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Derek Farrell's avatar
Derek Farrell
Edison, USA
AI Motion Designer | SaaS Product
New to Contra
AI Motion Designer | SaaS Product
Cover image for The SaaS Wizard: AI-Powered Cinematic
The SaaS Wizard: AI-Powered Cinematic Product Video ๐Ÿš€ For this project, I created a high-energy, cinematic promo featuring a 'SaaS Wizard' who uses AI magic to instantly boost productivity. I blended advanced AI-generated characters with precision After Effects motion graphics to showcase complex SaaS features in a memorable and engaging way.
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71
Cover image for New Year Corporate Magic: AI
New Year Corporate Magic: AI Motion Ad for SaaS CRM ๐Ÿš€ For this end-of-year marketing campaign, I created a high-end Holiday & New Year cinematic promo for a SaaS CRM platform. The video utilizes advanced AI video generation combined with precise After Effects motion design to target a common B2B pain point: closing the fiscal year with zero stress. The story beautifully contrasts the chaotic holiday rush with the seamless organization provided by the CRM, helping teams hit their yearly targets. This project highlights how SaaS brands can leverage seasonal storytelling and cutting-edge AI visuals to drive Q4 conversions.
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71
Cover image for Halloween Special: Spooky AI Motion
Halloween Special: Spooky AI Motion for SaaS CRM Platform๐Ÿ‘ For this seasonal marketing campaign, I created a cinematic, high-energy Halloween promo for a SaaS CRM platform. The video uses advanced AI generation and custom After Effects motion graphics to creatively compare common business nightmaresโ€”like lost leads and disorganizationโ€”to classic horror monsters. This project demonstrates how B2B companies can utilize holiday-themed, emotional storytelling and modern AI motion design to humanize their SaaS product and boost audience engagement.
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75
Cover image for ๐Ÿš€ CRM vs. Zombie Apocalypse:
๐Ÿš€ CRM vs. Zombie Apocalypse: An AI Cinematic Product Ad๐Ÿš€ In this project, I created a groundbreaking B2B cinematic promo using cutting-edge AI generation and precision motion graphics. The video presents a high-stakes scenario: a zombie apocalypse. I demonstrated how a SaaS CRM platform becomes the ultimate tool for survivalโ€”managing resources, tracking communications, and organizing human survivors. This case study showcases how unconventional, high-impact storytelling and advanced AI motion can elevate a traditional SaaS brand and drive engagement ๐Ÿ˜Š
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74
Runway(5)
Partamas Andras Roland 's avatar
Partamas Andras Roland
New York, USA
Visual Artist&Creative Director/ Cinematic Product & Motion
$1k+
Earned
41
Followers
Visual Artist&Creative Director/ Cinematic Product & Motion
Cover image for Cinematic Motion Study for Luxury Timepiece
Cinematic Motion Study for Luxury Timepiece
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26
Cover image for NIKE FOOTWEAR โ€” PRODUCT CAMPAIGN A
NIKE FOOTWEAR โ€” PRODUCT CAMPAIGN A speculative product film exploring the construction, transformation and physical behavior of a performance running shoe. The central visual idea was to make the product appear to physically construct itself. Fine textile fibers progressively interlock and spread into the upper, while the sole develops simultaneously through continuous volumetric material formation. The objective was to maintain the impression of a continuous physical process rather than using a conventional morph or instant transformation. The finished product was presented through a series of controlled cinematic product shots, focusing on surface detail, textile structure, sole geometry, reflections and material response. Different camera perspectives were developed to emphasize the silhouette and construction of the shoe while maintaining a consistent visual language. Creative Direction โ€” Andrรกs Roland Partamaศ™ Visual Development โ€” Andrรกs Roland Partamaศ™ Product Visualization โ€” Andrรกs Roland Partamaศ™ Animation & Motion Design โ€” Andrรกs Roland Partamaศ™ Digital Production โ€” Andrรกs Roland Partamaศ™ Edit & Color โ€” DaVinci Resolve https://www.youtube.com/watch?v=68x7ROWF1_w
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491
Cover image for A professionally directed music-video concept
A professionally directed music-video concept created entirely digitally, demonstrating what can be achieved without a traditional film production. Parfumuย pe piele - Xya This project explores that possibility through a fully digital production built around an original song, an artist performance, cinematic direction, virtual locations, lighting, camera movement, animation and visual effects. The goal was not to imitate a traditional production, but to demonstrate how current AI-assisted technology can give independent artists access to a level of visual storytelling that would traditionally require a much larger production budget. THE CORE IDEA The project isn't about making AI imagery. It's about using current digital technology to construct a complete cinematic production that would traditionally require a physical cast, locations, lighting equipment, cinematography and a production crew. Creative Direction This project explores the space between memory, reality and artificiality through a cinematic visual narrative built entirely in a digital environment. At the center of the film is a male performer and a female figure that exists in two distinct states: a motionless mannequin and an ultra-realistic human presence. The distinction between the two becomes increasingly ambiguous as fragments of another reality appear throughout the performance. The visual world is deliberately reduced to deep blackness and controlled light. Stroboscopic flashes briefly reveal the characters, their movements and fragments of the environment, turning the lighting itself into part of the narrative and editing language. Between flashes, the viewer is left with incomplete moments โ€” as if watching fragmented memories rather than continuous reality. The male performer moves between solo performance, interaction with the mannequin, and fleeting memories of the woman as a living human. Their physical interaction develops through contemporary choreography influenced by the fluidity and precision of ballet, but interpreted through a more organic and expressive movement language. The human sequences are treated almost as fashion-editorial memories: more fluid, dramatic and visually expressive, while maintaining the same visual universe as the mannequin scenes. Rain appears only when caught by the light, adding another physical layer to the darkness. Every element was designed around believable physical behavior โ€” body weight, clothing movement, skin, hair, rain, reflections and material response โ€” to create a contrast between the surreal concept and physically convincing imagery. The cinematography moves between extreme close-ups, observational angles, slow camera drift and abrupt temporal jumps. The flashes and changes in perspective are rhythmically connected to the structure of the original song, allowing the music to function as the spine of the visual edit. Rather than using transformation as an obvious visual effect, the film treats the mannequin and the woman as two versions of the same memory. The viewer is never explicitly told which one is real. THE VISUAL LANGUAGE LIGHT Near-total darkness interrupted by controlled stroboscopic flashes. Light becomes both illumination and an editing device. MOVEMENT A contrast between complete stillness and highly expressive contemporary choreography. Fast fragments coexist with suspended slow movement. CAMERA Extreme close-ups, upward observational perspectives, controlled drifting movements and abrupt temporal discontinuities create the sensation of discovering fragments of a memory. MATERIALITY The mannequin has an intentionally artificial, highly detailed plastic surface, while the human form emphasizes skin pores, imperfections, hair, fabric and realistic physical interaction. RAIN A restrained atmospheric element that becomes visible primarily when intersecting the light, giving depth to an otherwise almost completely black environment. Parfumu pe piele - Xya Creative Direction & Visual Concept Andrรกs Roland Partamas Music Concept & Production Andrรกs Roland Partamas Visual Production, Editing & Execution Andrรกs Roland Partamas Artist(Singer)ย  AI-generated performance
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Cover image for AFTER THE FALL - Music
AFTER THE FALL - Music Video - By Partamas Andras Roland An original cinematic music film created by Partamas Andras Roland โ€” from the original track and visual concept through to the final film. A dark, atmospheric journey through a fractured world where humanity, isolation and a collapsing landscape meet. Music: Original track created by me with Suno Visual direction & film: Andras Roland Partamas Concept / Production: Andras Roland Partamas https://youtu.be/V0JBi_Fqg6E?si=DZvPw5xQ35mrDJXB
2
8
540
Runway(1)
Antonio Matta's avatar
Antonio Matta
proNew York, USA
Mental Health Ghostwriter | Content for the 2 AM search
12
Followers
Mental Health Ghostwriter | Content for the 2 AM search
Cover image for Transform Your Script into Engaging Videos: Proven Techniques
This was the follow-up after the exec director saw how RESONANCE transformed their first video. Same challenge: script with no visual roadmap. I mapped it to the framework's emotional architectureโ€”where does tension peak? Where do we slow down and let a moment breathe? Used Runway for cinematic camera direction, Kling for sequences, CapCut for pacing. The result: a video that doesn't just explain, it pulls people in. Most organizations think video production means better footage. It means knowing which shot to place where, and why.
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181
Cover image for A mental health nonprofit handed
A mental health nonprofit handed me a script with zero visual direction. They needed a volunteer onboarding video but didn't know how to make words feel cinematic. I applied my RESONANCE Frameworkโ€”maps emotional pacing through eight beats so the story builds tension, offers resolution, and leaves people feeling something, not just informed. The script stayed the same. The visuals became a story. Used Runway and Kling for camera movement and scene generation, CapCut for editorial pacing. Wide shots for vulnerability, close-ups for connection. The exec director asked me to do a second video immediately after seeing the first cut.
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Cover image for An executive director gave me
An executive director gave me an audio podcast created by Notebook LM about his nonprofit and asked me to create characters and b-roll for an engaging and informative video.
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Cover image for Before you sign your next
Before you sign your next contract, read "Don't Sign That," a best-selling contract literacy guide by Leo Mann.
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78
Runway(2)
Misha Koroteev's avatar
Misha Koroteev
proNew York, USA
Video advertising in 2026 is making shows instead of ads.
1x
Hired
13
Followers
Video advertising in 2026 is making shows instead of ads.
Cover image for Hey, we are VeryVertical, a studio that makes shows instead ...
Hey, we are VeryVertical, a studio that makes shows instead of ads! (and then uses shows we made to make ads)
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23
303
Cover image for Super Bowl Entertainment Project for Mojo
Super Bowl Entertainment Project for Mojo
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14
Cover image for Function of Beauty Founder Story Video
Function of Beauty Founder Story Video
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15
Cover image for AG1 Commercial Spoof of 'Marriage Story'
AG1 Commercial Spoof of 'Marriage Story'
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14
Runway(1)
Victor Olorunfemi's avatar
Victor Olorunfemi
proJersey City, USA
I help brands and writers showcase their stories with videos
6
Followers
I help brands and writers showcase their stories with videos
Cover image for Concept ad for imaginary product
Concept ad for imaginary product "Blood Orange" "What is red, yellow and sweeter than ambrosia?"
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29
Cover image for I've been working on a
I've been working on a limited series, created entirely with AI - A family drama titled "Before We Knew", - 6 episodes. This was a bit challenging because of very limited resources (tokens) but I pushed myself to try release an episode each week. By the time this series is completed, it would be at least an hour of cinema. This is episode 5 of Before We Knew - "Who's my father?" The finale is coming soon.
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Cover image for From published book to animated
From published book to animated video - The Watchmaker's Daughter
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223
Cover image for Suya Steak ad. Who's hungry?
Suya Steak ad. Who's hungry?
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Runway(9)
Emily Hoffman's avatar
Emily Hoffman
New York, USA
I edit bold, story-driven videos that actually connect.
I edit bold, story-driven videos that actually connect.
Cover image for Tea Eater - Little White Dog (in a Gated Community) - YouTube
Tea Eater - Little White Dog (in a Gated Community) - YouTube
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Cover image for Tea Eater- F*ck the DMV (Official Video) - YouTube
Tea Eater- F*ck the DMV (Official Video) - YouTube
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9
Cover image for Tea Eater - Has Been (Lyric Video) - YouTube
Tea Eater - Has Been (Lyric Video) - YouTube
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6
Cover image for - YouTube
- YouTube
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9
Runway(1)