Freelancers using Jitter in TorontoFreelancers using Jitter in Toronto
ProjectsPeople
Cameron Duncalfe's avatar
Cameron Duncalfe
maxToronto, Canada
Brand + Web, Creative Partner, Founder
$100k+
Earned
7x
Hired
5.0
Rating
500
Followers
TOP_INDEPENDENT

Top

WEBFLOW_EXPERT

Certified Partner

+2
Brand + Web, Creative Partner, Founder
Cover image for Some branding we did for
Some branding we did for a prediction market platform on Solana. Will share web + product designs soon!
15
46
2.5K
Cover image for Been too heads down! Finally got some more work on here. Fir...
Been too heads down! Finally got some more work on here. First of many updates :) A real-world asset investment platform that uses tokenized real estate and automated trading strategies to give retail investors access to smarter returns. Check it out (https://contra.com/p/qvv2grNN-real-estate-website-development)
1
4
37
1.4K
Cover image for NFL Athlete Website designs we put together for a recent pro...
NFL Athlete Website designs we put together for a recent proposal 🏈
4
35
1.5K
Cover image for Adaptability is essential to design. Your style shouldn’t bo...
Adaptability is essential to design. Your style shouldn’t box you in. It should evolve with intent. This design draws from Japanese printmaking, inspired by Haisui Kawase’s precision and restraint. A reminder that great design is about mastering the language of many.
17
64
1.6K
Jitter(5)
Ben Tuyisenge's avatar
Ben Tuyisenge
proToronto, Canada
Building memorable identities through strategic design.
$1k+
Earned
1x
Hired
5.0
Rating
13
Followers
JITTER_EXPERT

expert

Building memorable identities through strategic design.
Cover image for Personal Brand Identity
Personal Brand Identity
0
5
Cover image for Made to Be Felt: Event Design
Made to Be Felt Event Design & Creative Direction | Girl Effect / Nike Foundation Role: In-house Designer | 5 Years Background Ni Nyampinga — meaning "a girl who is beautiful inside and out and makes good decisions" in Kinyarwanda — was a youth brand created by Girl Effect, backed by the Nike Foundation. While the magazine was the heart of the brand, events were how Ni Nyampinga showed up in the world — how girls and their communities experienced it in three dimensions, together. Over five years on the in-house creative team, I worked on several events alongside my editorial work. These were some of the most ambitious productions the brand ever did. Turamurika — The Hero Campaign Turamurika was the largest campaign Ni Nyampinga had ever undertaken. The word itself carries the spirit of the event — a celebration of what girls can achieve when the people around them show up in support. The campaign ran across all four provinces of Rwanda and reached more than 2 million young people. The creative challenge was scale without losing intimacy. Turamurika had to feel like a celebration no matter where it landed — in a major city or a rural community — and it had to feel unmistakably like Ni Nyampinga. Our team provided the artistic direction, produced all the physical materials, and executed the project on the ground across every province. The visual language was bold and joyful — saturated colour, playful signage, flags and wayfinding that turned event grounds into Ni Nyampinga space. On the ground, it looked like a brand showing up at full volume for the people it was built for. This was team work in the truest sense. I was part of a creative team of 4–10 people depending on the production phase, working alongside freelancers, producers, and Ni Nyampinga's wider staff. What I'm most proud of is the contribution I made to a project that genuinely belonged to everyone who touched it. 5th Anniversary Celebration For Ni Nyampinga's 5th anniversary, I led the design and production of a more intimate celebration marking five years of the brand. I created the event theme, designed the physical materials, worked with printers, and oversaw the installation on site. The event became a moment for the team, partners, and community to reflect on what the brand had built — and to set the tone for what came next. High-Level Stakeholder Event A separate event was designed specifically for high-level decision makers in Rwanda — a very different audience from the young people who read the magazine. The tone needed to shift without losing the brand. I worked on the design, execution, post-production, and installation, creating an environment that felt elevated and serious while still unmistakably Ni Nyampinga. It was a useful exercise in understanding how a brand flexes across audiences without fragmenting. What Events Taught Me Editorial design asks you to guide someone through a page. Event design asks you to build a space they walk into — and trust that the brand still does its job when it's not in their hands but all around them. Working on Turamurika and the other events under the Ni Nyampinga umbrella taught me how a brand holds together across wildly different moments: an intimate magazine spread, a stakeholder dinner, a 2-million-person campaign. The same brand, made to be felt differently each time.
0
109
Cover image for 15 Issues, One Brand: Editorial Design
15 Issues, One Brand Editorial Design & Creative Direction | Girl Effect / Nike Foundation Role: In-house Designer → Creative Lead | 5 Years Background Ni Nyampinga — which translates from Kinyarwanda as "a girl who is beautiful inside and out and makes good decisions" — was more than a magazine. It was a cultural identity, created by and for Rwandan teenage girls, backed by Girl Effect and the Nike Foundation. At its peak it was the most widely distributed publication in Rwanda, reaching over 15,000 villages through a network of 30 Girl Ambassadors across every district in the country. Every issue was an event in itself — ambassadors would hold community gatherings each time a new issue was published, bringing girls together around the stories inside. I joined the creative team as a junior designer and spent five years growing into a creative lead role, with the magazine at the center of that journey. Where I Started I came in as a junior designer, learning the publication inside out — page layouts, print production, working within the brand system, hitting deadlines. The magazine had a strong visual identity and a clear editorial voice, and my job early on was to serve both faithfully. What I didn't expect was how quickly the work would start asking more of me. Each issue was built around a strategic theme, and the more issues I worked on, the more I understood how design decisions — a photograph chosen, a typeface weighted differently, a colour used with more or less restraint — could shift the emotional register of an entire spread. Growing Into Creative Direction Over time my responsibilities expanded. I began writing photography and illustration briefs, working with photographers and illustrators to shape the visual language of each issue before a single page was laid out. I contributed to creative direction decisions alongside the broader team, helping translate the strategic theme of each issue into a cohesive visual approach. And I took on the role of brand guardian — making sure Ni Nyampinga's identity stayed consistent and recognizable across every issue, even as the content evolved. The creative team fluctuated between 4 and 10 people depending on the project, often bringing in freelancers for specific issues. It was genuinely collaborative work, and the quality of each issue reflected the whole team's effort. Issue 20 — A Moment That Stayed With Me Of everything I worked on across those five years, Issue 20 stands out most. For that issue, our team traveled across Rwanda — visiting rural communities, cities, and schools — to gather stories directly from girls whose lives had been shaped by Ni Nyampinga. They shared how the brand had changed them, what it meant to see themselves reflected in it, and what it had given them permission to become. Sitting with those stories and then finding ways to bring them to life on the page reminded me why design matters. It wasn't about aesthetics. It was about giving people a way to see themselves. That issue is a big part of why I love what I do. What 15 Issues Taught Me Sustaining a brand across 15+ issues — each with its own theme, its own creative challenges, its own production pressures — teaches you things that no single project can. You learn the difference between a design decision that serves the moment and one that serves the brand. You learn how to push creatively within constraints without losing the thread that makes the publication recognizable. And you learn that consistency isn't about repetition — it's about trust.
1
126
Cover image for Helping a youth tech education
Helping a youth tech education organization in Rwanda build the visual credibility to match their ambition - through strategic brand identity and guidelines. WithIn Tech runs coding bootcamps for young people aged 13–20 in Kigali, Rwanda, with a philosophy rooted in doing, not just studying. As they prepared to grow - attracting donors, partners, and institutional support - their existing brand couldn't carry the weight of where they were heading. I rebuilt the full visual identity system from the ground up: logo, typography, colour palette, pixel-art graphic language, and comprehensive brand guidelines. The strategic challenge was balancing tensions - tech-forward without being cold, youth-focused without being childish, rooted in Rwanda while speaking to broader ambition.
2
244
Jitter(1)
Erick Rodriguez's avatar
Erick Rodriguez
proToronto, Canada
Brand Strategist and Art Director , Jitter Expert
$100k+
Earned
5.0
Rating
36
Followers
FRAMER_EXPERT

expert

Brand Strategist and Art Director , Jitter Expert
Cover image for Meebits Website + Collector portal
Meebits Website + Collector portal
1
0
8
Cover image for Real Estate Website Development
Real Estate Website Development
1
2
36
Cover image for Patrick Mahomes Website Design
Patrick Mahomes Website Design
0
4
Cover image for Website Design for GrowthPod
Website Design for GrowthPod
0
7
Jitter(4)
Kam Mistri's avatar
Kam Mistri
Toronto, Canada
Figma Expert | UI/UX Designer | SaaS & Mobile App Designer
Figma Expert | UI/UX Designer | SaaS & Mobile App Designer
Cover image for Every department at Lighthouse Cabinetry
Every department at Lighthouse Cabinetry was doing their job well. The problem was the gap between them. Design would finish their part and move on. Cutting would find out through a phone call or a shared file. If specs had changed since the last Excel version, there was no clean way to know. With 30+ orders running simultaneously, that gap added up fast. I designed a linear task management system that follows the same flow the team already worked in — Design → Cutting → Assembly → Finishing → Installation. When one department completes their stage, it moves to the next automatically. The receiving team sees current specs immediately. No calls. No file hunting. No second-guessing whether they're looking at the latest version. This was an MVP — the budget and timeline didn't allow for something more sophisticated. But it replaced something that was genuinely broken for them. Result: 94% on-time delivery rate. 85% reduction in file setup and intake time. Full case study → kam.framer.website/projects/lighthouse-cabinetry #UIDesign #UXDesign #ProductDesign #InternalTools #WorkflowDesign #EnterpriseUX #TaskManagement #B2BSaaS #Figma #OperationalDesign #ManufacturingTech #LinearFlow #ProcessDesign #InteractionDesign #MVP
1
53
Cover image for Lighthouse Cabinetry ran their entire
Lighthouse Cabinetry ran their entire production schedule on Excel. It worked — until someone missed a step and the formulas broke. With 30+ concurrent orders, production managers were spending 30+ minutes manually verifying timelines and making coordination calls every day. I designed an automated production scheduler to replace it. Each order shows a live view — unique ID, current department, days to completion, finishing date. When a manager drags a project up or down in the queue, the system recalculates all affected timelines instantly. No formulas to maintain. No steps to miss. No calls to make. The drag-and-drop interaction was a deliberate choice — the team already knew how to reorder priorities in Excel, so it had to feel familiar, just more reliable. Result: 94% on-time delivery rate. Production managers now trust what they see on screen. Full case study on: https://kam.framer.website/projects/lighthouse-cabinetry #UIDesign #UXDesign #ProductDesign #InternalTools #WorkflowDesign #EnterpriseUX #DashboardDesign #B2BSaaS #Figma #DragAndDrop #OperationalDesign #ManufacturingTech #SchedulerDesign #InteractionDesign #SaaSDashboard #portfolioreview
0
40
Cover image for For Lighthouse Cabinetry, a consultation
For Lighthouse Cabinetry, a consultation used to mean 20+ minutes of manual Excel formatting before a single cabinet was even discussed. Different rooms meant different files, different fields, and a massive amount of friction. The sales team was acting as data entry clerks instead of consultants. The solution wasn't just a "new form"—it was a three-layer configurable architecture designed to move at the speed of a conversation: Smart Templates: Pre-load the exact fields needed for standard projects (Kitchen vs. Bedroom) in seconds. Dynamic Feature Sets: Toggle hardware, lighting, or specialized cabinetry on the fly without switching files. Custom Field Injection: Capture unique, "one-off" job details without breaking the system. The Result: Sales reps now walk into consultations focused entirely on the customer's vision, not the spreadsheet's rows. Full Case Study: https://kam.framer.website/ #UIDesign #UXDesign #ProductDesign #B2BSaaS #InternalTools #EnterpriseUX #Figma #MotionDesign #Jitter #OperationalDesign #WorkflowDesign
1
61
Cover image for Streamlining Merchant Operations in Lebanon
Streamlining Merchant Operations in Lebanon
2
19
Jitter(3)
Kyle Panilan's avatar
Kyle Panilan
maxToronto, Canada
Framer Expert Web Dev | Trusted by YC & GC funded brands
$100k+
Earned
16x
Hired
5.0
Rating
593
Followers
TOP_INDEPENDENT

Top

FRAMER_EXPERT

expert

+1
Framer Expert Web Dev | Trusted by YC & GC funded brands
Cover image for My final #ShareYourWork challenge submission ✨ Here's a land...
My final #ShareYourWork challenge submission ✨ Here's a landing page I designed for one of my clients. They decided to pivot so the site was never launched but it was still a ton of fun to design (I also ended up building it out in Framer, but again, it was never used). This was such a fun challenge. Thanks Contra, and good luck to all the participants ✌️ Video made with Jitter
28
83
5.1K
Cover image for Website subpages can be fun too 💛💚🩵🩷 Award-winning escap...
Website subpages can be fun too 💛💚🩵🩷 Award-winning escape room and immersive experiences company, Secret City Adventures, wanted to add a splash of immersion and play to their subpages; so I asked, why not incorporate some of the elements from their games into their website? 🔍📘🗺️🂡 Here are the designs I put together in Figma for their About, Careers, Contact, and Gift Cards pages. You can visit these pages live, starting with the About page here (https://www.secretcityadventures.com/about). Animation showcase made in Jitter!
8
34
2.9K
Cover image for Moonvalley: Website for $84M AI Video Launch (Built in Framer)
Moonvalley: Website for $84M AI Video Launch (Built in Framer)
33
540
Cover image for New waitlist site for Access, built in Framer (not designed ...
New waitlist site for Access, built in Framer (not designed by me).
10
72
4K
Jitter(2)
Masha S.'s avatar
Masha S.
Toronto, Canada
Elevating brands with creative, scalable design systems 👀✨
5.0
Rating
44
Followers
Elevating brands with creative, scalable design systems 👀✨
Cover image for Rostyr • Brand Identity + Launch Materials
Rostyr • Brand Identity + Launch Materials
11
123
Cover image for Bish Bar • Social Media Launch Campaign
Bish Bar • Social Media Launch Campaign
7
79
Cover image for REV Prepaid • Brand Identity
REV Prepaid • Brand Identity
2
71
Cover image for AMAIA • Brand Identity for Boutique Hotel
AMAIA • Brand Identity for Boutique Hotel
10
120
Jitter(1)
Anton Vysotskyi's avatar
Anton Vysotskyi
Toronto, Canada
Senior UI/UX Product Designer | 8+ Years | Jitter expert
5.0
Rating
5
Followers
Senior UI/UX Product Designer | 8+ Years | Jitter expert
Cover image for 90-page Telemedicine Web Application redesign done in 5 days
90-page Telemedicine Web Application redesign done in 5 days
1
16
Cover image for Crypto Wallet Mobile App
Crypto Wallet Mobile App
1
15
Cover image for Job Application Tracker Web Application
Job Application Tracker Web Application
1
22
Placeholder project card media
View more →
Jitter(1)