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Projects we love

Projects we love

Standout projects making waves around the web
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Web design projects using Framer

Framer

The best modern websites built on the leading web design tool, Framer
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AI projects

AI

New projects from the best AI creators
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Brand design projects

Brand design

Bold visual identities and branding systems created by top independent designers
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Video editor projects

Video editing

Creative video edits made using today’s best editing tools
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Standout projects

Standout projects

More projects we love that are making waves across the web
Cover image for Mosaic: Curated Web Design Gallery Mosaic
Mosaic: Curated Web Design Gallery Mosaic is an internal Huehaus project: a gallery that features one standout website a day. We built it because we spend a lot of time looking for good references and wanted a place that only showed work we'd actually recommend. Every site is picked by hand. The site is built in Framer. The layout is a simple grid that stays out of the way, with filters for 18 categories like Agency, Bold Type, Editorial, Minimal, and Dark Mode, so you can get from browsing to a specific reference quickly. Outcome: Mosaic is live and updated daily. It gives designers a reliable place to find references and gives Huehaus a presence in the design community, while showing what we can build in Framer. It's one of the original 128 sites featured in Framer Gallery.
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Cover image for Credit card landing page design
Credit card landing page design for a fintech startup — an interactive 3D claw machine that turns the offer into the hero instead of another floating card at 15 degrees. Every card brand ships the same hero: a card hovering over a gradient. Clawd sells one card, not a marketplace, and the entire pitch is "stop comparing — we already did the comparing". So the landing page had to make a single-product offer read as a win rather than a shortage of options, and pull early-access sign-ups from people who are deliberate about money: the ones who actually track spending and read the APR line. The metaphor does the positioning work. A claw machine that never misses, plus "we already picked the best one", means the visual is the argument and the headline doesn't have to explain itself. I built the scene in Blender as an interactive element rather than a still render — the claw follows the cursor, the card tilts in the grip, and the pile underneath reacts, so a visitor plays with the product's core idea for a few seconds instead of scrolling past it. Hero plus full page structure, desktop and mobile designed separately, the Blender scene with web-ready exports, interaction notes, and a developer-ready Figma file.
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Cover image for Doppel — Threat Graph Making complex
Doppel — Threat Graph Making complex cybersecurity concepts clear through motion. For the Doppel Threat Graph product film, I contributed to the visual development and animation. The product connects digital threats across multiple channels, revealing how individual signals form part of a coordinated attack campaign. The challenge was to translate this technical functionality into a clear visual narrative—showing why the connections between threats matter and how they help reveal the bigger picture. My work covered storyboard and motion exploration, animation, and scene refinement throughout the feedback process. The focus was on introducing information progressively and guiding attention toward the relationships central to the product’s value. The result is an animated product film that introduces Doppel Threat Graph and makes its core functionality easier to understand. The project demonstrates how motion design can bring clarity to a complex software product. Services: Storyboard Exploration · Motion · Animation
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Cover image for NICE HUMANS Making automation feel human. Context Nice
NICE HUMANS Making automation feel human. Context Nice Humans is a growing automation studio that helps teams streamline how they work. As they scaled, their brand no longer reflected the expertise or the people behind it. The challenge The automation market speaks in efficiency, systems and scale, and it often sounds interchangeable. Nice Humans needed to claim leadership in that space while standing for something competitors overlook: automation is ultimately about people. The approach Rather than starting with a logo, we started with a positioning: a team that builds for other teams. From there we developed a complete brand strategy, including archetype, tone of voice, verbal identity and a visual language. Each one was designed to balance technical authority with human warmth. The outcome A cohesive brand system that sets Nice Humans apart in a crowded category and gives them a clear, consistent voice to grow with.
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Cover image for Genies: Website Design & Development Genies
Genies: Website Design & Development Genies Inc. is an LA-based AI avatar company building the visual and embodiment layer for AI: characters that look, think, behave, and talk like living identities. Its audience is split between consumers who want to create and chat with their own characters, and developers and enterprises who want to put an AI persona inside their product. The website had to serve both without making either feel like an afterthought. Huehaus designed and built the site in Framer. We opened with a clear positioning line, "The character layer for any product," then gave each audience its own path: a creator route into Genies Chat and Studio, and a platform route into the SDKs and developer documentation. Outcome: A site that explains a technically complex product in plain terms and moves each visitor toward the right next step, whether that is chatting with a Genie, creating one, or integrating the platform.
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Cover image for Bean-to-Bar Farm Tour Booking Experience for Nasam-it Farm
You've tasted the chocolate. Now, you want to see where it grows 🌳 Meet Nasam-it Farm, a family cacao farm in the Philippines, planted in 1960 by a grandfather who was told tobacco would pay better. His granddaughter brought the grove back as a bean-to-bar brand. Nasam-it is Ilocano for "sweet." The problem: Mimi spends her days fermenting, drying, and roasting, not on her phone 24/7, so inquiries go unanswered. Every missed message is a lost visit, and lost income for the farmers who tend the farm. So I designed and built a booking experience in that answers for her. Guests explore the farm in 3D, see what's happening this season, and choose a farm tour, a bean-to-bar workshop, or a volunteer day. The price updates as the group grows, a 30% deposit holds the date, and they're confirmed without a single message. By the time Mimi is back from the grove, the bookings are already waiting. I started with her, not the screens: her schedule, her signal, the quirks of a real farm (harvest-only volunteer days, group sizes, deposits to stop no-shows). The look comes from the farm itself, with cacao-pod maroon, banana-leaf green, and copy that sounds like a place rather than a platform. Check it out: https://nasam-itfarm.lovable.app/ (https://nasam-itfarm.lovable.app/)Booking made sweet! 🍫 #lovablechallenge
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