, and creating scroll-stopping content for the beauty industry. #BeautyContentCreator #LashExtensions #LashArtist #BeautyVideo #AIContentCreation #VideoEditing #BeautyBranding #DigitalStorytelling #LuxuryBeauty #SocialMediaContent #ContentCreator #CreativePortfolio #BeautyMarketing #VisualBranding
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61
Cover image for The First Vampire Wasn’t Evil…
The First Vampire Wasn’t Evil… She Was Betrayed 🩸 This dark fantasy short reimagines the origin of the first vampire — not as a creature born from evil, but as a woman forged by betrayal and fear. Told through atmospheric narration and cinematic pacing, the story follows Elara, a young woman condemned by her village during a time of plague. Left to die beneath a blood moon, she is offered a choice by an ancient presence in the forest: death… or hunger. Blending mythic horror, emotional depth, and poetic storytelling, this piece explores themes of scapegoating, survival, transformation, and the loneliness of immortality. This project highlights my ability to: Craft suspense-driven narrative scripts Build immersive dark fantasy worlds Write emotionally layered character arcs Deliver cinematic storytelling #aistorytelling
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75
Cover image for This is an original AI-generated
This is an original AI-generated cinematic thumbnail created for my mythology storytelling channel. The artwork represents Cronus (Kronos), the Titan from Greek mythology, portrayed in a dramatic and powerful visual style. I developed the concept, wrote the AI prompt, and directed the composition and lighting to create a high-impact YouTube thumbnail. #Cronus #GreekMythology #TitanGods #MythologyStory
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Cover image for This is an original AI-generated
This is an original AI-generated cinematic thumbnail created for my mythology storytelling channel. The design depicts Medusa from Greek mythology with dramatic lighting and high-contrast visual effects to create a powerful and engaging YouTube thumbnail. I developed the concept, wrote the prompt, and directed the visual composition using AI tools. #Medusa #GreekMythology #MythologyStory #CinematicThumbnail
1
87
AI Content Creator(1)
Hafiz Afzaal's avatar
Hafiz Afzaal
London, UK
SEO, AI Content, Data Analysis - Your Go-To Freelancer
SEO, AI Content, Data Analysis - Your Go-To Freelancer
Cover image for AI Content Creation for E-commerce Website
AI Content Creation for E-commerce Website
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32
Cover image for SEO Article Writing for Tech Blog
SEO Article Writing for Tech Blog
0
6
Cover image for Professional Portfolio Case Study
Professional Portfolio Case Study
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7
Cover image for Whitepaper
Whitepaper
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38
AI Content Creator(2)