TOSON — Golden Order Inspired by the Armor of Emperor Ferdinand I (1549) by Kunz Lochner at The Metropolitan Museum of Art, Public Domain, whose backplate bears the crossed staves and firesteels of the Order of the Golden Fleece, an elite chivalric society Ferdinand belonged to. TOSON imagines what that same logic of induction would look like today, built as a fashion house rather than a museum object. TOSON, 2026. A speculative luxury house built from an armor that once certified belonging to an order money could not buy. That rank was inherited, earned, awarded, never purchased. TOSON borrows the language of induction, the seals, the insignia, the architecture of admission, and turns it into a brand, which is exactly the tension at its center: can rank still mean anything once anyone with enough money can acquire it? Every piece is designed to look like membership. None of them can actually grant it. - Original Artwork: https://www.metmuseum.org/art/collection/search/23944

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VELOCITÀ TERMINALE A century ago, speed was a promise. Today it is closer to a pathology, the thing we mistake for progress while it quietly takes us apart. The horse never moves; it does not need to. Simply existing under the idea of velocity is enough to unravel it, state by state, until what remains is no longer a body but the residue of one. Terminal Velocity is less a portrait of motion than a diagnosis of a culture that confuses acceleration with arrival. Inspired by Horse (1914), Raymond Duchamp Villon's Cubist Futurist bronze at The Metropolitan Museum of Art, and by Boccioni's 1910 horse studies for The City Rises, both Public Domain. Where Futurism used the horse to celebrate speed as progress, Terminal Velocity turns that same force against its own subject. - ARTWORKS: Horse - Raymond Dushamp-Villon: https://www.metmuseum.org/art/collection/search/500417 Horses and Figures in a Landscape - Umberto Boccioni: https://www.metmuseum.org/art/collection/search/485525

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Tableau Vivant A man sits quietly with his notebook, observing a world that slowly slips away from reality. Created as a single continuous take, the film unfolds like a living surrealist painting. While the protagonist calmly writes in his notebook, impossible scenes emerge around him: monumental animals, dreamlike objects and visual references inspired by iconic works of surrealist art coexist within the same physical space. The longer he remains still, the more reality dissolves into imagination. In the final moment, a kaleidoscope of moths and butterflies surrounds him, transforming the scene into a hypnotic visual vortex before the camera moves closer and closer into his eye. The entire film was generated with Seedance 2.5 inside CapCut Video Studio, using image references to maintain the visual identity, composition and artistic direction throughout the continuous shot + some final touches in CapCut Video Editor.

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🦠 Blob Match Mania is a fast-paced AR arcade game built with Easy Lens. A liquid-like blob follows your face in real time, and your goal is to collect as many floating blobs of the matching color as possible while avoiding their complementary color. Every session is different: your blob color changes each game, blob movement is randomized, and dynamic liquid effects make every match feel alive. You have just 15 seconds to score as many points as possible before losing. Challenge yourself, climb the leaderboard, and compete with your friends for the highest score. Built entirely with Easy Lens for the challenge. 🔗 Snap Lens Link (https://www.snapchat.com/unlock/?type=SNAPCODE&uuid=0627380f82184d3aa571cc295abfd9af&metadata=01) 🔗 WebAR Lens Link (https://lens.snap.com/experience/010e6c75-d8de-4b33-af78-c5fd5691f2eb)

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Domenico Amalfitano

Designer