Freelancers using Adobe Premiere Pro in BrazilFreelancers using Adobe Premiere Pro in Brazil
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Lucas Lopes's avatar
Lucas Lopes
proDiamantina, Brazil
Senior Motion Designer and Video Producer | SaaS and B2B
$1k+
Earned
7x
Hired
4.9
Rating
132
Followers
RIVE_EXPERT

expert

Senior Motion Designer and Video Producer | SaaS and B2B
Cover image for Animated explainer video for a
Animated explainer video for a warehouse management system. Built with dynamic system UI animations and premium sound design to break down complex fulfillment workflows into engaging, easy-to-understand visuals.
0
78
Cover image for Demo video for CoinOTC, a
Demo video for CoinOTC, a crypto trading platform. Presents the complete user flow from onboarding to post-trade, building credibility and positioning the brand on LinkedIn.
0
77
Cover image for This is the level of quality you can expect when you hire me...
This is the level of quality you can expect when you hire me for video editing and motion design:
1
1
363
Cover image for Video editing is so much more than just putting clips togeth...
Video editing is so much more than just putting clips together; it's about telling stories, crafting a narrative, evoking emotions, persuading and convincing. Send me a DM for video productions.
3
537
Adobe Premiere Pro(9)
Jessica Leonel's avatar
Jessica Leonel
Florianópolis, Brazil
Video Editor | Short-Form, UGC Ads & Branded Content
$1k+
Earned
2x
Hired
4.8
Rating
11
Followers
Video Editor | Short-Form, UGC Ads & Branded Content
Cover image for This edit started with a
This edit started with a simple challenge: several different creators, different deliveries, different footage, but only one short ad to make it all feel cohesive. The first step was finding the strongest soundbites and figuring out how they could work together as one story rather than feeling like a compilation. From there, I built the structure around a clear hook, fast progression and a product-focused payoff, then used captions, product inserts, motion, transitions, music and sound design to keep the pace moving without losing the natural UGC feel. What I enjoy most about this kind of edit is that the real work happens before the polish. It is deciding which sentence opens the video, which reaction is worth keeping, when to change creator, when to show the product, and how to make every cut feel intentional. The goal was to keep the authenticity of UGC while giving the final piece the rhythm and clarity of a paid social ad.
0
17
Cover image for This was one of the most fun AI projects I’ve worked on late...
This was one of the most fun AI projects I’ve worked on lately. For Tecnofas, we created a full clay-style animation, literally building the visual language around that handcrafted, stop-motion look, but produced with AI. The video above is a compilation of some of the scenes we developed for the project. The creative challenge was to explain a very technical difference in a way that felt simple and visual: comparing a traditional retrofit construction process with a ventilated façade system, which can reduce the number of workers needed on site by up to 60%. Tecnofas is the kind of client that really enjoys experimenting with new visual languages, so we had a lot of freedom to explore the concept, test ideas and push the AI workflow beyond a standard corporate animation. That freedom made the process especially enjoyable. Instead of using AI only to make production faster, we used it to create a visual style that would probably never have been the obvious choice for this kind of industrial communication.
1
17
869
Cover image for For Junoo, we had already
For Junoo, we had already received real product samples for a separate UGC production. The AI piece came in as an additional creative route: a way to explore how much further we could take the campaign without depending on another traditional shoot. Using real product photography as our reference, we created a fully AI-generated UGC concept from scratch, including the creator, environment, styling and overall visual direction. The content was developed around the aesthetic the client wanted and adapted to feel relevant to the audience in the target city, while keeping the real product at the center of the piece. What I like about this kind of workflow is the flexibility it creates. Once the product is in hand and properly referenced, we’re no longer limited to a single casting, location or production setup. AI becomes a way to expand the creative territory of a campaign and produce additional content directions that would otherwise require a completely new shoot.
1
62
Cover image for One of the challenges with this Inplac project is that the c...
One of the challenges with this Inplac project is that the client doesn’t always have access to strong, current product photography. I don’t see that as a limitation. For this piece, we used AI to build highly detailed product visuals from the available references, then developed those images into animated scenes for social content and ads. The goal wasn’t to create something that simply looked polished. It was to make the product feel tangible, well presented and visually convincing even when the original production material was limited. A lot of the work comes down to art direction: defining the scene, lighting, materials, framing and movement in a way that still feels coherent with the real product. For clients with difficult or expensive product shoots, this opens up a lot of possibilities. Limited photography doesn’t have to mean limited content.
1
13
456
Adobe Premiere Pro(11)
John Camara's avatar
John Camara
Brazil
Video Editor & Motion Designer | Meta ADS/AI Specialist
$1k+
Earned
4x
Hired
5.0
Rating
62
Followers
Video Editor & Motion Designer | Meta ADS/AI Specialist
Cover image for AI Documentary Recreation Study – 1880s New York
AI Documentary Recreation Study – 1880s New York
1
20
Cover image for AI Brand Launch Video for JP Moregain
AI Brand Launch Video for JP Moregain
2
22
Cover image for Creative Direction & AI Video Production for Markets
Creative Direction & AI Video Production for Markets
2
22
Cover image for AI-Driven Spec Ad for GTE.xyz
AI-Driven Spec Ad for GTE.xyz
0
22
Adobe Premiere Pro(13)
Ivam Marchon's avatar
Ivam Marchon
proNiterói, Brazil
Creative Director | Ads Videos That Convert with 3D and AI
$1k+
Earned
2x
Hired
55
Followers
Creative Director | Ads Videos That Convert with 3D and AI
Cover image for An editorial visual exploration for
An editorial visual exploration for Lacoste, blending sportswear aesthetics with graphic illustration and dynamic motion. The goal was to create a high-fashion golf concept that bridges brand luxury with modern visual storytelling.
4
4
538
Cover image for This past weekend I went
This past weekend I went back to 3D after a long time. Just a quick visualizer, no big deal, but the tiredness at the end of the day felt completely different. Most of my work right now is AI. The burnout is real and it comes from a strange place (constant filtering, fighting the model, trying to pull out the exact frame I already see in my head, video generations that go wrong). 3D doesn't feel like that. When you hit an issue in a shader or a lighting setup, you actually have to solve it and when the scene finally lands where you wanted, you know you built it. AI is my main engine right now, that's where the market is, but my visual standards come from 3D. Knowing how light, cameras and composition actually behave in a real space is what lets me push an AI result beyond the obvious.
2
3
498
Cover image for AI Visual for artist Flavio Vieira - MIS SP Exhibition Toget...
AI Visual for artist Flavio Vieira - MIS SP Exhibition Together with Treehouz, we collaborated with artist Flavio to bring his vision to life for an audiovisual piece presented at the Museu da Imagem do Som de São Paulo. Flavio arrived with the conceptual framework and visual references. My role was to translate and execute these ideas into high quality visuals using AI image and video production. The piece portrays the dynamic interplay of contrasts, reflecting the psychological forces that inhabit the unconscious, as described in Jungian theory. My focus throughout the process was to transform these symbolic elements into cohesive, emotionally imagery that are aligned with the artist's vision. It was an honor to contribute to this collaboration and have a project featured in one of the most important museums in Brazil.
19
812
Cover image for Testing Kling 2.6 Update for Video Transitions
Testing Kling 2.6 Update for Video Transitions
1
29
Adobe Premiere Pro(8)
Rafael Borin's avatar
Rafael Borin
proBrazil
I'm the reason you'll blow up
$25k+
Earned
1x
Hired
48
Followers
I'm the reason you'll blow up
Cover image for Getting out of your confort
Getting out of your confort zone might be one of the best moves in Video Editing. Why? This was about a year ago. The style, although simple, took a loot of time and effort to recreate. I took inspiration on a video sent by one of my friends and on that day, that video inspired me to create this. It was my first attempt at doing something completely different than usual, but it turned out actually great! And the best part? I still delivered the video in time without any other revisions to make.
2
4
278
Cover image for This is a re-edit I
This is a re-edit I did for a creator not so long ago. Premium visuals not always mean more. Actually, most of the times it means less. In this video I've done a really simple motion with a limited use of colors and I think it turned out great.
4
146
Cover image for I'm a video editor This is
I'm a video editor This is a small animation I did a few months ago. Sketch style. What do you think?
1
113
Cover image for Knwn Local Business Launch Video Editing
Knwn Local Business Launch Video Editing
0
18
Adobe Premiere Pro(7)
Nathan Sanches's avatar
Nathan Sanches
São Paulo, Brazil
Creative Video Editor
$1k+
Earned
1x
Hired
5.0
Rating
11
Followers
Creative Video Editor
Cover image for Slack Okta Integration
Slack Okta Integration
0
15
Cover image for The Middle East-Told Slant - Podcast Episode 1
The Middle East-Told Slant - Podcast Episode 1
0
13
Cover image for Video Reel
Video Reel
0
14
Cover image for UNESCO - Hey Update My Voice
UNESCO - Hey Update My Voice
0
16
Adobe Premiere Pro(6)
Lucas Gouveia's avatar
Lucas Gouveia
State of Paraná, Brazil
Digital designer
New to Contra
Digital designer
Cover image for This animation was created as
This animation was created as a small tribute to the visual language of classic platform games — simple shapes, bright colors, mystery blocks, coins, and that familiar feeling of something about to happen. The focus here was timing. The scene is short, but every movement needs to feel playful: the anticipation before the block is hit, the star reveal, the bounce, the rhythm, and the way the action loops back into the environment. I treated it less like a full commercial piece and more like a motion study: a compact exercise in nostalgia, clarity, and game-inspired animation.
1
98
Cover image for A missing pet is never
A missing pet is never just a notification — it is panic, urgency, and the need for a simple way to act fast. RedePet was designed around that moment. This short promo video presents the app’s main idea in a clear and friendly way: identify your pet, register their information, connect a tracking tag, and make it easier for someone to help bring them home. The visual direction keeps the experience light, colorful, and approachable, with rounded UI elements, soft motion, pet-focused illustrations, and a simple step-by-step rhythm. I wanted the video to feel useful without becoming too technical — more like a quick guide that pet owners could understand in a few seconds.
2
165
Cover image for Van Gogh’s work already feels
Van Gogh’s work already feels alive: the brushstrokes, the colors, the tension, and the emotion all seem to move on their own. This short motion piece was built around that idea. I used paintings, dates, typography, pacing, and animated transitions to turn key moments from his life into a visual journey. The focus was not to create a traditional art-history slideshow, but to use motion design as a storytelling tool — connecting the artwork, the timeline, and the emotional atmosphere behind his legacy.
1
115
Cover image for What makes a tech brand
What makes a tech brand feel fast, modern, and trustworthy before the viewer even reads a word? For this project, I created a short promotional video designed to introduce a digital brand with a polished, tech-focused visual style. I combined animated typography, code-inspired visuals, interface elements, blue and purple gradients, and a clean logo reveal to build a sense of speed, clarity, and innovation. The goal was to create a piece that could quickly communicate what the brand does while still feeling sharp enough for social media, landing pages, or a short brand presentation.
1
122
Adobe Premiere Pro(4)