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Projects we love

Projects we love

Standout projects making waves around the web
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Web design projects using Framer

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New projects from the best AI creators
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Brand design projects

Brand design

Bold visual identities and branding systems created by top independent designers
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Video editing

Creative video edits made using today’s best editing tools
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Standout projects

Standout projects

More projects we love that are making waves across the web
Cover image for Peckham Digital (https://peckhamdigital.org) Festival of
Peckham Digital (https://peckhamdigital.org) Festival of Creative Computing 2024 by FLM Studio (https://www.flm.studio) Peckham Digital brings together artists, performers and creative technologists for a celebration of digital creativity in South East London. For its third edition, FLM Studio created an identity that brought creativity, humanity and computing together. Entirely hand-drawn. Early digital graphics. Glitch aesthetics. DIY coding culture. The identity was designed to soften the often sterile feel of tech with something warmer, more expressive and human. A flexible brand identity, custom illustration system, large-scale posters, signage and a full suite of social assets. #campaignposter #posterdesign #brandidentity #illustration #festivalbranding
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Cover image for The Treat Plug Brand Identity
The Treat Plug Brand Identity | The UK's Favourite Freeze-Dried Sweets by FLM Studio (https://www.linkedin.com/company/flm-studio/)The Treat Plug was born on TikTok back in 2020 with a product people were obsessed with, and a brand that hadn't been built yet. They came with a name, FLM Studio (https://www.linkedin.com/company/flm-studio/) built the rest. Bold colour. Playful energy. A nostalgic hit with a modern edge. The identity was designed to stop the scroll and own a noisy market. A full and comprehensive brand identity, custom illustrations, and pouch packaging from the ground up. #branding (https://www.linkedin.com/search/results/all/?keywords=%23branding&origin=HASH_TAG_FROM_FEED) #branddesign (https://www.linkedin.com/search/results/all/?keywords=%23branddesign&origin=HASH_TAG_FROM_FEED) #brandidentity (https://www.linkedin.com/search/results/all/?keywords=%23brandidentity&origin=HASH_TAG_FROM_FEED) #packaging (https://www.linkedin.com/search/results/all/?keywords=%23packaging&origin=HASH_TAG_FROM_FEED) #packagingdesign (https://www.linkedin.com/search/results/all/?keywords=%23packagingdesign&origin=HASH_TAG_FROM_FEED)
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Cover image for From tattoo enquiry to confirmed
From tattoo enquiry to confirmed appointment. UNTITLED is a fictional independent tattoo studio in Amsterdam, built around a very real problem: tattoo bookings often live in DMs. Clients ask about prices, availability, placement, references and custom ideas, while artists spend time managing the same back-and-forth manually. UNTITLED brings that entire process into one connected experience. The product has two sides: CLIENT VIEW Clients can browse available flash, place tattoos on a 3D body model, choose a date and time, complete a demo checkout, or submit a custom tattoo request with references, placement, size, budget and preferred availability. ARTIST VIEW The artist dashboard brings together bookings, payments, calendar availability, flash management, custom enquiries, quotes and activity in one place. Both views are connected, creating a fully working end-to-end demo. A flash booking updates the artist calendar and design availability, while a custom request appears in the dashboard for the artist to review, quote and turn into a confirmed appointment. 3D PLACEMENT The booking flow includes an interactive 3D tattoo placement system, allowing clients to choose body type, skin tone and body area, then position, scale and rotate the selected tattoo before booking. This replaces part of the placement conversation that would normally happen through messages. CUSTOM REQUESTS Not every tattoo starts from an existing design. Clients can switch from FLASH to CUSTOM and send a structured enquiry with reference images and project details. The artist can then review the request, create a quote and propose an appointment directly from the dashboard. Custom request → quote → approval → booking. FULLY RESPONSIVE The complete experience is responsive across desktop, tablet and mobile, including the website, booking flow, 3D placement interface and artist dashboard. DEMO UNTITLED is a functional demo built for the Lovable Challenge. Payments are simulated and the data is session-based so the full experience can be tested repeatedly, but the core product logic is fully interactive across both Client and Artist views. BUILT WITH LOVABLE I built UNTITLED entirely in Lovable, from the client-facing website to the booking logic, 3D placement experience and artist dashboard. I also applied to the Lovable Partner Program during the challenge and I’m now officially a Lovable Partner! Live website: https://untitledamsterdam.lovable.app/ X Post (https://x.com/webdesign_alice/status/2105493970499297637?s=46&t=1ZFswUtJzT6BPLQaoOweGw) Walkthrough video (for product and process) below.
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Cover image for My first time ever using
My first time ever using Loveable and actually really loved the experience! Here is my submission: Bent Brim Co. - Booking a hat shaping takes a dozen DMs a day; this turns it into a confirmed appointment in 7 steps, with no account needed. Sol runs a one-person hat bar on South Congress in Austin. Every booking used to start with "can you fix my hat?" and then turn into a long back-and-forth. What's wrong with it? Felt or straw? What size? What crease? Can it be done by Saturday? Then there's the deposit, the reminder, and the no-shows. Things get way to complicated especially starting off as a mom and pop shop. With Tecova's right next store, this place has to stand out and be able to meet the demand! Before: inquiries came in through texts, DMs and phone calls, and Sol pieced each booking together by hand. After: the customer picks a service, shapes the crown with a drag handle or picks one of five classic creases, sets the brim and any branding, picks a time, enters a name and mobile number, and pays a $15 deposit. A Claim Ticket fills in live the whole way through, so they can see exactly what they're booking. The shop's own rules do the scheduling. Felt needs a full day to dry, so any time that can't be ready by the customer's deadline never shows up. The $25 rush fee only appears when drying time actually allows it. Each booking lands on Sol's bench with a ticket number and pickup code. The customer gets a confirmation text, a calendar invite, and the option to reschedule or cancel without calling. It works end to end on mobile and desktop, and it's built entirely in Lovable.
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Cover image for Most people set a budget
Most people set a budget once and forget it exists until it's too late. This dashboard was designed to fix that. Weekly spending at $24,200, up 12.5% from last month. Monthly budget at $38,543 with 75% already allocated. Budget goals tracked by category salary, investments, freelance, and others each with a completion percentage and a dollar target that makes progress visible before the month ends. The group contribution panel takes it further. Four members. One shared budget of $5,000. Taylor completed. Morgan at 70%. Quinn at 45%. Jamie cancelled. A collaborative finance tool that makes shared budgeting feel as clean as personal budgeting should. Upcoming bills electricity, internet, grocery listed before they hit. A spending breakdown table that shows exactly what was budgeted, what was spent, and how much is left in every category. This is what budget management looks like when the design treats users like they actually want to be in control of their money. Does this feel like a dashboard that would change how a team manages their finances together? 👇 Designed by Orbix Studio Tools: Figma #DashboardDesign #FintechUI #BudgetApp #UIDesign #WebDesign #ContraFreelance #ProductDesign #SaaSUI
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Cover image for Here's my submission for the
Here's my submission for the Contra x Lovable challenge. It's more of a story than a design showcase. I'd never used Lovable before this. I spent 3 days inside it, and it was an amazing first experience. How I built it: I planned everything with Claude, created the images with GPT, and then built and structured the whole app in Lovable. The problem: In Bangladesh, India, and across South Asia, brides book a mehedi artist to come home and apply henna before the wedding. I created an imaginary artist, Tisha. While she works, her hands are covered in mehedi for hours. She can't pick up a call or reply to a text, so she badly needs a booking system that works without her. See it in action: https://mehedibytisha.lovable.app/ What it does: Customers pick their service, number of guests, and design style from multiple options, then choose an open time. Customers get a booking confirmation by email, and Tisha gets an email for every new booking. A backend keeps every customer and every booking in one place. Tisha sets her schedule once, and customers can book her any time based on it. Thank you, Lovable and Contra, for organizing this.
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