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The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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You’re looking for a designer and land on one of these.
Same person, same photo, two very different introductions.
Which one makes you want to see their work?
70 voted
52%
64 voted
48%
134 votes
Closed
the two intros feel very different. which one won?
Continuing my exploration of the Sable Records website concept.
This is the Catalogue section, designed to showcase the label's latest releases through a more editorial and immersive approach.
Instead of relying on a standard card grid, I explored a composition built around oversized typography, strong imagery, asymmetry and intentional negative space.
The idea is to make each release feel like more than just an item in a catalogue.
A website can be functional without feeling generic—and for a music label with a strong identity, the browsing experience should be part of the world the label is creating.
Direction: Editorial / Experimental / Minimal
#Framer #WebDesign #CreativeDesign #EditorialDesign
One of my first solo projects for an AI startup, around two years ago.
I worked directly with BRYO’s two founders, taking the brand from early strategy through to a complete visual system and the touchpoints they needed to start putting it into the world.
Looking back, there’s a lot I’d approach differently now. But that’s also what I like about revisiting older work. It was a huge learning experience and one of the first projects where I got to think about a brand as a whole system, not just an identity.
And the nice part: it did its job.
The brand carried BRYO through those early two-person stages, and the identity is still part of the company today as they’ve secured funding, grown the team and moved forward with a pretty ambitious vision for industrial AI.
Finally put the full case study together here ↓
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