Script and voiceover written first, locked before any visuals

Full storyboard: shot order, on-screen copy, timing, the exact frame where footage hands over to the interface

Two shots filmed in Porto on a Lumix S5 IIX, handheld, one continuous take

Light grade in DaVinci Resolve

Additional footage generated and matched to the colour values of the filmed shots

UI rebuilt in Figma from the live app

Animation in After Effects

Voiceover, sound design and final assembly in DaVinci Resolve

Cut and reframed for every social format: 16:9 master, 9:16 vertical, short cuts

Hero video on the product site

Paid placement on X and YouTube, where the opening footage stops the scroll before the interface appears

Built on PRISM's own brand system — colours, type and interface components taken from the live app rather than redrawn. Real stream footage runs inside the phone preview throughout, so the interface sits on top of an actual broadcast instead of a placeholder.

Going live takes one tap. No desk, no OBS, no scene setup. Chat, donation alerts, subs and the camera flip all work mid-stream, with one thumb. The film makes the case that IRL streaming is for anyone with a phone, not only for people who already run a studio.