Freelance Producers in London

Freelance Producers in LondonFreelance Producers in London

Projects People

25+ years crafting brand identities, campaigns & visuals

New to Contra

25+ years crafting brand identities, campaigns & visuals

Cover image for BrandZ UK Top 100 films

BrandZ UK Top 100 films

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Cover image for Kantar International Women's Day 2018 film

Kantar International Women's Day 2018 film

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Cover image for Kantar Millward Brown — Agency of the Year 2017 submission

Kantar Millward Brown — Agency of the Year 2017 submission

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Cover image for Millward Brown 2014 conference keynote animation

Millward Brown 2014 conference keynote animation

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Ashleigh Goodchild

Creative Producer & PM for High-Budget Campaigns

Creative Producer & PM for High-Budget Campaigns

Cover image for E-Commerce Creative & Technical Roll-Out for Farfetch

E-Commerce Creative & Technical Roll-Out for Farfetch

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Cover image for Influencer-Based Content for Topshop

Influencer-Based Content for Topshop

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Cover image for ASOS Marketing Campaigns

ASOS Marketing Campaigns

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Evgeniya Strygina

AI Video Producer for Campaigns, UGC & Brand Films

5.0: Rating

53: Followers

expert

AI Video Producer for Campaigns, UGC & Brand Films

Cover image for Photo and Video Production for Pritch London

Photo and Video Production for Pritch London

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Cover image for Original Animated Micro-Series — THE

Original Animated Micro-Series — THE THINGS WE CARRY In a city where humans and monsters live side by side, Spindle runs a small repair shop for things that are not always meant to be repaired. The pilot follows Tobias Mourn, a quiet, imposing monster who comes to Spindle with a problem he can't explain: his heart hurts, even though there is nothing physically wrong with it. After trying to fix it himself, Tobias encounters a young woman in the city who looks at him as if she already knows him. “Dad?” Tobias doesn't remember her. But something inside him does. Each episode follows another unusual repair and the character who brings it through Spindle's shop — gradually revealing the lives, relationships and histories hidden behind the things they want fixed. At the centre of the series is Tobias and the mystery of what happened to him before he became the person he is now. I wanted The Things We Carry to feel like a world that already existed before the camera arrived: strange, human, quietly funny, and a little melancholic.

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Cover image for Making a Fictional AI Vlog

Making a Fictional AI Vlog Feel Real A creative experiment exploring how far generative video can go when the goal is to make a fictional vlog feel real — spontaneous, imperfect and believable rather than obviously AI-generated. The project was inspired by the current wave of speculation around a possible Kanye West visit to Russia, as well as the unexpected viral spread of 'Silver Night' in Kanye West’s voice. Both became starting points for imagining an entirely fictional trip through Saint Petersburg. The idea was to place a highly recognisable public figure into a completely different cultural and visual environment and explore how naturally the two could coexist on screen. Everyday locations, cultural details, movement and sound became part of the storytelling rather than simply serving as background. The visual language deliberately moves away from the polished aesthetic often associated with generative AI, experimenting instead with a more naturalistic, vlog-like approach. The character needed to remain consistent across different locations and situations while the footage retained a sense of spontaneity and imperfection. Created for the SYNTX AI challenge.

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Cover image for AI Concept Video Production —

AI Concept Video Production — Reimagining The Met Art Collection The piece I chose is the Animal-Shaped Spit Rest, a 9th–10th century carved stone work. Originally, it was used to support a spit over a fire. Today, it is part of The Met’s collection. That shift made me think about how our relationship with art can also become utilitarian in a different way — including using it as a backdrop for a selfie or as a decorative part of an interior. I wanted to turn this idea upside down and rethink our relationship with art. What if, instead of looking at it from the outside, we could enter it from within? In my imagined world, the people living inside the sculpture see it as something they belong to. Perhaps that’s another way of experiencing art: not as something to look at, but as something to be part of. Thank you, FLORA, for this challenge. Working directly with art, reimagining it, and experimenting with generative AI — basically everything I love in one perfect combo. Original artwork: The Met — Animal-Shaped Spit Rest (https://www.metmuseum.org/art/collection/search/449147?utm_source=chatgpt.com)FLORA workflow: FLORA project (https://app.flora.ai/view/js7041hjr75yy7qywc4era998s8dymst)Social media: Instagram post (https://www.instagram.com/reel/DdAIXGcCmYu/?stkn=MzRlODBiNWFlZA%3D%3D&utm_source=chatgpt.com)

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Creative code → Apps ✦ Research ✦ Events

$5k+: Earned

1x: Hired

106: Followers

Expert

Expert

Creative code → Apps ✦ Research ✦ Events

Cover image for Carbon Offsetting Solutions for Palm Carbon

Carbon Offsetting Solutions for Palm Carbon

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Cover image for Innovative App Template for Selling Physical Products Creati...

I built a way to sell physical products in an app that feels more like a gallery than a shop. 📱 What does it do? It’s a remix-able template for selling physical products inside an app. You browse through pieces in a horizontal carousel, then scroll vertically through a product to explore it through multiple images before buying instantly with Apple Pay. I designed it for galleries and artists first, but it works for anyone selling physical products creators, brands, influencers anything that needs to feel a bit more premium. Why I built this: I kept thinking about how intentional artwork is presented in physical spaces, and how transactional it feels online. This is an attempt to close that gap and making purchases feel as frictionless as possible. Another bonus to why people will use this app is that apple does not tax physical good transactions, so sellers can keep more of what they earn. 🎉 The template remix-potential? Works really well because users can swap in any product and it simply works! Art, jewellery, vinyls, collectibles, anything physical allowed on the app store. This was fun I plan on refining and making more templates so I would appreciate any comments and feedback Build Preview 👀 (https://www.anything.com/mobile-preview/68217499-f987-4843-8bcb-f7864c536abc)Build Link 🔗 (https://www.anything.com/build/aCF0mfmHSEOLy_eGTFNqvA?v=sBZM6bBFQ0CWHu4QlFbZpA)

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Cover image for To mark 122 years of

To mark 122 years of Ford Motors, this Super Bowl advertisement speaks directly to multi-generational audiences who value heritage, perseverance, and the powerful connection between sound and emotion. The story of the horse and carriage draws a parallel between the original Mustang and its modern counterparts, building towards anticipation before the unveiling of the new 2026 Mustang in Spring. The Location: Santa Clara, California played a huge role in the story as this year's Super Bowl is being hosted at the at Levi's Stadium. This made prompting the clothing easier, you'll notice each actor is wearing Denim. 'Horses dont Stop, they keep going' Brand: Mustang SFX: Morphic Images: Morphic Scripting: Morphic Voice: Eleven Labs Final: Premier Pro Each video was generated and sequenced entirely in Morphic *sound on*

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Cover image for I think I pushed my limits on this one.. 🛏️ My goal was to ...

I think I pushed my limits on this one.. 🛏️ My goal was to use all the tools in unison and learn how each tool could own a clear layer of the full product experience from code to marketing. Rork developed the app, Suno designed the audio, FLORA defined the visual language, Tolstoy for all the UGC, and Replit brought it online. After Christmas dinner, I sent my first prompt to Rork: “Design a digital members club for Gen-Z + working professionals committed to sleeping earlier in 2026.” The idea came from an old note I wrote after a health & wellness conference in Budapest: 'productivity revolves around a good night’s sleep' - marketing = Maslow's Hierarchy of Sleep (iOS app) ' 😬😂 And so? Pillow FM: A modern sleep experience for overstimulated minds. 'Guided Sleep meditations everyday at 10pm' Shall I continue this app?

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Holistic Creative Director and Brand Strategist

Holistic Creative Director and Brand Strategist

Cover image for Visual Podcast Creative Direction / Production

Visual Podcast Creative Direction / Production

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Cover image for Music Video Production

Music Video Production

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Cover image for Workshop Event Production

Workshop Event Production

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Cover image for Music Video Production

Music Video Production

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An Art Director from a Design background.

An Art Director from a Design background.

Cover image for On Tour ' 74

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Cover image for Shop, Eat, Recharge, Repeat

Shop, Eat, Recharge, Repeat

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Cover image for Style Insider Magazine

Style Insider Magazine

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Charlotte Kelly

Buckhurst Hill, UK

Exceptional Project Leadership & Management

Exceptional Project Leadership & Management

Cover image for International 360 Campaign Management

International 360 Campaign Management

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Cover image for Effective Team Leadership in Project Management

Effective Team Leadership in Project Management

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Cover image for Comprehensive Web Design & Development Project

Comprehensive Web Design & Development Project

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Creative Technologist

$1k+: Earned

4x: Hired

22: Followers

Creative Technologist

Cover image for Product Vision vs. Product Strategy: What's the Difference?

Product Vision vs. Product Strategy: What's the Difference?

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Cover image for Speculative ad brief for DefendUAS.

Speculative ad brief for DefendUAS. Shifting the needle from basic product animation to high-stakes military storytelling. Visually contrasting a gritty, hyper-realistic urban terrain with sharp, tactical holographic wireframes to show exactly how a distributed mesh network reclaims the decision window. Using a scene-by-scene strategy in Melius, starting with a master script that fed into storyboards and hero keyframes for total visual continuity across the cinematic clips. This workflow allowed me to lock the moody tactical aesthetic before generating the final video scenes, deep-voice narration, and orchestral score. Everything is laid out from left to right, showing the journey from concept to final assets. The project screenshots/canvas video are in the comments.

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Cover image for This project involved a comprehensive

This project involved a comprehensive archival reconstruction aimed at distilling the legacy of Harvey Mackay into a series of high-impact sizzle reels. The workflow required a deep immersion into a diverse repository of assets, including magazine prints, book covers, and raw footage reels, to identify the most resonant narrative moments. The technical approach balanced traditional restoration with cutting-edge synthesis: colour correcting legacy footage and applying an intentional analogue aesthetic, while strategically integrating VEO 3.1 and Grok Imagine to bridge visual gaps. By layering refined sound design and exploratory revisions across four distinct durations, the final deliverables translate a vast professional history into a modern, energetic visual identity that both informs and excites.

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Cover image for A budding film director is

A budding film director is told her ideas are too ambitious and impossible to produce. Working alone in a small apartment, she turns to Luma Dream Machine and begins creating the scenes she was once denied. In seconds, her world expands into cinematic visuals that defy cost, risk, and limitation. What was once rejected becomes real, proving that imagination no longer needs permission.

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