Freelance Creative Writers in MadridFreelance Creative Writers in Madrid
ProjectsPeople
Kevin Capon Goldszmidt's avatar
Kevin Capon Goldszmidt
Madrid, Spain
Public Relations Expert for B2B Tech Companies
Public Relations Expert for B2B Tech Companies
Cover image for Press Release - AI/Contech
Press Release - AI/Contech
0
23
Cover image for Press Release - InsurTech
Press Release - InsurTech
0
24
Cover image for Press Release - Cybersecurity
Press Release - Cybersecurity
0
27
Placeholder project card media
View more →
Creative Writer(2)
Chidi Chukwu's avatar
Chidi Chukwu
Madrid, Spain
Web Development/Content Creator/Animator
New to Contra
Web Development/Content Creator/Animator
Cover image for A 30-second direct-to-consumer watch ad
A 30-second direct-to-consumer watch ad built on one idea: a $4,000 watch is about $310 of watch. The price is itemised on a till receipt, the markup is torn off on the music's drop, and what's left is the product. The audit is monochrome and stepped at 12 fps; the film turns to full colour only when the watch appears. Captions are the receipt lines themselves, printing as they're spoken, and every cut sits on the track's beat. Role: concept, edit, captions, motion and sound design. AI voiceover. Spec piece for an invented brand; figures are illustrative.
1
77
Cover image for 3D Commercial Motion AD
3D Commercial Motion AD
0
21
Cover image for Let it Grow Motion Design Video. What do you think?
Let it Grow Motion Design Video. What do you think?
2
2
210
Cover image for Paper Cut Motion Pizza Ad
Paper Cut Motion Pizza Ad
1
143
Creative Writer(1)
Kenny Quiroz's avatar
Kenny Quiroz
Madrid, Spain
Award-winning Copywriter turning ideas into emotion
    6
    Followers
Award-winning Copywriter turning ideas into emotion
Cover image for PlazaVea E-commerce Redesign for Rural Areas
PlazaVea E-commerce Redesign for Rural Areas
0
10
Cover image for Inclusive AI Platform for Deaf Gamers
Inclusive AI Platform for Deaf Gamers
0
3
Cover image for Unilever Wall's | The Solar Priceboard
Unilever Wall's | The Solar Priceboard
0
10
Placeholder project card media
View more →
Creative Writer(1)
Stephen Barker's avatar
Stephen Barker
Madrid, Spain
Engaging SEO-optimized content for film & entertainment
Engaging SEO-optimized content for film & entertainment
Cover image for 8 Reasons Dumb Money Bombed At The Box Office: Why The GameStop…
8 Reasons Dumb Money Bombed At The Box Office: Why The GameStop…
0
34
Cover image for New On HBO Max: All 73 Movies & TV Shows Arriving In August
New On HBO Max: All 73 Movies & TV Shows Arriving In August
0
10
Cover image for Beetlejuice 2: Release Date, Cast, Story, Trailer & Everything …
Beetlejuice 2: Release Date, Cast, Story, Trailer & Everything …
0
37
Placeholder project card media
View more →
Creative Writer(1)
Marcela Ottilia's avatar
Marcela Ottilia
Madrid, Spain
Creative Director | Pitch Decks • Brand Presentations
New to Contra
Creative Director | Pitch Decks • Brand Presentations
Cover image for Objects & Editions — From
Objects & Editions — From Story to Object Concept Development, Product Design & Material Exploration What if an everyday object could carry a complete story? Objects & Editions began as an exploration of how emotion, memory and human experience could be translated into sculptural, functional objects. Rather than designing isolated pieces, I developed each collection as a complete visual and sensory world—defined by its narrative, forms, colours, textures, materials and central symbolic object. The challenge was to move from an abstract emotional concept to a coherent family of physical objects. Every vase, tray, bowl, candle holder or table piece needed to feel connected to the same origin while remaining functional, reproducible and visually distinctive. I created a story-led product design system in which the narrative came first. Each collection was developed through: — concept and emotional territory; — shape and functional exploration; — colour, texture and material language; — hero-object development; — cold porcelain master prototypes; — mould-making studies; — casting and finishing tests. The objective was not to decorate an object, but to give form to an idea.
1
1
72
Cover image for El Loco Amor — Building
El Loco Amor — Building a Visual Universe for Gen Z Dating TV Expanding the Format The creative work grew from within the format itself. I developed new games, situations and content opportunities, thinking about what could happen inside each space and how the environment itself could generate storytelling rather than simply decorate it. The different areas became more than functional corners. Each one was designed with its own purpose, energy and potential role in the narrative: spaces to meet, flirt, talk, play, reveal information, create tension, capture memories or generate short-form social content. Building the Visual World From that strategic foundation, I developed the visual direction. The universe combined Neo-Memphis, Retro Pop, Boho-Urban and Art Pop, transforming the set into an emotional gallery-meets-pop home: colourful, excessive, playful and designed to be instantly recognisable and shareable. Neon, tactile textures, handwritten messages, hearts, photography, vegetation, saturated colour and expressive objects became part of the format's language—not simply decoration. One Idea Across Every Touchpoint The graphic identity followed the same principle. It needed to be modular and expressive, capable of moving naturally between television screens, vertical video, social media and physical applications. The creative rule was controlled chaos: layering, movement, romantic-pop symbols and visual elements entering the frame almost as if they belonged to an app interface. The Result The result was a proposal in which format development, games, set design, visual identity and social content all came from one creative idea. The goal was never simply to build a set around a television programme. It was to explore what creative direction could add to the format itself: more world, more situations, more storytelling and more possibilities for content. I received an idea. I stepped inside it, challenged it and expanded it into a complete creative universe.
0
30
Cover image for CULMIA — From Empty Space
CULMIA — From Empty Space to Home Visual Concept & Art Direction for a Branded Stage Experience How do you turn the emotional journey of building a home into a physical and visual experience? Culmia needed a visual concept capable of expressing more than architecture. The project had to communicate transition, construction, change and, ultimately, the emotional meaning of creating a home. The challenge was to translate an abstract brand idea into a stage environment that could evolve alongside the performance. The space needed to feel poetic rather than literal, support movement and projection, and transform through different narrative states without losing its visual unity. The stage was conceived as a layered, evolving space. Translucent fabrics, projected architectural imagery, cardboard boxes, bricks and domestic objects represented the different emotional stages of creating a home: uncertainty, construction and finally belonging. The architecture was not presented as something static. It became a living environment shaped by movement, light and human presence. The set did not simply represent a home. It showed the process of becoming one. 1. Transition Layers of translucent fabric created depth and ambiguity. Projected architecture appeared and disappeared as the performers moved through the space, suggesting change, memory and possibility. 2. Construction Boxes, bricks and an unfinished scenic fragment transformed the platform into a space under construction. The dancers interacted physically with the materials, turning the act of building into part of the performance. 3. Home The final environment became calmer, warmer and more inhabited. A sofa, domestic lighting and everyday imagery replaced the temporary construction elements. The stage stopped being a space to cross and became a place to stay. Creative Direction Art Direction Visual Concept Development Set Design Visual Storytelling Scenic Narrative Moodboard & Previsualization Materials and Prop Selection I developed the visual concept, scenic narrative and art direction, defining how the same stage could evolve through different emotional and physical states. I translated the central idea into spatial composition, materials, projections, scenic objects and visual references, creating a clear proposal for production and performance. The final proposal transformed the idea of housing into an emotional visual journey. Through a modular scenic system, the environment moved from uncertainty to construction and finally to the warmth of an inhabited home. The project demonstrates how art direction and visual storytelling can make an intangible brand message visible, physical and emotionally understandable. CULMIA From Empty Space to Home Visual Concept & Art Direction
1
52
Cover image for Opticalia España — Destino Paraíso
Opticalia España — Destino Paraíso
0
2
Creative Writer(1)