Freelancers in BogotaFreelancers in Bogota
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Juan Hoyos's avatar
Juan Hoyos
proColombia
Frontend Developer | Framer & Webflow Expert
$25k+
Earned
10x
Hired
5.0
Rating
22
Followers
FRAMER_EXPERT

expert

Frontend Developer | Framer & Webflow Expert
Cover image for SolarYou — Solar System Platform for Spain
SolarYou — Solar System Platform for Spain
0
8
Cover image for Heritage Club • Framer Redesign & Framer Build
Heritage Club • Framer Redesign & Framer Build
0
9
Cover image for FORDIVINE • Framer Redesign & Framer Build
FORDIVINE • Framer Redesign & Framer Build
0
8
Cover image for Smartwyre • Website Migration & Scalable Design System
$9K+ earned
Smartwyre • Website Migration & Scalable Design System
0
55
Marlon Velásquez's avatar
Marlon Velásquez
Colombia
Motion designer
$25k+
Earned
6x
Hired
5.0
Rating
15
Followers
Motion designer
Cover image for Zilverk - Stream Assets
Zilverk - Stream Assets
4
14
Cover image for Dupla - Animated assets
Dupla - Animated assets
2
16
Cover image for Portfolio
Portfolio
3
33
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María Camila Páramo Molina's avatar
María Camila Páramo Molina
Colombia
Creative Webflow Developer & Designer
$10k+
Earned
1x
Hired
5.0
Rating
4
Followers
Creative Webflow Developer & Designer
Cover image for Mimi’s Original Art Website Redesign
Mimi’s Original Art Website Redesign
0
2
Cover image for D&B Landscaping Website Design
D&B Landscaping Website Design
0
13
Cover image for Custom One-Page Website Templates for Various Industries
Custom One-Page Website Templates for Various Industries
0
10
Cover image for TeachYou Website Design and Development
TeachYou Website Design and Development
0
7
Daniel Castellanos's avatar
Daniel Castellanos
proBogota, Colombia
Brand Identity & Content Creation | Video & Motion
5.0
Rating
21
Followers
Brand Identity & Content Creation | Video & Motion
Cover image for There are design decisions that
There are design decisions that don't come from the client. They come from within—and sometimes, that is exactly the problem. The previous logo for Boroló Estudio had soul. It had pre-Columbian roots, a hand-drawn stroke, and an indigenous character. It evoked drums, authenticity, and the Chocó—one of the most biodiverse and culturally rich regions in Colombia, a land of jungle, rivers, and a visual identity unlike any other. I loved it. And precisely because of that, I failed to evaluate the challenges the logo would face on real-world platforms: on a website, as an Instagram avatar, or in digital spaces. The redesign wasn't about letting go of the logo. It was about letting go of the attachment. The problem wasn't aesthetic—it was one of coherence. The studio’s brand had evolved, but the logo hadn't. A composition with too many elements in tension made the icon struggle to be memorable; what people saw didn't connect with who Boroló truly is. The new system retains the bird—now geometric, set in negative space within the icon. The inner container references the studio’s actual architectural blueprint: the diagonal of the cyclorama ceiling and the two zones of the space. The brackets refer to photographic framing. No layer imposes itself over the other—they are discovered. The result is a versatile system: imagotype, vertical logo, and wordmark. It works on a sticker, a billboard, an avatar, or a website. It scales without losing its identity. Redesigning doesn't mean the initial design was bad. It means communication needed to evolve. And from that point of view, the change isn't a correction—it’s a decision.
3
116
Cover image for When a product needs to
When a product needs to be understood, not just seen. Chemyunion is a high-performance cosmetic ingredients company. Their client isn't the end consumer — it's the formulator, the distributor, the professional making technical decisions about what goes into a product. For the presentation of Seriliss, their active ingredient for hair straightening and nutrition, the challenge was clear: show the product in action and explain why it works at the same time. The piece combines studio audiovisual production — with a professional demonstrating the application process step by step, from root to tip — with motion graphics integrated directly over the video to highlight specific areas of the hair, visualize the technical process, and translate chemical information into something digestible without sacrificing precision. Two languages in a single piece. The video demonstrates. The motion explains. Neither one is excess. That balance is what defines a strong technical content piece: it's not about making the product look good — it's about making the client understand it well enough to trust it.
1
104
Cover image for COLOR GRADING ISN'T THE LAST
COLOR GRADING ISN'T THE LAST STEP. IT'S PART OF THE STORY. Shooting well isn't enough. Every image needs intention — from the framing to the last color grade. This teaser came from three deliberate choices: a warm palette that turns muscular tension into something almost painterly, slow cuts that honor the weight of each movement, and a 1920×720 format that forces you to read the entire body within the frame. The music holds it all together. JMSN's "Love Me" doesn't decorate — it dictates the edit. The full piece is coming soon.
2
160
Cover image for Knowing when to keep it
Knowing when to keep it simple is also a creative decision. Working with AGROSAVIA, the Colombian Corporation for Agricultural Research, was one of the most demanding projects of my career as an audiovisual communicator — not because of its technical complexity, but because of the exact opposite. The pieces I developed are intentionally basic motion graphics. Animations explaining concrete agricultural processes — milk collection and handling in rural areas, palm oil production, good field practices — designed for farming communities far from urban centers, with limited access to technology and ways of learning that don't involve high-resolution screens or cinematic effects. That clarity of context shaped every production decision: clean compositions, institutional color palette respected down to the last detail, legible typography, paced animations that guide attention without overwhelming it. No unnecessary transitions. No visual resources competing with the information. Everything in service of the message. A Colombian state institution has communication guidelines built over years of deep knowledge of their audience. They aren't arbitrary — they're precise. The editor's job isn't to question them or modernize them. It's to understand them, respect them, and execute them with the same rigor applied to any high-level production. Excellence doesn't always look the same. Sometimes it's measured by how many farmers understood the process the first time they watched the video. You can watch some of the pieces here: https://www.youtube.com/watch?v=Vhtwd9isKXo https://www.youtube.com/watch?v=zDexvMTjJRQ https://www.youtube.com/watch?v=qzuPrtTHGpM https://www.youtube.com/watch?v=b3RyNtbPOzQ
1
3
172
Andrew Malaver's avatar
Andrew Malaver
Bogota, Colombia
Video Editing ⋅ Vfx ⋅ 3D ⋅ Animation ⋅ AI Multimedia
$5k+
Earned
7x
Hired
5.0
Rating
9
Followers
Video Editing ⋅ Vfx ⋅ 3D ⋅ Animation ⋅ AI Multimedia
Cover image for Clever Fool Studios - Video Editing Reel
Clever Fool Studios - Video Editing Reel
0
20
Cover image for Clever Fool Studios - Vfx & Animation Reel
Clever Fool Studios - Vfx & Animation Reel
0
2
Cover image for 3D Modeling, Animation and Color
3D Modeling, Animation and Color Grading for The New Money Company Of San Francisco.
1
174
Cover image for Motion Graphics for Los Cuates
Motion Graphics for Los Cuates social media posts.
0
158
Juan Carmona's avatar
Juan Carmona
proColombia
Visual Designer Crafting Brands and Websites.
$5k+
Earned
2x
Hired
25
Followers
Visual Designer Crafting Brands and Websites.
Cover image for Part 2 of the TechFoundersHub
Part 2 of the TechFoundersHub logo. Once the mark was defined my goal was to show the client how this logo would live in the real world without creating a full identity. Same logo. Different contexts. That's how you know it works. A brand mark isn't just a pretty shape. It needs to hold up on a website, on social, on a product. If it breaks in any of those places, it's not ready.
2
96
Cover image for Meet Eclipsis, a free portfolio
Meet Eclipsis, a free portfolio template for designers available in: → Framer Template (https://www.framer.com/marketplace/templates/eclipsis/)→ Webflow Template (https://webflow.com/templates/html/eclipsis-website-template)Built it because most portfolio templates take forever to customize. This one is minimal and ready to make yours in a couple of hours.
1
143
Cover image for Exploring two design concepts on the weekend. These are old ...
Exploring two design concepts on the weekend. These are old designs with some tweaks.
5
3
257
Cover image for VentureNow Landing Page Design & Development
VentureNow Landing Page Design & Development
2
13