Hello everyone, I’m Marcos Silfa. Art director and graphic designer with 25 years of experience a...Hello everyone, I’m Marcos Silfa. Art director and graphic designer with 25 years of experience a...
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
Hello everyone, I’m Marcos Silfa.
Art director and graphic designer with 25 years of experience across global brands and industries, trained in the analog world and driven by curiosity.
I specialise in building brand identity systems designed to last. From logos and websites to packaging, across physical and digital ecosystems, my work focuses on clarity and consistency. I see design as infrastructure, not personal expression.
My experience across agencies, corporate environments, independent studios, and freelance work has shaped a structured, execution-driven methodology.
If it doesn’t help communicate or function, it doesn’t belong.
I believe the best work comes from trust, clarity, and enjoying the process.
How do you make a construction brand feel consistent from a business card to a building site?
Brixon’s identity brings angular lettering, an assembled geometric symbol, and a lime, black, and white palette together.
I carried those elements into stationery, brand guidelines, team identification, social graphics, and site signage, then brought the system into motion with Adobe After Effects.
The connecting decision: keep the geometry and layout structure consistent while the logo details, messages, and application previews change within the animated panels.
My contribution covered brand design, graphic design, and motion design.
What draws your attention first: the wordmark, the lime palette, or the rotating symbol?
See the full Brixon case study. If you’re shaping a construction or development brand, I’m available for brand identity and motion projects.
ESE GIN — Between the Dunes | Visual Identity & Packaging
ESE GIN draws its curves from the dunes. The signature S catches the light in sculpted olive glass and leaves its imprint in wax.
This is gorgeous, Maya — the sculpted olive glass with that S catching the light is such a clever way to carry the dunes into the bottle itself. And the wax seal imprint is a beautiful finishing touch, it gives the whole thing a crafted, almost apothecary feel. Really cohesive...