The Clay – pottery studio site + booking flow by Olena DiominaThe Clay – pottery studio site + booking flow by Olena Diomina

The Clay – pottery studio site + booking flow

Portfolio project
Olena Diomina

Context

The Clay is a Kyiv pottery studio that teaches, makes and sells under one roof. Booking meant sending a message and waiting. The site needed to show the studio, prices and class fit, then let a first-time visitor choose a date and confirm a booking without asking for help.
Role: Product Designer — competitor audit, page structure, visual system, booking prototype and responsive handoff

Research

I found 3 common booking barriers across competing studios: prices hidden behind a form, dates available only by message and no clear picture of what a class involves.
People book a class to make something themselves, not to own a finished pot — the page has to sell the evening, not the object.
Visible prices remove a major booking barrier. Individual, couple, group and team rates sit on the page, so nobody has to ask first.
Nobody books a date they cannot see. Showing the classes running on a chosen day turns browsing into a decision.
I checked what could attract visitors, what the studio could run and what could go wrong. The strongest ideas were upcoming-class listings plus real photos, video and reviews.

Structure

Hero → who it is for → why this studio → prices → reviews → gallery → FAQ → book — the questions in the order people ask them. The 12-column grid kept each photo-led section aligned without making the layout rigid.
The 12-column grid the landing is built on
The 12-column grid the landing is built on

Visual design

Minimalism, so nothing competes with the ceramics: clay and terracotta neutrals, generous space around every element, no chrome asking to be looked at.
Moodboard — nothing competes with the ceramics
Moodboard — nothing competes with the ceramics
Libre Franklin keeps interface text clear; Perpetua gives headings a traditional craft feel; Snell Roundhand is used only for script accents.
Libre Franklin, Perpetua, Snell Roundhand and the clay palette
Libre Franklin, Perpetua, Snell Roundhand and the clay palette
Buttons, tabs, the calendar, links, the FAQ rows and every form state — sized for large photography and kept quiet, so glaze and texture carry the colour and the chrome does not.
Buttons, tabs, calendar, links, FAQ and form states
Buttons, tabs, calendar, links, FAQ and form states

Key decisions

Hero: class listings gave way to studio photography and a single Book class button. The schedule arrived before trust; leading with the studio fixed the emotional sequence.
Palette: cool booking-tool greys gave way to clay-toned warm neutrals. Cool greys read clinical; warm clay tones match the material.
Calls to action: competing buttons above the fold became 1 “Book class” button, with the studio story as the secondary link. Competing buttons split attention on a landing that only needs one first move.

The landing

Studio welcome — hero · About — maker story
Studio welcome — hero · About — maker story
Who it’s for — audience and classes · Why this studio
Who it’s for — audience and classes · Why this studio
Pricing and programmes · Reviews
Pricing and programmes · Reviews
Gallery — featured work · FAQ
Gallery — featured work · FAQ

Booking

Showing the calendar is what makes the choice concrete. Clicking a date shows the classes scheduled for that day — this is the step that turns browsing into a booking.
Calendar and classes → details and payment → booking confirmed
Calendar and classes → details and payment → booking confirmed

Outcome

I delivered a responsive Figma file with reusable variants for class cards, the date picker, tabs, accordion and form states.
I reviewed the linked prototype against 3 criteria: studio credibility within 10 seconds, clear prices and a complete date-to-confirmation path. This was a design review, not participant testing.

0 likes · 1 view · Nov 9, 2026

A pottery studio site that explains the experience, shows prices and books classes by date.

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