Projects using FLORA in ItalyProjects using FLORA in Italy
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Cover image for Van Gogh in 2026 What if
Van Gogh in 2026 What if Vincent van Gogh could step out of his paintings and find himself in the world of 2026? The café remains, but the world around it has changed. The people, objects and small details of everyday life become a reflection of contemporary culture. Technology, modern habits and humour enter the scene, while the characteristic atmosphere and visual language of Van Gogh’s painting remain at its core. The playful anthropomorphic characters sitting around the café are part of this idea. They behave like ordinary people: drinking coffee, wearing hats and moustaches, sitting together and becoming part of the social life of the terrace. The “Semen’s” sign adds another contemporary layer to the scene, introducing a fictional modern business into a setting that originally belonged to nineteenth-century Arles. What interested me most was the contrast between Van Gogh’s way of seeing the world and the way we experience it today. In 1888, cafés were places to meet, observe, talk and spend time together. In 2026, we still gather in cafés, but our surroundings, behaviours and references have completely changed. The technology may have changed. The humour has changed. The culture has changed. But the human desire to gather, observe and experience everyday life remains. The result is a playful reinterpretation of a historical masterpiece, not an attempt to reproduce Van Gogh, but to imagine what could happen if his world suddenly collided with ours. A night that began in 1888, imagined again in 2026. Explore the full FLORA project here: https://app.flora.ai/join-project/3dea1992-09c9-4daf-b89d-fd98b83b4b77 Original work: Vincent van Gogh, Café Terrace at Night (Place du Forum), 1888. Original artwork: https://www.krollermuller.nl/en/collection/vincent-van-gogh-terrace-of-a-caf-at-night-place-du-forum-km-108-565 Created with @FLORA for the FLORA Museum Challenge.
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Cover image for A full shoot, built from a single product photo. I started w...
A full shoot, built from a single product photo. I started with one flat e-commerce packshot, the same asset any brand already has, and built the rest: fabric detail, styling, and the product worn, on two models, across front, profile and back. One coherent world, one locked direction. It works two ways: as pre-production, to explore several directions before a shoot and decide with something real in front of you, and as final, campaign-ready visuals for social and e-commerce, refined down to the detail. And it scales in every direction: more products and full looks, several models in a single frame, different sets and moods from the same starting assets, and motion. Find out more at https://lnkd.in/eXN3mFQE (https://lnkd.in/eXN3mFQE)Self-initiated project on EME STUDIOS (https://www.linkedin.com/company/eme-studios/) pieces, not affiliated. I’m closing my calendar for the coming month. If this could fit your brand, my inbox is open 📬
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Cover image for TOSON — Golden Order Inspired by
TOSON — Golden Order Inspired by the Armor of Emperor Ferdinand I (1549) by Kunz Lochner at The Metropolitan Museum of Art, Public Domain, whose backplate bears the crossed staves and firesteels of the Order of the Golden Fleece, an elite chivalric society Ferdinand belonged to. TOSON imagines what that same logic of induction would look like today, built as a fashion house rather than a museum object. TOSON, 2026. A speculative luxury house built from an armor that once certified belonging to an order money could not buy. That rank was inherited, earned, awarded, never purchased. TOSON borrows the language of induction, the seals, the insignia, the architecture of admission, and turns it into a brand, which is exactly the tension at its center: can rank still mean anything once anyone with enough money can acquire it? Every piece is designed to look like membership. None of them can actually grant it. - Original Artwork: https://www.metmuseum.org/art/collection/search/23944
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Cover image for A vision of 2100 where
A vision of 2100 where the future meets the past. In an era of extreme technological evolution, humanity rediscovers the beauty of craftsmanship, natural materials and pure products. This project imagines that future through the rebirth of a centuries-old Italian pharmacy jar. I created a special edition of two pharmaceutical jars, inspired by the historical object "Pharmacy Jar", divided into two distinct lines: ACQUA (Sea · Movement · Purity) Acqua Mirabilis · Bath salts Olio di Talamone · Body oil Sapone del Porto · Solid soap Candela Acqua · Candle QUIETE (Land · Stillness · Nature) Teriaca Botanica · Herbal tea Incenso di Bosco · Incense / candle Olio della Sera · Night facial oil Elettuario di Miele · Infused honey The two lines represent the duality between sea and land, movement and stillness, water and earth, while celebrating the diversity and purity of Italian products. Concept: Set in 2100, the concept imagines The Metropolitan Museum of Art celebrating the 700th anniversary of the jar’s rediscovery through two special-edition gift sets. The two collections transform the historical pharmacy jar into a contemporary celebration of Italian heritage and craftsmanship, giving a centuries-old object a new meaning and purpose. The historical pharmacy jar becomes a symbol of this return to authenticity: the more technology advances, the more we value the things that technology cannot replace. Source: The Metropolitan Museum of Art - Pharmacy Jar (https://www.metmuseum.org/art/collection/search/468159?utm_source=chatgpt.com)X: https://x.com/edcfromitaly/status/2097215850713317744?s=20
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