Freelancers for "Video"Freelancers for "Video"

Search results for 'Video'

ProjectsPeople
Mario Busto Studios™'s avatar
Mario Busto Studios™
maxMiami, USA
Expert Video Editing and Cinematic Storytelling
$250k+
Earned
25x
Hired
5.0
Rating
1.6K
Followers
TOP_INDEPENDENT

Top

HIRED_BY_YC_EXPERT

Hired

+1
Expert Video Editing and Cinematic Storytelling
Cover image for Anything.com Conversational Coding Product Launch
Anything.com Conversational Coding Product Launch
1
13
Cover image for Post Production for Splice's Ayesha Interview
Post Production for Splice's Ayesha Interview
1
8
Cover image for Contra Client Testimonial: Base.Club
$6.5K+ earned
Contra Client Testimonial: Base.Club
54
1.2K
Cover image for Wilson Tennis Docu Series- Feat. Emma Raducanu
Wilson Tennis Docu Series- Feat. Emma Raducanu
84
4.1K
Video Editor(68)
Video Producer(37)
Video Post-Production Editor(17)
Videographer(1)
Courtney Koch's avatar
Courtney Koch
Charlton, USA
I make video ads people WANT to watch.
17
Followers
I make video ads people WANT to watch.
Cover image for Super excited to attend the Snowbound Expo in Boston where d...
Super excited to attend the Snowbound Expo in Boston where dozens of winter sports brands will be vending. Being a snowboarder my whole life, I've been on the hunt to add more of this niche of brands to my clientele and hope to get some leads this weekend. I made a tailored demo reel of other action sports, and just cool brands that I've done video editing or full production work for to help best connect with the brands attending the event. Let me know what you think and wish me luck! 🏂🎥
4
16
206
Cover image for Hey everyone! I'm new to Contra and love this community feed...
Hey everyone! I'm new to Contra and love this community feed. Here's a CTV commercial I just completed for BowFlex. I handled all aspects of production from concepting, filming and editing. I'd love to hear your thoughts. And if anyone happens to see this commercial while watching TV, let me know - that would be sweet 😁
6
25
345
Cover image for Protein Bite: Product Commercial
Protein Bite: Product Commercial
1
3
Cover image for Hot Sauce Product Commercial
Hot Sauce Product Commercial
0
7
Video Editor(10)
Videographer(5)
Video Post-Production Editor(4)
Video Producer(2)
Mont Carver's avatar
Mont Carver
proMadrid, Spain
Ethereal Filmmaking, Photography & Video Editing ✨
$1k+
Earned
4x
Hired
5.0
Rating
172
Followers
LUMMI_EXPERT

expert

Ethereal Filmmaking, Photography & Video Editing ✨
Cover image for Recipe Video Production for GourmEats
Recipe Video Production for GourmEats
1
15
Cover image for Michael + Susana’s wedding is one of those edits that feels ...
Michael + Susana’s wedding is one of those edits that feels like breathing fresh air ૮₍˶ᵔ ᵕ ᵔ˶₎ა ♡☆.* A cliffside ceremony with the ocean doing its own soundtrack 〰〰〰 ✧ handwritten vows (soft + real) ︶꒦꒷♡꒷꒦︶ and the kind of laughter you can’t fake ˚₊· ͟͟͞͞➳❥ I loved shaping this into a simple, cinematic story: clean pacing ✂︎✧ natural audio moments ᵕ̈♡ and a mix of crisp color + dreamy black & white portraits ୨୧⋆｡˚ that match the wind-in-the-veil energy ✧˖° Favorite details: the bouquet on the rocks ✿⟡ family in vibrant traditional outfits ☆★ and that wide shot where they’re tiny against the coastline (instant film still) ⌁⌁ ⊹₊˚♡
3
28
796
Cover image for ☆:.｡. AMANDA + CHARLIE / WEDDING REEL .｡.:☆ A little love ca...
☆:.｡. AMANDA + CHARLIE / WEDDING REEL .｡.:☆ A little love capsule from their day ︶︶︶⟡ bridal morning giggles + dress details → mirror moment → that quiet “about to walk in” energy → vows from the back row → then straight into the dancefloor chaos (confetti + hands in the air) ✦ Edited with a nostalgic touch: film-frame overlays, soft cinematic grading, tight pacing + emotion-first cuts, so it feels like a memory you can rewatch, not just a recap. ⋆｡ﾟ☁︎ if you’re looking for wedding edits that feel intimate + timeless (with a little party sparkle), I’m here ⊹☆
1
17
695
Cover image for Suhui Xia × character playground ｡☆✿ Made this mini film dur...
Suhui Xia × character playground ｡☆✿ Made this mini film during a photoshoot session for Suhui’s actress book ♡ We explored different characters like trying on outfits: soft, intense, mysterious, playful… tiny changes = whole new person ✧₊˚ We worked together before in “El otro lugar” and I love how collaborative our process is—camera as a space to experiment, not to “perform perfectly.” ★彡 Filmed + edited by me — Mont Carver Actress: Suhui Xia ✿ #ActingExploration #CharacterLab #ActorCollab #CinematicStudy #VideoPortrait #ExperimentalFilm #DirectorDP #MadridFilm #ActorLife #CreativeFriends #ActorReel #BehindTheScenes #ContraPortfolio #Y2KCore
2
29
647
Video Editor(22)
Videographer(9)
Video Post-Production Editor(3)
Video Producer(1)
Elrich Nel's avatar
Elrich Nel
proBloemfontein, South Africa
Video Editor | Transforming Your Vision with Video Editing🎥
$5k+
Earned
4x
Hired
5.0
Rating
68
Followers
Video Editor | Transforming Your Vision with Video Editing🎥
Cover image for 2025 Studio Recap Reel Production
2025 Studio Recap Reel Production
2
32
Cover image for Grizzly Energy – Be Ruthless Event Promo
Grizzly Energy – Be Ruthless Event Promo
1
28
Cover image for UFS Varsity Cup 2025 Hype Promo Video
UFS Varsity Cup 2025 Hype Promo Video
1
45
Cover image for UFS Campus Space Revamp Video
UFS Campus Space Revamp Video
1
16
Video Editor(18)
Video Post-Production Editor(11)
Video Producer(5)
Videographer(5)
Daniel Castellanos's avatar
Daniel Castellanos
proBogota, Colombia
Brand Identity & Content Creation | Video & Motion
5.0
Rating
23
Followers
Brand Identity & Content Creation | Video & Motion
Cover image for BIRRIA. There's a version of food
BIRRIA. There's a version of food content that treats the dish as the star and rushes to get there. This isn't that. Birria is a slow process — layers of dried chiles, bones, hours of heat. The edit follows that logic. The music is slow, almost pre-Columbian, but the cuts don't drag. They move with the rhythm, not against it. Close on the clay pot. The char on the chiles. Hands working. The result feels warm. Domestic. Like something your grandmother would recognize even if she'd never seen a camera. Detail-first food cinematography, edited to feel like the dish tastes.
2
74
Cover image for COLOR GRADING ISN'T THE LAST
COLOR GRADING ISN'T THE LAST STEP. IT'S PART OF THE STORY. Shooting well isn't enough. Every image needs intention — from the framing to the last color grade. This teaser came from three deliberate choices: a warm palette that turns muscular tension into something almost painterly, slow cuts that honor the weight of each movement, and a 1920×720 format that forces you to read the entire body within the frame. The music holds it all together. JMSN's "Love Me" doesn't decorate — it dictates the edit. The full piece is coming soon.
2
218
Cover image for When a product needs to
When a product needs to be understood, not just seen. Chemyunion is a high-performance cosmetic ingredients company. Their client isn't the end consumer — it's the formulator, the distributor, the professional making technical decisions about what goes into a product. For the presentation of Seriliss, their active ingredient for hair straightening and nutrition, the challenge was clear: show the product in action and explain why it works at the same time. The piece combines studio audiovisual production — with a professional demonstrating the application process step by step, from root to tip — with motion graphics integrated directly over the video to highlight specific areas of the hair, visualize the technical process, and translate chemical information into something digestible without sacrificing precision. Two languages in a single piece. The video demonstrates. The motion explains. Neither one is excess. That balance is what defines a strong technical content piece: it's not about making the product look good — it's about making the client understand it well enough to trust it.
1
172
Cover image for Knowing when to keep it
Knowing when to keep it simple is also a creative decision. Working with AGROSAVIA, the Colombian Corporation for Agricultural Research, was one of the most demanding projects of my career as an audiovisual communicator — not because of its technical complexity, but because of the exact opposite. The pieces I developed are intentionally basic motion graphics. Animations explaining concrete agricultural processes — milk collection and handling in rural areas, palm oil production, good field practices — designed for farming communities far from urban centers, with limited access to technology and ways of learning that don't involve high-resolution screens or cinematic effects. That clarity of context shaped every production decision: clean compositions, institutional color palette respected down to the last detail, legible typography, paced animations that guide attention without overwhelming it. No unnecessary transitions. No visual resources competing with the information. Everything in service of the message. A Colombian state institution has communication guidelines built over years of deep knowledge of their audience. They aren't arbitrary — they're precise. The editor's job isn't to question them or modernize them. It's to understand them, respect them, and execute them with the same rigor applied to any high-level production. Excellence doesn't always look the same. Sometimes it's measured by how many farmers understood the process the first time they watched the video. You can watch some of the pieces here: https://www.youtube.com/watch?v=Vhtwd9isKXo https://www.youtube.com/watch?v=zDexvMTjJRQ https://www.youtube.com/watch?v=qzuPrtTHGpM https://www.youtube.com/watch?v=b3RyNtbPOzQ
1
3
225
Video Editor(13)
Video Producer(12)
Video Post-Production Editor(2)
Videographer(2)