Freelance Filmmakers in PintoFreelance Filmmakers in Pinto
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Mont Carver's avatar
Mont Carver
proMadrid, Spain
Ethereal Filmmaker | Photographer | Creative Direction | AI
$5k+
Earned
5x
Hired
5.0
Rating
213
Followers
LUMMI_EXPERT

expert

Ethereal Filmmaker | Photographer | Creative Direction | AI
Cover image for A NORMAL AMOUNT OF SKY My
A NORMAL AMOUNT OF SKY My entry for the CapCut Seedance 2.5 Video Challenge. I am interested in creating worlds that exist somewhere between magical realism, liminal spaces, dreams, and quiet unease. Places that initially feel soft or nostalgic, but gradually reveal that their architecture, scale, or internal logic cannot be trusted. For this film, I imagined a girl beginning inside an empty school, a place shaped by repetition, observation, rules, and the pressure to become a recognizable version of yourself. She walks into a faded pastel-pink bathroom and discovers a luminous horse behind a full-length mirror. The horse represents the possibility of escape, freedom, desire, and a life that cannot be completely explained. When she crosses the mirror, the camera crosses with her. She runs alongside the horse through a fluorescent landscape where rain, flowers, institutional ceilings, and an artificial sky coexist. An astronaut eventually leads the horse away. I see the astronaut as a figure already accustomed to surviving unfamiliar worlds, while the girl is encountering one for the first time. As the camera pulls backward, the apparently endless landscape is revealed to exist inside a crystal sphere held by another version of the same girl. She releases the sphere, breaking the boundary around the imagined world. The luminous horse survives in miniature among the fragments. For me, the ending is about carrying a small piece of freedom back into reality. The escape may be fragile, altered, or impossible to preserve at its original scale, but it does not disappear. WORKFLOW I developed the film in CapCut Video Studio using Seedance 2.5. I began with visual references centered on luminous horses, cyan rain, retro astronauts, pastel magical-girl imagery, artificial landscapes, wet reflections, 35mm grain, analog halation, and uncanny institutional architecture. I then created a timestamped 30-second prompt defining the character continuity, camera path, environmental transformations, sound design, and narrative progression. I generated multiple iterations and refined the mirror crossing, the girl’s visibility, the relationship between the horse and astronaut, the macro pullback from the sphere, and the final release of the miniature horse. The final camera path moves continuously from the school corridor into the bathroom, through the full-length mirror, alongside the running girl and horse, outward through the crystal sphere, and down to the fragments on the bedroom floor. Created with CapCut Video Studio and Seedance 2.5.
19
95
8.4K
Cover image for the menu, now in motion
the menu, now in motion ✦ A series of short-form videos created for the visual menu of La Terraza de Alba in collaboration with Gourmeats. Each piece captures the preparation, textures and final presentation of a different dish, transforming the traditional menu into a more immersive and appetizing visual experience. Videography • Editing • Food Styling Content
4
30
1.1K
Cover image for theatre rehearsals, but cinematic ౨ৎ
theatre rehearsals, but cinematic ౨ৎ ⋆｡˚ For La carta fue un error, I stepped behind the scenes to film the cast during rehearsals and transform the process into a series of Instagram Reels. I captured the glances, gestures, movement and tiny in-between moments that bring a play to life, then shaped them into intimate, dynamic edits designed for social media ✶ shot + edited by me written & directed by Camila Elejalde performed at NAVE 73, Madrid ✧ filming ✧ creative editing ✧ vertical content ✧ Instagram Reels
4
25
1.1K
Cover image for BESO ⟡ slow motion film piece (for RAYAS by Carlota Pérez de...
BESO ⟡ slow motion film piece (for RAYAS by Carlota Pérez de Castro) A slow-motion video fragment I filmed as part of RAYAS, a work by Spanish artist Carlota Pérez de Castro. BESO focuses on the intimacy of a single gesture—time stretched, texture amplified, emotion held in suspension ˚✧ My role: Filmmaking / Cinematography · Slow-motion capture · Visual pacing
25
617
Filmmaker(17)
Raphsomar .'s avatar
Raphsomar .
Madrid, Spain
Filmmaker
Filmmaker
Cover image for Testing Seedance 2.0 on recent
Testing Seedance 2.0 on recent visual work. Strong physics, clean removals, and a surprisingly natural response to minimal camera direction. Built from a simple prompt structure, refined in DaVinci Resolve, and shaped through composition and timing. Constantly exploring new tools to push cinematic language forward.
4
221
Cover image for This project was a commissioned
This project was a commissioned advertising spot for Emporio Armani, developed and directed using my cinematic approach to luxury brand storytelling. The concept focused on emotional connection and the idea of togetherness, aligning with Armani’s fragrance campaigns like Stronger With You and In Love With You. What began as a single spot evolved into a full worldwide campaign, demonstrating the impact of strategic, cinematic storytelling that resonates with audiences and elevates brand presence
0
70
Cover image for Automobili Lamborghini's first residential project in
Automobili Lamborghini's first residential project in Stock Photo, Real Film and 3d renders. Europe.Every camera move was hand keyed using Bezier curves to ensure a 'weighted' feel. We avoided the robotic, linear movement often seen in basic 3D tours, opting instead for damped momentum—mimicking a heavy cinema crane or a professional Steadicam rig.
0
179
Cover image for Visual Grandeur. Treated every room
Visual Grandeur. Treated every room as a set, utilizing slow-burn pans and rack-focus techniques to guide the viewer’s eye toward the bespoke craftsmanship. By shooting in LOG profile, I achieved a wide dynamic range that mimics the texture and 'creaminess' of a 35mm film print, ensuring that the shadows are deep and the highlights are sophisticated, not blown out.
0
199
Filmmaker(12)
Viktor Berthelius's avatar
Viktor Berthelius
Spain
Creative Strategy. Bold Design. Real Impact.
Creative Strategy. Bold Design. Real Impact.
Cover image for Artistas x Marcas – Reimaginando iconos
Artistas x Marcas – Reimaginando iconos
0
37
Cover image for Power Changers
Power Changers
0
15
Cover image for Rewinder x Van Stokkum
Rewinder x Van Stokkum
0
35
Cover image for Green Lovers | Relanzamiento de una Lovemark
Green Lovers | Relanzamiento de una Lovemark
0
24
Filmmaker(3)
Danny Morris 's avatar
Danny Morris
Madrid, Spain
AI Video Creator + Video Producer & Video Editor
5.0
Rating
4
Followers
AI Video Creator + Video Producer & Video Editor
Cover image for My video showreel of my professional work.
My video showreel of my professional work.
0
64
Cover image for Welcome To Málaga - Concept
Welcome To Málaga - Concept AI Video The images were created using photos from my phone as reference images to generate similar AI images for each scene. I used AI image-to-video with Kling AI, Higgsfield, and Google Veo 3.1, upscaled with Topaz Labs, and edited in DaVinci Resolve.
0
72
Cover image for Welcome To Málaga - Concept
Welcome To Málaga - Concept AI Video The images were created using photos from my phone as reference images to generate similar AI images for each scene. I used AI image-to-video with Kling AI, Higgsfield, and Google Veo 3.1, upscaled with Topaz Labs, and edited in DaVinci Resolve.
0
75
Cover image for Ryan Ennis - Remember My Name (Marbella Video) Filmed for DJ...
Ryan Ennis - Remember My Name (Marbella Video) Filmed for DJ Ryan Ennis, in Marbella, Spain. Universal Records Ireland
0
92
Filmmaker(1)
Perro Feo's avatar
Perro Feo
Madrid, Spain
Graphic Designer, Video & Art Director for Cultural Projects
New to Contra
Graphic Designer, Video & Art Director for Cultural Projects
Cover image for No Tengo ni Carnet - Alonso Casual
No Tengo ni Carnet - Alonso Casual
0
6
Cover image for Todas las batallas son con unx mismx, no con lxs demás
Todas las batallas son con unx mismx, no con lxs demás
0
10
Cover image for Yavru Mou/My Little One: Your Lament Plays in the Room Trailer
Yavru Mou/My Little One: Your Lament Plays in the Room Trailer
0
8
Cover image for Het Resort S06E01 Green Fields/Subsurface
Het Resort S06E01 Green Fields/Subsurface
0
8
Filmmaker(6)
Martin Facci's avatar
Martin Facci
28320 Pinto, Spain
Crafting visuall stories that leave a lasting impact
Crafting visuall stories that leave a lasting impact
Cover image for Mientras Podamos Preguntar
Mientras Podamos Preguntar
0
6
Cover image for Just Eat
Just Eat
0
5
Cover image for 1212 Documentary
1212 Documentary
0
9
Cover image for Case Study | Panaya x Techedge
Case Study | Panaya x Techedge
0
18
Filmmaker(2)