Projects using Higgsfield AI in Mumbai

Projects using Higgsfield AI in MumbaiProjects using Higgsfield AI in Mumbai

NOVA: Brand Identity and Campaign Development

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Cover image for FLUX-GEN: AI Motion Commercial Project

FLUX-GEN: AI Motion Commercial Project

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Cover image for Fizzbears: A Study in Texture

Fizzbears: A Study in Texture & Motion 🍬⚡ Bringing "sour" to life. The goal for this Fizzbears spot was simple: make the viewer feel the texture. I focused on the macro details of the sugar crystals and high-energy physics to create a 9-second hook that’s as punchy as the product. Key Deliverables: Macro Realism: Pushing for tangible texture in every gummy. Vibrant Palette: Flavor-coded transitions with a clean, high-end polish. Rhythmic Edit: Precision-synced sound design for maximum impact. Created with an end-to-end AI video workflow.

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Cover image for How I built a cinematic

How I built a cinematic brand identity in the "White Void. I recently wrapped this spec project for Nike, focusing on a minimalist aesthetic I call "The White Void." As an AI Video Lead and Developer, I treat AI as a digital camera, not a "generator. Key Takeaways for Clients: Texture over Shine: We used matte satin and pilled cotton textures to avoid the "AI look." Motion Logic: Every camera move (from dolly zooms to impact tremors) was prompted to feel like a $1M production. Sonic Sync: The edit is driven by the heartbeat of the character. I’m currently taking on new projects for studios looking to bridge the gap between AI tech and high-end cinematic standards. Check out my full portfolio on my profile!

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Cover image for AURA Product Film 🎥
As a

AURA Product Film 🎥 As a Creative Producer and Developer, I’m constantly looking for the "sweet spot" where technical AI workflows meet premium art direction. This 30-second trailer is a masterclass in high-cadence editing and tactile AI textures. Winning the next challenge? Maybe. Building the best AI-driven portfolio? Definitely. Hire me for your next launch.

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Cover image for Impact at an IMAX scale.

Impact at an IMAX scale. ☄️⚔️ Exploring the intersection of deep red samurai lore and "Interstellar" visual language. Key Beats: 0:03 - The Terminal Velocity Impact. 0:06 - Ethereal Titan Eruption. 0:11 - The Mountain-Cleaving Cleave. Crafted with Seedance 2.0. No music—just the raw, seismic SFX of a continental-sized blade parting the earth.

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Cover image for Bloom AI — Cinematic Landing

Bloom AI — Cinematic Landing Page & Boot Sequence Developed the interactive landing page for Bloom, an AI-powered floral design platform. The project demanded a highly premium, "Awwwards-caliber" aesthetic merging organic video elements with futuristic, dark-mode glassmorphism. Technical Highlights: Custom Preloader: Engineered a "Botanical Boot Sequence" featuring a dynamic iridescent SVG loading ring that expands into a portal wipe. Advanced Glassmorphism: Wrote custom CSS layers utilizing background-blend-mode: luminosity, fractal noise SVGs, and gradient borders via -webkit-mask-composite. Fluid Motion: Implemented Framer Motion for buttery-smooth staggered entrances, spring-physics hover states, and a custom mix-blend-difference fluid cursor. Tech Stack: React, Tailwind CSS, Framer Motion, Lucide Icons.

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Cover image for Verdant Matcha: From Concept to Canned Luxury

Verdant Matcha: From Concept to Canned Luxury

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Cover image for ACCESS GRANTED. 🔓 The Nike

ACCESS GRANTED. 🔓 The Nike Shox TL // EXE LAB. A study in mechanical precision and industrial noir. 19 shots. Zero filler. Created using a custom AI pipeline to bridge the gap between concept and cinematic reality. 🔊

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Cover image for Is AI the future of

Is AI the future of cinematography? 🎬 I used AI to remake #GameOfThrones as if it were shot by Christopher Nolan on 70mm IMAX. The goal wasn’t just "cool visuals," but capturing that specific atmospheric dread and scale.

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Cover image for Harry Potter. Shot on 70mm

Harry Potter. Shot on 70mm IMAX. 📽️⚡️ No humans. Just the weight of the stone, the hum of the magic, and the grit of the Wizarding World through a Nolan-esque lens. I directed this to prove that AI video doesn't have to look "AI." It should look like cinema. From the brushed-metal texture of the opening monolith to the viscous silver of the Pensieve, every frame was prompted for maximum tactile realism.

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Cover image for POV: It's 1998. You just

POV: It's 1998. You just downloaded a NEW FLAVOR. Chasing a full-on retro '90s vibe for this one. We're talking CRT monitors, lava lamps, and a total flavor overload with Rainbow Sherbet. - This project was all about the "tactile" feel—making you practically taste the neon through the screen. Which shot is your favorite? 1, 8, or 14? Let me know below!

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Cover image for INTERSTELLAR BY AI 🪐

A tribute

INTERSTELLAR BY AI 🪐 A tribute to the film that started it all for me. 🎥✨ I've been producing AI video for a while now, but this one hits different. Interstellar is the gold standard for scale and emotion, and I wanted to see how far I could push the current tools to respect that legacy. From the dusty car interior to the crushing silence of Gargantua—this is AI filmmaking with a human soul.

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Cover image for Lost in the textures of

Lost in the textures of Patagonia. 🇨🇱✨ I recently wrapped this spec project capturing the atmospheric essence of Chile. My primary challenge was "Style Locking"—ensuring that the color grade and lighting remained consistent from the wide-scale landscapes to the intimate macro details of the horse gear. Which shot is your favorite? 1, 5, or 10? 👇

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Cover image for Cinema is a feeling, not

Cinema is a feeling, not just a tool. 🎞️✨ Spent the week pushing AI to its absolute limit to see if it could capture that "Nolan-esque" soul. No hallucinations, no jitters—just pure atmosphere. Which shot felt the most "real" to you? The mirror opening or the server room? Let me know in the comments. 👇

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Cover image for Pushing the boundaries of AI

Pushing the boundaries of AI cinematography with this one. 🎬 AI Safari: A Journey Through the Impossible. 🌍✨ From the lens of an AI Producer. 🎥

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