Freelancers using Morphic

Freelancers using MorphicFreelancers using Morphic

Cover image for For my second submission to

For my second submission to the @Morphic challenge I picked Coca-Cola. In our world full of countless shapes, very few are remembered. And fewer still are recognized without context, language, or explanation. The Coca-Cola contour bottle is one of them. A shape we can recognize anywhere, at any time, even without a name. This film explores how design becomes memory and how some shapes outlive words. All visuals and audio created using @Morphic

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Cover image for To mark 122 years of

To mark 122 years of Ford Motors, this Super Bowl advertisement speaks directly to multi-generational audiences who value heritage, perseverance, and the powerful connection between sound and emotion. The story of the horse and carriage draws a parallel between the original Mustang and its modern counterparts, building towards anticipation before the unveiling of the new 2026 Mustang in Spring. The Location: Santa Clara, California played a huge role in the story as this year's Super Bowl is being hosted at the at Levi's Stadium. This made prompting the clothing easier, you'll notice each actor is wearing Denim. 'Horses dont Stop, they keep going' Brand: Mustang SFX: Morphic Images: Morphic Scripting: Morphic Voice: Eleven Labs Final: Premier Pro Each video was generated and sequenced entirely in Morphic *sound on*

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Cover image for Liquid Death ad
Continuing the story.

Liquid Death ad Continuing the story. But why water? Because Liquid Death never treated water as just water. It turned something ordinary into a bold, emotional statement — questioning habits, culture, and the way we consume everyday things. This cinematic ad explores that question through mood, pacing, and story rather than explanation. Less product, more feeling. A short film that asks why before it answers anything at all. Built end-to-end with Morphic, shaped by narrative, and finished as a speculative, fan-made story inspired by the Liquid Death brand. Join me to participate: https://on.contra.com/pmJTjL

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Cover image for This is my second submission

This is my second submission to the Morphic challenge. I want to show the quiet moment after a financial choice. The teen climber, the mother, and the activist each make small, deliberate decisions. What to spend on, what to save, what truly matters. The receipts show intention, not loss. Money spent with thought, on purpose. Faces are neutral, even a little solemn, because budgeting is personal. A bus ride, a repaired jacket, flyers being posted — ordinary moments carrying quiet weight. It all comes together at the final receipt: “Balance: Still Enough.” Calm, control, satisfaction. The story lives in choices that make sense in everyday life. It shows the agency that comes from knowing where your money went. Budgeting is empowerment. Intentional living. YNAB’s mission is reflected in every frame. (Fan-made, speculative concept)

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Why I chose the brand I chose Fanta because it represents joy, connection and everyday moments that feel universal. It works naturally in an emotion-led story without needing heavy branding. Narrative + visual design direction The film tells a simple emotional story where the brand appears only when the mother appears making Fanta part of the emotional resolution rather than the setup. The narrative builds from tension to warmth ending in relief and happiness. Visually the direction is cinematic and minimal using natural light and intimate framing to let emotion lead. The title “Mom Always Knows” reinforces the idea that the brand arrives through care, instinct and human connection. @Morphic @Contra Twitter(X) post link : https://x.com/Abrham192337030/status/2017075199070335468?s=20

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Cover image for I have recently been researching

I have recently been researching the origin of life, a true mystery we still seek the answer to, and was inspired by that search when making this ad. I chose Nike for Morphic’s challenge because throughout the evolution of sport, they have been iconic, leading the charge into the future. Nike’s most powerful storytelling celebrates motion as transformation: the drive to become something greater. This ad explores movement as the origin of becoming — beginning before form itself. It builds from primal beginnings to modern speed, ending with a cosmic scale that frames human striving as universal. Visually I wanted it to be cinematic, emotive of Nike’s style of ads. Using minimal text and supporting music to drive the storyline & accentuate the visuals, with emphasis on the sound of a human heartbeat like an ancient, living drum.

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Cover image for Every World Begins Small –

Every World Begins Small – LEGO Cinematic Spec Ad I created a cinematic, narrative-driven speculative advertisement for LEGO using Morphic. The film follows a child quietly building a small LEGO city late at night. As the child falls asleep, the world they created gently transforms into a dream-like real city — expressing how imagination grows into something bigger, one small piece at a time. The creative direction focused on: soft, cinematic lighting and calm visual pacing emotionally restrained, story-first storytelling subtle product presence through close-ups and environment design seamless visual transitions between LEGO scale and real-world scale All visuals and audio were created end-to-end using Morphic during the challenge period. Final assembly and timing were completed in an external editor.

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Cover image for The Child Still Lives Here

The Child Still Lives Here is a cinematic short film that explores the quiet transformation that happens when adults reconnect with their inner child. Through subtle moments, emotional stillness, and visual contrasts, the film reveals how joy, wonder, and innocence never truly disappear — they wait beneath the surface of everyday life. Inspired by Coca-Cola’s timeless emotional storytelling, this piece focuses on human connection, nostalgia, and the beauty of simple, shared moments.Rather than showcasing a product, the film highlights a feeling — the warmth of remembering who we were, and the joy of rediscovering it. Created entirely using AI video tools during the competition period, this film aims to capture emotion, authenticity, and the power of small moments that bring people closer together.

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Cover image for Sounds on 🔊

My first submission

Sounds on 🔊 My first submission for the challenge. I picked the Prada SS26 Woman & Man collection! And I chose the barn swallow, a bird that migrates every year from Africa to Italy, crossing seas and land with absolute certainty. WHY? I chose this because I’ve seen how people behave when they move through the world. No matter how far they go, they feel strongest when they are closer to home. Home is where they feel safe, understood, and most themselves. Prada has felt like a home in fashion for over a century, founded in 1913 and rooted in Italy, with a clear direction and collections that always follow an intention. This film is about that instinct to return

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Cover image for Discover the Emotional Connection Between Pasta and People

I kept coming back to one simple Barilla line: “There’s a pasta for everyone.” So I stopped thinking about pasta and started thinking about people. This film isn’t about recipes or perfection. It’s about the quiet, human moments where pasta shows up: late nights, shared tables, empty plates, familiar hands, new faces. Every scene was designed emotion-first, letting texture, light, pacing, and sound do the talking. Which pasta are you? Spaghetti, Penne, Fusilli… or maybe the wildcard Gluten-Free? 🍝 This is a fan-made, speculative concept, created with respect for Barilla’s values. Not affiliated with or endorsed by Barilla. Because in the end There’s a pasta for everyone, and everyone belongs at the table. 💥

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Cover image for The "Effortless Beauty" Campaign 👑

The "Effortless Beauty" Campaign 👑 The "Why": I chose to partner with Y’OUR because they bridge the gap between organic nature and AI precision.👑 The Concept: I defined the "Effortless Beauty" narrative—focusing on how AI creates a seamless match for individual skin textures, removing the stress of traditional skincare. Step 2: Custom Audio Engineering (Morphic) 👑Prompting: I used Morphic to generate a custom soundtrack. My goal was a vibe that was "upbeat, easy-flowing, and head-bob-worthy" to move away from clinical sounds and toward lifestyle energy. 👑 Exporting: Once the perfect track was generated, I recorded and exported the audio to serve as the rhythmic foundation for my entire edit. Step 3: Cinematic Asset Generation (Morphic) 👑Visual Direction: I generated high-end cinematic clips using Morphic,

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Cover image for For this @Contra HQ Challenge

For this @Contra HQ Challenge I made this fan-made speculative ad for KitKat from something personal: childhood moments when my emotions felt too big for my body. What I needed wasn’t to be told off, but a small gesture of care. A hug. Sometimes a piece of chocolate. Something simple that could calm my inner “beast” and bring me back to myself. That’s the heart of this piece: “you can always calm the beast.” I wanted it to start grounded and real, then gradually become handcrafted and dreamlike, like the outside world turning into a child’s inner world. Process: about 1,500 credits in @Morphic / Copilot for storyboard and style, Canvas for animation, sound design, music, and voiceover, then upscale for a cinematic finish. Fan-made. Not affiliated with or endorsed by KitKat.

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Cover image for After millions of years of

After millions of years of evolution, there are 8.27 billion humans on Earth today. Sounds impressive, right? Now pause for a second. Over 4 billion animals are slaughtered or compromised for food and products every single day, and that number resets. Daily. This is why I’m using @Morphic not just to create visuals, but to create impact through storytelling. What you’re about to see is a teaser for an advertisement I’m developing for Rare Beauty by Selena Gomez. Yes, I know transitioning from an animated narrative to a value-driven brand story is a big challenge. But meaningful stories are supposed to be hard. And if visuals can make people feel before they think, then that’s where real change begins. This is just the start.

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Cover image for Canon — The Second After
I

Canon — The Second After I chose Canon because photography isn’t only about capturing the moment, it’s about what remains once it passes. This short film explores the seconds after a moment ends: the quiet, the stillness, the traces left behind. Rather than focusing on action, the narrative lives in aftermath, empty spaces, lingering movement, and small details that hold emotional weight. Visually, the direction is restrained and cinematic, prioritizing natural light, subtle motion, and minimal composition. The pacing is intentionally slow, allowing each frame to breathe and inviting the viewer to sit with the image rather than rush through it. The entire film was created end-to-end using Morphic, with final sequencing and sound balance completed externally. All visuals and audio were generated specifically for this challenge.

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