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Alex Karpodinis

maxOrlando, USA

I solve business problems through design that actually works

$250k+: Earned

25x: Hired

5.0: Rating

1.2K: Followers

Top

expert

+2

I solve business problems through design that actually works

Cover image for The evolution of my design agency Ghost Pixels’ branding con...

The evolution of my design agency Ghost Pixels’ branding continues (will make a post about this later). Finally… new Framer site soon.

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Cover image for Contra Labs Framer Site Build

Contra Labs Framer Site Build

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621

Cover image for Acme Capital Website Redesign in Framer

Acme Capital Website Redesign in Framer

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Cover image for Indy AI Framer Site & Identity

$5K+ earned

Indy AI Framer Site & Identity

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3K

maxNew York, USA

Filmmaker & Motion Designer · AI-Native Production

$25k+: Earned

12x: Hired

4.9: Rating

591: Followers

Top

Club

Filmmaker & Motion Designer · AI-Native Production

Cover image for Put ByteDance's Seedance 2.5 through

Put ByteDance's Seedance 2.5 through its paces on a spec, period-specific extreme doc style concept. A solo mountaineer in a harsh alpine environment. Honest read on where the 30-second single-take spec actually holds up, and the pre-production work that goes into making it land. #Seedance #AIVideo #MotionDesign #CreativeWorkflow

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Cover image for Partnered with Envato and Contra

Partnered with Envato and Contra on this one. Envato is running a $50k creative challenge called Human By Design, and I made a short video breaking down what it is and why it's worth entering. The brief: use Envato's stock assets and AI tools to build a creative project, then show the human decisions that shaped it. Not just the final render, the judgment calls along the way. You get a free month of Envato Plus just for entering. If you've been looking for a reason to ship something and potentially get paid for it, this is a good one. https://contra.com/community/topic/envatochallenge/guidelines #EnvatoChallenge #HumanByDesign #AIVideo #MotionDesign #Envato #Contra

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Cover image for CPE - AI-Generated Video Series Production

CPE - AI-Generated Video Series Production

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Used my own studio's brand development as the test case for Melius (https://www.melius.com/), an AI agent canvas. My results in this video: where it produced work I'd genuinely use and where I'd still bring in traditional production. Overall for early stage brand development, this is one of the most impressive tools I've used.

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5.4K

proLucknow, India

Ad Creatives Designer and CAPI specialist

$10k+: Earned

16x: Hired

5.0: Rating

176: Followers

expert

Expert

+1

Ad Creatives Designer and CAPI specialist

Cover image for First @Kittl Challenge submission and

First @Kittl Challenge submission and I was NOT playing it safe. I've worked on a lot of creative projects but this one genuinely got me excited, pairing a 1957 black Porsche 356 Speedster with Jailhouse Rock felt like the most natural thing in the world once I saw it. Kittl was a huge part of making this look the way it does. The text work, the split panels, the end card, things that would've taken me forever to get right just came together fast. Genuinely one of the better tools I've used for this kind of cinematic content work. This is just the beginning. View Only Link (https://app.kittl.com/project/cmmengichgfp20ib5417whkho)

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Cover image for Flora AI Fashion Ad Campaign for COS

Flora AI Fashion Ad Campaign for COS

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37

Cover image for A LoveArt-Driven Footwear Ad Film

A LoveArt-Driven Footwear Ad Film

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Cover image for AI-Powered Ad Creatives

AI-Powered Ad Creatives

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proKuala Lumpur, Malaysia

Generative AI Creative Director | Video & Art

$10k+: Earned

11x: Hired

4.7: Rating

276: Followers

Expert

Partner

Generative AI Creative Director | Video & Art

Cover image for Crafted a few surreal frames

Crafted a few surreal frames with GPT 2.5 Sunburst, then brought them to life using Seedance's multiframes feature.

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887

Cover image for What are you imagining now? ✨ I imagined this with Seedance 2.5

What are you imagining now? ✨ I imagined this with Seedance 2.5

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1.1K

Cover image for Cinematic Cycling: Multi-Shot Action Prompt & Workflow

Cinematic Cycling: Multi-Shot Action Prompt & Workflow

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Cover image for My son told me a

My son told me a story about a river of milk that becomes mozzarella. He is so creative! So I turned it into a cartoon with Adobe Firefly Board and AI Assistant. 😉

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1.3K

proMadrid, Spain

Ethereal Filmmaker | Photographer | Creative Direction | AI

$5k+: Earned

5x: Hired

5.0: Rating

219: Followers

expert

Ethereal Filmmaker | Photographer | Creative Direction | AI

Cover image for THE INSATIABLE DESIRE FOR DIVINE

THE INSATIABLE DESIRE FOR DIVINE LOVE A short film by Mont Carver Original artwork: https://www.metmuseum.org/art/collection/search/360403 I spent hours moving through The Met’s Open Access collection before encountering Antonius Wierix II’s engraving The insatiable desire for divine love (Divini amoris intensio), created between 1570 and 1604. Among more than half a million works, this was the image that stopped me. The engraving depicts a robed figure holding two hearts connected by fine lines to a crowned heart suspended above him. I was drawn to the way it gives longing a physical structure. It immediately connected with questions that already run through my work: queer love, faith, yearning and the unseen forces that bind people together. The Insatiable Desire for Divine Love reimagines the engraving as a short magical realist film set in present-day Mexico City. A young Mexican woman prays before the image in her bedroom. The engraving awakens and becomes a prophecy. Later, she glimpses a luminous, long-haired figure. The apparition eventually returns in an ordinary human form as the girl living next door, whom she encounters on the rooftop while hanging laundry. The divine revelation is not fulfilled through a distant celestial being, but through another young woman who has been living beside her all along. The film asks whether the love we address through prayer might already exist within the ordinary world, waiting to be recognized. I developed the film through a branching process on the FLORA canvas rather than through a single generation. I began with visual research into Mexican domestic devotional spaces, bedrooms, neighborhoods, rooftops and clotheslines. From there, I developed the two characters and repeatedly refined their appearance, environments, visual continuity and relationship to the original artwork. I explored several interpretations of the apparition, rejecting images that felt overly polished or like generic digital fantasy in favor of something more intimate and slightly uncanny. I also experimented with expanding and animating the original engraving while preserving its recognizable composition. Its engraved clouds begin to drift, the landscape responds to the wind, the hearts pulse and the delicate black lines tremble as though the antique image were awakening inside the paper. Across the film, those connecting lines are translated into the electrical wires and clotheslines of Mexico City. The pastoral landscape becomes a dense urban rooftop, while clouds reappear through white sheets moving in the wind. The final visual language combines the tenderness of a magical-girl story with the texture of 35mm photography, domestic realism, devotional imagery and restrained analog dream effects. The dusty pink bedroom, faded turquoise textiles, warm daylight, black ink and pearlescent light were refined across connected iterations. Sound, music and an ornamental title sequence were developed as part of the same visual world. The project also begins from the idea that some artworks have lives beyond museum walls. Devotional images can travel through reproductions, bedrooms and domestic altars, where they are framed, touched, prayed to and woven into everyday life. I wanted Wierix’s engraving to leave the digital archive and enter a young woman’s bedroom, not as a distant historical object, but as an intimate image she lives with and speaks to. The film therefore traces a circular journey: from devotional print to museum collection, from the archive back into a home, and finally toward the museum again as a contemporary moving image. Rather than simply illustrating the original engraving, the work proposes a new afterlife for it, one in which sacred longing becomes domestic, Mexican and queer. IG post: https://www.instagram.com/reels/Dc-6_KgRaEV/

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Cover image for A NORMAL AMOUNT OF SKY
My

A NORMAL AMOUNT OF SKY My entry for the CapCut Seedance 2.5 Video Challenge. I am interested in creating worlds that exist somewhere between magical realism, liminal spaces, dreams, and quiet unease. Places that initially feel soft or nostalgic, but gradually reveal that their architecture, scale, or internal logic cannot be trusted. For this film, I imagined a girl beginning inside an empty school, a place shaped by repetition, observation, rules, and the pressure to become a recognizable version of yourself. She walks into a faded pastel-pink bathroom and discovers a luminous horse behind a full-length mirror. The horse represents the possibility of escape, freedom, desire, and a life that cannot be completely explained. When she crosses the mirror, the camera crosses with her. She runs alongside the horse through a fluorescent landscape where rain, flowers, institutional ceilings, and an artificial sky coexist. An astronaut eventually leads the horse away. I see the astronaut as a figure already accustomed to surviving unfamiliar worlds, while the girl is encountering one for the first time. As the camera pulls backward, the apparently endless landscape is revealed to exist inside a crystal sphere held by another version of the same girl. She releases the sphere, breaking the boundary around the imagined world. The luminous horse survives in miniature among the fragments. For me, the ending is about carrying a small piece of freedom back into reality. The escape may be fragile, altered, or impossible to preserve at its original scale, but it does not disappear. WORKFLOW I developed the film in CapCut Video Studio using Seedance 2.5. I began with visual references centered on luminous horses, cyan rain, retro astronauts, pastel magical-girl imagery, artificial landscapes, wet reflections, 35mm grain, analog halation, and uncanny institutional architecture. I then created a timestamped 30-second prompt defining the character continuity, camera path, environmental transformations, sound design, and narrative progression. I generated multiple iterations and refined the mirror crossing, the girl’s visibility, the relationship between the horse and astronaut, the macro pullback from the sphere, and the final release of the miniature horse. The final camera path moves continuously from the school corridor into the bathroom, through the full-length mirror, alongside the running girl and horse, outward through the crystal sphere, and down to the fragments on the bedroom floor. Created with CapCut Video Studio and Seedance 2.5.

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Cover image for Aeroméxico Speculative Ad: A Tribute to Two Cities

Aeroméxico Speculative Ad: A Tribute to Two Cities

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37

Cover image for Speculative Liminal Dream Spot

Speculative Liminal Dream Spot

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proLos Angeles, USA

AI Image & Video Producer | AI Ads

$10k+: Earned

8x: Hired

5.0: Rating

332: Followers

Top

AI Image & Video Producer | AI Ads

Cover image for Have always wanted to work

Have always wanted to work with one of car industry's giants. Thank you for trusting me with 2027 model shots for marketing. Tools used: @Higgsfield AI

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Cover image for My submission for #RenoiseChallenge is

My submission for #RenoiseChallenge is a commercial for Veil. The goal was to make something cinematic with a twist at the end. Tools used in Renoise: Midjourney, GPT 2, Kling 3.0, Seedance 2.0. Post-edit in DaVinci Resolve. Unfortunately couldn't figure out a way to share my canvas workflow, but check out the screenshot in the comments below. Let me know your thoughts🧠

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Cover image for Educational video made for a

Educational video made for a website🧠 Image generations, image to video, post-edit, voice over, SFX, music overlay. Check out full case study with all the assets: HERE (https://contra.com/p/PlrcgFbM-lalaholistic-life-premium-wellness-brand-web-site-assets?referralExperimentNid=DEFAULT_REFERRAL_PROGRAM&referrerUsername=stas_tatarinov_5hmx495l)I had fun working on this one even though it wasn't the easiest. The whole video is supposed to be one seamless loop even though it consists of multiple different generated clips. Tools used: Nano Banana Pro and Kling 2.5/ Kling 3.0.

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1.7K

Premium Wellness Brand Web Site Assets

3

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Sanna Granqvist

proGothenburg, Sweden

Framer Expert Pro · Designer at Welcom

$25k+: Earned

2x: Hired

5.0: Rating

239: Followers

expert

expert

Framer Expert Pro · Designer at Welcom

Cover image for Maya Labs Framer Template Development

Maya Labs Framer Template Development

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40

Cover image for Studio UX Design for Professional Websites

Studio UX Design for Professional Websites

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31

Cover image for Hillcrest Realty

Hillcrest Realty

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Cover image for Bridge Consulting | Framer template

Bridge Consulting | Framer template

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18

proAmsterdam, Netherlands

AI video expert

1x: Hired

37: Followers

AI video expert

Cover image for The AI Video Production Process

The AI Video Production Process

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Cover image for What? A Short AI Rom-Com

What? A Short AI Rom-Com

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Cover image for Digital Avatars for Brands & Marketing

Digital Avatars for Brands & Marketing

2

37

Cover image for AI-Powered Spec Commercial for Daren

AI-Powered Spec Commercial for Daren

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28