Freelancers using Adobe Illustrator in PittsburghFreelancers using Adobe Illustrator in Pittsburgh
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Caleb Holt's avatar
Caleb Holt
proPittsburgh, USA
Founder | Studio C - Custom Framer websites and branding
11x
Hired
5.0
Rating
50
Followers
FRAMER_EXPERT

expert

FRAMESHIP_EXPERT

expert

+1
Founder | Studio C - Custom Framer websites and branding
Cover image for Branding work for TopHub Co. Drop 🔵 in the comments if you ...
Branding work for TopHub Co. Drop 🔵 in the comments if you love working with blue on branding projects like I do.
1
1
446
Cover image for Petalux - Branding & Website
Petalux - Branding & Website
5
20
Cover image for Mass Challenge - Website Redesign
Mass Challenge - Website Redesign
2
11
Cover image for Framer Site - Lead The Generation
Framer Site - Lead The Generation
2
16
Adobe Illustrator(7)
Sam Comstock's avatar
Sam Comstock
proPittsburgh, USA
Digital Designer | Scalable Visual Identities and Websites
$10k+
Earned
6x
Hired
5.0
Rating
105
Followers
WEBFLOW_EXPERT

Certified Partner

RELUME_EXPERT

expert

Digital Designer | Scalable Visual Identities and Websites
Cover image for Visual Brand Identity for Longbow Completion Services
Visual Brand Identity for Longbow Completion Services
1
17
Cover image for Recently helped Wraith Media update
Recently helped Wraith Media update their website. We had some fun incorporating these interactions into their Film page. The hero at the top is inspired by the A24 website that has a similar slider. Looking forward to helping build out the remainder of the site.
1
300
Cover image for Building on my post from
Building on my post from last week, here’s the fully prototyped landing page created in Figma. Going to design the remaining pages in Figma and build in Webflow next as a portfolio project.
4
5
476
Cover image for Recently I’ve started prototyping my
Recently I’ve started prototyping my designs in Figma more than I have in the past. I tended to avoid prototyping in the past due to it being time consuming and honestly most of the projects I was working on were simple enough to not require this amount of detail. But as the projects I work on have become more complex I’ve found that this extra attention to detail really helps align with stakeholders and sell them on a design before starting development. With a prototyped design clients are able to interact and see how the website will function, not just how it will look. This helps reduce uncertainty in the final deliverable and ultimately helps speed up Webflow development. In the past describing all the hover interactions and click interactions for something even as simple as the slider below would require both time for me to explain and some imagination on the client’s part. While imagination is great, it’s not the best way to align on fine details. Anyways, long story short, new policy is show don’t tell.
14
30
744
Adobe Illustrator(1)
Joseph Gardonis's avatar
Joseph Gardonis
proVerona, United States
16 years of experience in graphic/web design & social media
New to Contra
16 years of experience in graphic/web design & social media
Cover image for CITY HEMP RX LABEL DESIGNS Worked
CITY HEMP RX LABEL DESIGNS Worked with the owner of City Hemp RX to create and design product labels and additional graphics for Hemp CBD oil products in their respective applications.
1
16
Cover image for PSYCHEDELIC ART MAGAZINE SPREAD Created and
PSYCHEDELIC ART MAGAZINE SPREAD Created and designed illustration using live model, photoshop, illustrator and outlandish fantasy.
1
42
Cover image for PACETESP WEBSITE BRANDING & REDESIGN Worked
PACETESP WEBSITE BRANDING & REDESIGN Worked with new leadership at the Pennsylvania Association of Career and Technical Education Special Populations, which is in association with the Penn State Greater Allegheny Campus, to redesign their logo/branding and website. The website is pactesp.org (http://pactesp.org) with its respective screenshots of the selected pages to be viewed here. Beside the tangible visuals of the finished product, the rebranding and website redesign accomplished the following: 1. Refresh the branding and messaging with a different look. 2. Create a more fluid experience for users in terms of functionality. 3. A more cost-effective and interactive hosting platform contributed to fast page speed loading and saved the client money. 4. Helped propel their services, educational courses and membership features into the spotlight.
1
53
Cover image for HARTMAN INSURANCE AGENCY WEBSITE, SOCIAL
HARTMAN INSURANCE AGENCY WEBSITE, SOCIAL MEDIA & GRAPHICS From January 2017-January 2023 before owner Stu Hartman retired from the insurance business, Joseph worked with him one-on-one with him in person thru interview and general communication to create NEW business website, strategy and management for Facebook (https://www.facebook.com/TheHartmanInsuranceAgency/), Google Business (https://www.google.com/maps/place/The+Hartman+Insurance+Agency/@40.3113821,-79.6631361,15z/data=!4m5!3m4!1s0x0:0x5454fc9f2f758723!8m2!3d40.3113821!4d-79.6631361)and Instagram (https://www.instagram.com/hartmaninsuranceagency/), along with designing business card and charity golf ad.
2
69
Adobe Illustrator(8)
Katie Clark's avatar
Katie Clark
Pittsburgh, USA
Hi, I'm Katie. Let's collaborate!
Hi, I'm Katie. Let's collaborate!
Cover image for Paw Printz (Logo Design)
Paw Printz (Logo Design)
0
6
Cover image for Hopscotch Primary Care
Hopscotch Primary Care
0
16
Cover image for KURE (Logo + Brand Guidelines)
KURE (Logo + Brand Guidelines)
0
27
Cover image for Motion Cache (Logo + Branded Assets)
Motion Cache (Logo + Branded Assets)
0
27
Adobe Illustrator(4)
Babina Khanal's avatar
Babina Khanal
Pittsburgh, USA
Brand & Packaging Designer
Brand & Packaging Designer
Cover image for Sipps :: Behance
Sipps :: Behance
0
5
Cover image for The Tea Pot :: Behance
The Tea Pot :: Behance
0
3
Cover image for Goodies :: Behance
Goodies :: Behance
0
5
Placeholder project card media
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Adobe Illustrator(3)
Chris Hornak's avatar
Chris Hornak
proPittsburgh, USA
I craft custom websites and SEO strategies that scale.
1x
Hired
10
Followers
I craft custom websites and SEO strategies that scale.
Cover image for SkillsTX was launching a talent
SkillsTX was launching a talent platform in North America with no demand-gen engine behind it. I built the whole thing. Cold email, a branded landing page, a gated cheat sheet, and a five-touch nurture sequence. One template carries every send. Same header, same CTA, same footer, so five emails read as one system instead of five one-offs. The sequence runs on AIDA, and each stage has exactly one job. That's why the first touch has no "book a call" ask. A cold send with a hard ask in message one gets flagged as spam more often, and that hurts every email behind it. Stage two hands the click to a page that repeats the email's exact promise. Behind the opt-in sits a real six-page SFIA cheat sheet. The SFIA 8 summary chart, the seven levels of responsibility, and where to go next. The ask only shows up at stage four, once the reader has already taken something. Swipe for the emails, the sequence, and the offer.
1
118
Cover image for His logo existed in exactly
His logo existed in exactly one place. Etched into the glass sign at his trade-show booth. No file. No typeface. So I rebuilt it, and drew him a seal to go with it. His name on the top arc, his town and his year on the bottom. John has engraved keepsakes in McMurray since 2002. On paper that is a trophy shop. It isn't. Look at the portrait he etched into glass. So the work leads and the service list waits. Every photo on the site is something he made. What does your business have that nobody ever sees?
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37
Cover image for 🎉 What do you build when a business has one logo and nothin...
🎉 What do you build when a business has one logo and nothing else? Little Fawns is a licensed home daycare in Canonsburg, PA. Twelve spots, ages six weeks to six years, run by the owner on her own floor. What they had was a clip-art fawn, five rainbow letters, and a phone number baked into the artwork. No palette, no typefaces, no rules for any of it. The hard part wasn't the design though. It was the brief. Big centers feel safe because they're big. Small reads as risky. So "small" had to stop being the apology and start being the argument. That's the whole brand. Twelve spots is the pitch, not the limitation. After that the system was straightforward. I drew a new vector mark and kept the five colors out of their old logo, because families already recognize them. Orange is the only color that ever means "do something." The other four decorate and never ask for anything. Fredoka for headings, Baloo 2 for the wordmark, Nunito Sans for body. Rounded and warm, but properly drawn. Friendly without reading childish. The headline came from them. "Small in size. Big on love." was already sitting on one of their own social graphics. It just needed to be the first thing you read instead of the last. Then it goes to work across thirteen sections. Color banding paces the scroll, one accent carries every action, and each block answers a question a parent actually asks before they call. Every factual claim is logged against a source before it ships. The state license, the 5.0 rating from four reviews, the twenty years of experience. Nothing invented and nothing rounded up. This one's a concept build, so it isn't their live site. Swipe for the design board, the brief, and the build. What's the last brand you saw that turned its smallest feature into its main argument?
1
1
93
Cover image for Here's a landing page I
Here's a landing page I built for a Pittsburgh moving company — broken down section by section, so you can see the thinking behind it, not just the finished screenshot. The hero isn't just a headline. The form isn't just a form. Every block on this page is answering a specific objection or moving someone one step closer to booking — in order, on purpose. Swipe through to see it. Good landing pages aren't really a design problem. They're a sequencing problem — and that's the part I spend the most time on.
2
4
228
Adobe Illustrator(1)