Freelancers using Adobe Illustrator in Sahibzada Ajit Singh NagarFreelancers using Adobe Illustrator in Sahibzada Ajit Singh Nagar
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Prince Pal Singh's avatar
Prince Pal Singh
proChandigarh, India
SaaS Product Designer | UI UX Generalist | Framer AI Expert
5.0
Rating
40
Followers
FRAMER_EXPERT

expert

SaaS Product Designer | UI UX Generalist | Framer AI Expert
Cover image for Ayurvedic (Wellness) Brand Guidelines Document
Ayurvedic (Wellness) Brand Guidelines Document
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2
Cover image for Cyber Security Company Branding
Cyber Security Company Branding
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5
Cover image for CRM Brand Identity Design
CRM Brand Identity Design
2
18
Cover image for UI/UX/Branding Showreel
UI/UX/Branding Showreel
2
16
Adobe Illustrator(10)
Mavi Dhiman's avatar
Mavi Dhiman
proChandigarh, India
Designing and developing complete digital ecosystems.
Designing and developing complete digital ecosystems.
Cover image for Tails Haven - Logo Concept, branding, identity
Tails Haven - Logo Concept, branding, identity
0
9
Cover image for Truelysis
Truelysis
2
5
Cover image for Domain racer rebranding (concept)
Domain racer rebranding (concept)
0
5
Cover image for Domineer Consultant
Domineer Consultant
1
7
Adobe Illustrator(4)
Nirmala Devi's avatar
Nirmala Devi
Chandigarh, India
Designer & Developer | Figma | Adobe Photoshop | Webflow
5.0
Rating
3
Followers
Designer & Developer | Figma | Adobe Photoshop | Webflow
Cover image for Beauty Cream Banner
Beauty Cream Banner
0
4
Cover image for Banner Design For Virtual Reality Services
Banner Design For Virtual Reality Services
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5
Cover image for Dozy Oats Landing page Design
Dozy Oats Landing page Design
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3
Cover image for Super Cal - Dog's Food Website
Super Cal - Dog's Food Website
0
2
Adobe Illustrator(24)
Vinit Deshwal's avatar
Vinit Deshwal
Chandigarh, India
Product & Brand Designer blending visual craft with UX logic
10
Followers
Product & Brand Designer blending visual craft with UX logic
Cover image for Milestone timeline wall I designed.
Milestone timeline wall I designed. 17 years of growth. 10+ acquisitions across 4 countries. All of that information had to fit on a single wall in their head office corridor, and still be readable from 10 feet away. The tricky part with timeline designs like this is managing density. You have 15+ logos, country flags, acquisition labels, and year markers. If you just list them linearly it becomes a spreadsheet on a wall. Nobody reads that. So I built it around a mountain progression. Each peak represents a growth phase. The timeline flows bottom-to-top instead of left-to-right, which naturally maps to the "climbing higher" narrative. The clouds separate the visual layers so the density doesn't overwhelm. Designed for large-format print. This sits in their main office corridor.
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83
Cover image for Designed this tent card for
Designed this tent card for a hotel chain running 13+ properties. Thousands of guests interact with this card every month. You've probably seen them in hotel rooms. Placed on your bed, asking you to reuse your sheets. Most of them look like they were made in Word. I wanted to actually put thought into it. The globe sitting inside a water droplet was the concept I pushed for. It does the storytelling without making the guest read a wall of text. The botanical elements tie the sustainability message in visually. The interesting part about designing for physical spaces is that you can't A/B test it like a landing page. It either works the first time someone picks it up, or it doesn't. So the hierarchy has to be tight. Headline first, visual second, action last.
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144
Cover image for Every pixel in this composition
Every pixel in this composition has a reason. This is a marketing visual I built. A lot of people might see the final image and assume it's one generated output. It's not. It's manually created with layers, each one placed and blended with a specific visual hierarchy in mind. ➜ The rocket sits on its own layer with independent glow and shadow controls ➜ The cityscape is a separate depth plane with its own color grading ➜ The smoke interaction between the two is hand-masked ➜ The background gradient is tuned to push the focal point exactly where the eye needs to land first ➜ And the blue ring, signature element that defines the brand None of this is random. You are deciding what the viewer sees first, second, and third. AI can generate a rocket over a city in 30 seconds. What it can't do is tell you why the rocket needs to sit 15% above of center, or why the smoke opacity drops at exactly that rate. That thinking is the craft.
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86
Cover image for Brand Awareness and Recruitment Social Media for Global BPO
Brand Awareness and Recruitment Social Media for Global BPO
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6
Adobe Illustrator(9)
kavita Dhiman's avatar
kavita Dhiman
Chandigarh, India
Graphic Designer | Product Designer | UI/UX Desinger | Figma
Graphic Designer | Product Designer | UI/UX Desinger | Figma
Cover image for Diverse Industry Project Design
Diverse Industry Project Design
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3
Cover image for Diverse Industry Project Design
Diverse Industry Project Design
1
3
Cover image for Hoarding and Standee Design for Diverse Industries
Hoarding and Standee Design for Diverse Industries
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4
Cover image for Social Media Post Design
Social Media Post Design
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3
Adobe Illustrator(6)