Freelancers using Foundry Nuke

Freelancers using Foundry NukeFreelancers using Foundry Nuke

Projects People

Senior Multimedia & Visual Experience Designer

$1k+: Earned

8x: Hired

5.0: Rating

16: Followers

Senior Multimedia & Visual Experience Designer

Oliver Tree The World’s Biggest Scooter video logo replacement

0

4

Cover image for VFX soybeaus

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44

Cover image for beauty retouch Netsky-Rita Ora-Barricades

beauty retouch Netsky-Rita Ora-Barricades

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5

Cover image for Real footage to CGI transitions

Real footage to CGI transitions

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42

Foundry Nuke(9)

Beirut, Lebanon

3D Animator. Characters, Cinematic & Commercial

New to Contra

3D Animator. Characters, Cinematic & Commercial

Cover image for A cinematic CG character introduction

A cinematic CG character introduction built entirely in Maya, Blender, and Nuke. Medusa reimagined — not as a creature, but as a goddess. She stands in a dark ceremonial chamber, clad in black and gold neon-lit armor, living serpents coiling through her hair, a third-eye sigil glowing between her brows. Her eyes ignite with blinding energy. The world around her holds its breath. Every element was designed and executed from scratch — character modeling, armor design, rigging, animation, lighting, VFX energy effects, and final compositing. The neon pink and deep violet palette was a deliberate creative choice to bridge ancient mythology with a modern cinematic language. This piece demonstrates full-pipeline ownership across character work, effects, and cinematic storytelling — the kind of production quality typically reserved for game cinematics and feature-level VFX.

0

13

Cover image for High-Octane CGI Car Integration
Deliver cinematic

High-Octane CGI Car Integration Deliver cinematic adrenaline with cutting-edge CGI seamlessly blended into real-world footage. I specialize in creating dynamic automotive visuals where 3D cars interact with live environments for maximum impact. A recent project featured a 3D Formula car drifting in front of the Mondrian Hotel, shot with a real camera and enhanced through CGI to achieve a thrilling, photorealistic effect. This service is ideal for commercials, music videos, brand campaigns, or creative storytelling that demands high-quality compositing, vehicle animation, and immersive cinematic energy. Expect visuals that captivate audiences and elevate your brand presence.

0

17

Cover image for Epic CGI Creature Integration with

Epic CGI Creature Integration with Live Action Transform reality into fantasy with cinematic CGI seamlessly merged into real footage. I specialize in creating breathtaking visual effects where original 3D characters interact with dynamic creatures and environments. One of my recent projects in Dbayeh, Lebanon, featured a dragon chasing my original 3D character along the waterfront, shot entirely with a real camera and enhanced through CGI. This service is perfect for commercials, music videos, short films, or creative campaigns that demand high-quality compositing, creature animation, and immersive storytelling. Expect professional-grade visuals that captivate audiences and elevate your brand or narrative.

0

21

Cover image for A fully integrated live action

A fully integrated live action commercial produced for Pelo, a cat food brand based in Saudi Arabia. A photorealistic 3D animated cat character was composited seamlessly into real footage alongside a live actor — matching lighting, reflection and movement to create a single believable scene. Everything handled solo from start to finish: 3D cat modeling and texturing Full character animation and rigging Lighting match to live action footage Table reflection compositing Final composite and delivery in Nuke Software pipeline: Maya, Blender and Nuke. This project required precise technical execution and creative problem solving to blend the 3D character naturally into a real world environment. Delivered on schedule to a commercial broadcast standard. Skills: Maya, Blender, Nuke, 3D Character Animation, VFX Compositing, Commercial Production, Lighting, Rendering!

0

43

Foundry Nuke(14)

Brussels, Belgium

Creative & Director for Motion, Design, and Live-Action.

Creative & Director for Motion, Design, and Live-Action.

Cover image for Visual Exploration of Desires and the Succubus Myth

Visual Exploration of Desires and the Succubus Myth

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3

Cover image for Title Sequence for 'Bellum & Artes' Exhibition

Title Sequence for 'Bellum & Artes' Exhibition

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4

Cover image for IFRC Humanitarian Service Points Campaign

IFRC Humanitarian Service Points Campaign

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6

Cover image for Diving into the quantum realm

Diving into the quantum realm to design and animate the title sequence for a documentary series on Quantum Mechanics was as inspiring as it was mind-bending. To visualize such a cryptic topic, I dove deep into research exploring how the infinitesimally small can influence the immensely vast. The concept was built around this journey from macro to micro, revealing that, in the end, it’s all a matter of perspective. Step back far enough, and our cosmos begins to resemble particles. We fused analog textures with modern tools to create a sequence that tries to mirrors the beauty, complexity, and mystery of quantum physics.

27

171

Foundry Nuke(3)

VFX Artist creating shorts that shines

VFX Artist creating shorts that shines

Cover image for Procedural RBD Simulation Using Houdini | 3D

Procedural RBD Simulation Using Houdini | 3D

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6

Cover image for Title Sequence

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2

Cover image for The suitcase

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3

Cover image for "Chaos & Control: Exploring Vellum in Houdini"

"Chaos & Control: Exploring Vellum in Houdini"

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4

Foundry Nuke(4)

NITHYL MOHANASUNDARAM

VFX Artist and a Learning 3D Designer

VFX Artist and a Learning 3D Designer

Cover image for Sky Replacement

Sky Replacement

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4

Cover image for 3D Projection From an Image

3D Projection From an Image

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3

Cover image for Rotoscopy Work

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2

Cover image for Visual Effects Removal Work

Visual Effects Removal Work

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2

Foundry Nuke(7)

Video editing | Motion Graphics | VFX

1x: Hired

5.0: Rating

3: Followers

Video editing | Motion Graphics | VFX

Cover image for For this VFX reel, I

For this VFX reel, I wanted to show a range of before and after shots focused on one of the trickiest compositing challenges: placing graphics onto moving fabric in a way that feels physically attached to the surface. Challenging shots Fabric is often extremely hard to track. It wrinkles, stretches, folds, catches highlights, changes perspective, and often gets partially covered by actors or objects. The goal was to make the logo belong in the shot with believable graphic placement over fabric under very different conditions: - Static tripod shots with subtle fabric movement - Moving camera shots with shifting wrinkles - Clothing deformation from body movement - Actor interaction with the surface - Extreme perspective changes - Partial and full occlusion - Highlight and texture blending Each shot required a different approach. Across the reel, I used a combination of Mocha Pro, DaVinci Resolve Fusion, optical flow, vector warping, surface tracking, masking, and compositing techniques to solve different tracking and integration problems.

2

99

Cover image for Create Engaging Social Media Reels for Hip Hop Podcasts

Reels for social media | Podcast about Hip Hop

1

107

Cover image for Juan P | Video editing Trailer

Juan P | Video editing Trailer

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3

Cover image for Short Reel trailer

Short Reel trailer

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4

Foundry Nuke(1)

Vilnius, Lithuania

Interactive Rive Motion Designer

$1k+: Earned

1x: Hired

5.0: Rating

10: Followers

Interactive Rive Motion Designer

Cover image for Project Overview
When the Museum “Art

Project Overview When the Museum “Art and Facts” (MAF) launched in St. Petersburg, they needed a visual anchor for their new 1200-square-meter interdisciplinary space. The prompt was abstract: create a unifying metaphor that bridges science, nature, technology, memory, and art. Over two intense months of solo production, I designed, directed, and animated an immersive visual essay that now serves as the permanent, beating heart of the exhibition. My goal was to take the museum's eclectic artifacts and weave them into an emotionally resonant journey through time. The Visual Journey Rather than a standard showcase, the video is a fluid evolution of scale and history. The narrative begins at the microscopic level, slowly expanding into ancient history as physical relics emerge from the sands of time. From there, the timeline accelerates, leaping forward into the era of artificial intelligence and futuristic architecture. As the journey unfolds, it weaves through surreal interpretations of natural environments and real-world museum artifacts, ultimately culminating in a massive jump to the cosmos. It’s an exploration of how tradition, human imagination, and technology all occupy the same continuous timeline. Project Details & Process Role: Solo Design, Direction, & Animation Timeline: 2 Months Software Stack: Houdini, Redshift, Nuke

1

101

Cover image for Hi everyone, here is my

Hi everyone, here is my submission for the challenge. I’ve built a dynamic car interface that balances a universal feel with total flexibility. The idea was to create an HMI that shifts and adapts to both the driving mode and the driver’s mood. It’s built on a modular system, so there are plenty of ways to configure it for any use case. Riv to play with: https://rive.app/s/v-8BDIOs_kOFczJjU5D-VQ/?runtime=rive-renderer

4

14

733

Cover image for Data-Driven Stress Calendar for Welltory

Data-Driven Stress Calendar for Welltory

1

2

Cover image for Rive Onboarding Funnel for a Mobile App

Rive Onboarding Funnel for a Mobile App

0

8

Foundry Nuke(1)

3D Designer, Animator, Editor

2x: Hired

5.0: Rating

5: Followers

3D Designer, Animator, Editor

Cover image for Visual Effects Showcase

Visual Effects Showcase

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3

Cover image for Fuel Trailer

1

23

Cover image for Hyper Photorealism Showcase

Hyper Photorealism Showcase

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20

Cover image for 3D Design Showcase

3D Design Showcase

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15

Foundry Nuke(1)