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Cover image for Experience 1984: Interactive Macintosh 128K Retro Journey
If you could go back to 1984 and turn on a Macintosh, what might happen inside and outside the screen?🧠 For the #fusercocreate challenge, I used Gemini-generated images as early visual reference, then combined them with Creative Code Node to create a black-and-white retro interactive experience centered around the Macintosh 128K. I went through 36 iterations and, through natural language conversations with Opus 4.6, gradually pushed it from a static concept into a small world with interactions happening both inside and outside the screen. All things you can try:🚀 1. Click the desktop icons 2. Play Game: Snake or Pong 3. Grab a coffee and take a break 4. Look around and find hidden easter eggs 🙌 Link:https://app.fuser.studio/view/3244969e-43ee-434b-92ae-1a6d2f0ea822
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Cover image for A product is easy to
A product is easy to build. A brand is what makes it unforgettable. So I built BRANDRY! A workflow that takes a single input—a keyboard—and expands it into a complete, premium brand system. — I didn’t want random outputs. I wanted something that thinks like a design studio. Everything starts with the input image. I analyze: • materials • lighting • form • design language From that, the entire brand direction is derived. — Then the system builds across four layers: 1. Logo: A refined mark inspired by the product—never copied, always reinterpreted. 2. Moodboard: Colors, textures, and visual cues extracted and elevated into a cohesive direction. 3. Brand Identity: A dark, premium system—typography, palette, and visual language working together. 4. Website Mockup: A cinematic presentation—displayed on devices, placed in a real environment, lit like a product ad. And to bring everything together, I leaned heavily on the Compositor Node. Every output is carefully layered: • controlled lighting • depth and shadows • balanced composition Then inside the Creative Code Node, I used Three.js to construct a 3D version of the product. That added: • real depth • accurate lighting interaction • natural integration into scenes Workflow: https://app.fuser.studio/view/03af9496-bc89-4f76-a1b7-00c25c7fb513 The product doesn’t feel placed—it feels built into the frame. …this one’s my second submission.
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Cover image for Engage Readers with Innovative Book Promotions & Merchandise
So this second work flow was better. Still messy but less of a mess than my first one lol. My goal for this flow was to lend on the book industry trends of having really engaging online promotional content. I ended up creating a book trailer (which was honestly phenomenal), a mini interactive game, and 3D landscape play ground based off would be settings in the book. Of course created a branded tote bag that could be sold online. And you could use this exact work flow for clothes, bookmarks, water bottles and other tried and true physical products. Seashells in a bottle is an option. If I hadn't burned through credits, I would have tried creating engaging ad interactive meta and mobile ads, along with creating email campaigns that integrated all that would be created for the campaign. Link: https://app.fuser.studio/view/6d45e18e-6f45-4eec-8ab9-4e361aff4ca7
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Cover image for This video represents how I
This video represents how I transform ideas into real, client-ready projects by combining two powerful tools: Contra and Fuser Studio. My goal is simple: To show not just what I design, but how I think, create, and deliver value. I also created this video to demonstrate what I’m قادر of producing with Fuser Studio — from interface design to interactive prototypes and visual experiences. With Fuser Studio, I quickly turn concepts into functional and visually engaging designs. With Contra, I present these works to a global audience and connect with potential clients. This video highlights my workflow: From idea → to design → to real opportunities. It’s more than a showcase — it’s a reflection of my process, creativity, and the way I approach every project.
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Cover image for Most AI outputs look impressive. But
Most AI outputs look impressive. But they still don’t feel like a real ad. That gap is exactly what I set out to close with AUREL🚀 — I didn’t approach this like prompting. I approached it like building a creative pipeline. Everything starts with structure. I used the Compositor Node as the core—treating every visual like a layered campaign build: • model as the primary subject • product placed with intent • controlled lighting and shadow passes • grain and texture for depth Nothing is random. Every layer is composed to feel like it went through an actual art direction process. That’s where the “ad feel” comes from. — Then I pushed the product beyond flat placement. Inside the Creative Code Node, I brought in Three.js to generate a 3D version of the product. This changed everything. Now the product: • has real depth • reacts to light correctly • sits naturally inside the frame It’s not pasted in—it’s constructed into the scene. — From there, I designed the system to branch into four distinct campaign directions: - Luxury Editorial — minimal, high-contrast, fashion-first - Streetwear — gritty, neon-lit, high energy - Futuristic — cinematic, immersive, sci-fi driven - Surreal — abstract, dreamlike, expressive Each theme has its own composition logic, not just a visual style. Workflow: https://app.fuser.studio/view/fb2d0257-c565-493f-a2a8-099d2b9dd598
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