Freelance AI Artists in London

Freelance AI Artists in LondonFreelance AI Artists in London

Projects People

Eva Van der Borght

Branding & Packaging Designer for Standout Brands

45: Followers

Branding & Packaging Designer for Standout Brands

Cover image for I love a great mockup, but I see the same ones pop up over a...

I love a great mockup, but I see the same ones pop up over and over again. Designers know when a mockup is great, so we jump on it! To counteract that overuse, I've been creating my own mockups with MJ & Nano Banana. These are some of my favourites. Prompts: A small white plastic jar of cream is placed on top of moss and rocks, with a light grey and beige background. The product photography uses studio lighting and high-resolution photography, with a soft focus and soft shadows. Neutral colours are used, with nature-inspired imagery of organic forms and earthy tones, including green and green flowers. Obviously, the words/text are not it yet, but I go in and edit the raw file after anyways ;)

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Cover image for Question for my designer friends: How do you make time for p...

Question for my designer friends: How do you make time for passion projects? I know they're important, but client work always comes first to me and pushes the passion to the bottom of the list. Last one I made was Kabas at the start of the year. Any tips & tricks welcome!

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Cover image for Pharmacy branding with AI imagery

Pharmacy branding with AI imagery

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Cover image for Remember my Cnnbis client - Valentine is coming up, and they...

Remember my Cnnbis client - Valentine is coming up, and they wanted some event assets. No brief, no copy, just the events. Sometimes having no set rules makes me write great puns and design lovely assets. Which one is your favourite?

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Evgeniya Strygina

AI Video Producer for Campaigns, UGC & Brand Films

$1k+: Earned

5.0: Rating

84: Followers

expert

AI Video Producer for Campaigns, UGC & Brand Films

Cover image for Even death is no excuse

Even death is no excuse to miss CapCut World 2026. I wanted to combine cinematic horror with absurd humour, taking the desire to attend the event to the extreme — as a matter of life and death, quite literally. I started with character references, CapCut’s recognisable typography and a reference image of the actual event venue. I generated the remaining scenes using AI, refining the prompts through small iterations, then brought everything together on a single timeline in CapCut Video Studio. https://www.loom.com/share/0c610a7dc8ee4524af5a1e5c7a341963

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Cover image for Original Animated Micro-Series — THE

Original Animated Micro-Series — THE THINGS WE CARRY In a city where humans and monsters live side by side, Spindle runs a small repair shop for things that are not always meant to be repaired. The pilot follows Tobias Mourn, a quiet, imposing monster who comes to Spindle with a problem he can't explain: his heart hurts, even though there is nothing physically wrong with it. After trying to fix it himself, Tobias encounters a young woman in the city who looks at him as if she already knows him. “Dad?” Tobias doesn't remember her. But something inside him does. Each episode follows another unusual repair and the character who brings it through Spindle's shop — gradually revealing the lives, relationships and histories hidden behind the things they want fixed. At the centre of the series is Tobias and the mystery of what happened to him before he became the person he is now. I wanted The Things We Carry to feel like a world that already existed before the camera arrived: strange, human, quietly funny, and a little melancholic.

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Cover image for AI Concept Video Production —

AI Concept Video Production — Reimagining The Met Art Collection The piece I chose is the Animal-Shaped Spit Rest, a 9th–10th century carved stone work. Originally, it was used to support a spit over a fire. Today, it is part of The Met’s collection. That shift made me think about how our relationship with art can also become utilitarian in a different way — including using it as a backdrop for a selfie or as a decorative part of an interior. I wanted to turn this idea upside down and rethink our relationship with art. What if, instead of looking at it from the outside, we could enter it from within? In my imagined world, the people living inside the sculpture see it as something they belong to. Perhaps that’s another way of experiencing art: not as something to look at, but as something to be part of. Thank you, FLORA, for this challenge. Working directly with art, reimagining it, and experimenting with generative AI — basically everything I love in one perfect combo. Original artwork: The Met — Animal-Shaped Spit Rest (https://www.metmuseum.org/art/collection/search/449147?utm_source=chatgpt.com)FLORA workflow: FLORA project (https://app.flora.ai/view/js7041hjr75yy7qywc4era998s8dymst)Social media: Instagram post (https://www.instagram.com/reel/DdAIXGcCmYu/?stkn=MzRlODBiNWFlZA%3D%3D&utm_source=chatgpt.com)

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Cover image for Making a Fictional AI Vlog

Making a Fictional AI Vlog Feel Real A creative experiment exploring how far generative video can go when the goal is to make a fictional vlog feel real — spontaneous, imperfect and believable rather than obviously AI-generated. The project was inspired by the current wave of speculation around a possible Kanye West visit to Russia, as well as the unexpected viral spread of 'Silver Night' in Kanye West’s voice. Both became starting points for imagining an entirely fictional trip through Saint Petersburg. The idea was to place a highly recognisable public figure into a completely different cultural and visual environment and explore how naturally the two could coexist on screen. Everyday locations, cultural details, movement and sound became part of the storytelling rather than simply serving as background. The visual language deliberately moves away from the polished aesthetic often associated with generative AI, experimenting instead with a more naturalistic, vlog-like approach. The character needed to remain consistent across different locations and situations while the footage retained a sense of spontaneity and imperfection. Created for the SYNTX AI challenge.

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1.3K

Ⓙ Brand Designer

$1k+: Earned

2x: Hired

5.0: Rating

117: Followers

Expert

Ⓙ Brand Designer

GHostCult | Brand

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ART INPUT | Brand

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Slides from my brand Art Input (https://www.artinput.ai/)AI community and resource hub for designers.

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1K

CGI & AI Pipeline Architect for VFX and Product Teams

7: Followers

CGI & AI Pipeline Architect for VFX and Product Teams

Cover image for Florence 2026 to London 1996: A visual effects transformation

Florence 2026 to London 1996: A visual effects transformation

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Cover image for Creating Realism: A normal weekend in London

Creating Realism: A normal weekend in London

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Cover image for Project: RealFoodRitual - Visual Development

Project: RealFoodRitual - Visual Development

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334

Cover image for AFTER CHRISTMAS is a 30-second

AFTER CHRISTMAS is a 30-second one-take AI short film created for the CapCut Seedance 2.5 Video Challenge. The film explores how a seemingly ordinary Christmas night can gradually become unsettling, told entirely through a single continuous camera movement. The challenge was to maintain spatial, character and prop continuity throughout the entire shot while allowing the camera to naturally discover the story. No cuts. No dissolves. No camera resets. Written & "Directed" by Leonardo Bruni Created with CapCut Video Studio + Seedance 2.5.

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1.3K

Creative strategist and Content Producer

3x: Hired

4.2: Rating

19: Followers

Creative strategist and Content Producer

Cover image for Editorial and Social Media Campaign with Flora.ai

Editorial and Social Media Campaign with Flora.ai

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Solé Brand Campaign

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Rumba Brand Video

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Creative Strategy for an Electrolyte Brand

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AI Video, the right 60 seconds can change you business!

AI Video, the right 60 seconds can change you business!

Cover image for The Sea Galleri Experience

The Sea Galleri Experience

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Cover image for The $128 Billion Doritos Mistake 😳🔥

The $128 Billion Doritos Mistake 😳🔥

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Cover image for I Spent £280 on Bars That Didn't Fit... So I 3D Printed My Own

I Spent £280 on Bars That Didn't Fit... So I 3D Printed My Own

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Cover image for Your Video Sucks - Here's Why and How I Fix It!

Your Video Sucks - Here's Why and How I Fix It!

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Oly Roberts Designs

AI Photography & Video Content for Brands

AI Photography & Video Content for Brands

Cover image for AI Lifestyle Photoshoot for Personal Branding

AI Lifestyle Photoshoot for Personal Branding

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AI Brand Photography | Luxury Sunglasses, Fashion & Lifestyle

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AI Brand Photography — Y. Solene (Luxury Makeup Brand)

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AI Brand Photography — Verda Botanica (Botanical Skincare)

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Maverick Frame Studio

3D Visualization & Animation for Architecture and Products

New to Contra

3D Visualization & Animation for Architecture and Products

Cover image for Office Animation for Early Leasing | Interior CGI

Office Animation for Early Leasing | Interior CGI

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Cover image for Mind Box | Product & Campaign CGI Concept

Mind Box | Product & Campaign CGI Concept

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Cover image for Wyndham Grand Resort | Hotel CGI & AI Animation

Wyndham Grand Resort | Hotel CGI & AI Animation

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25

Cover image for Sports Nutrition | AI Athlete Campaign Film & Visuals

Sports Nutrition | AI Athlete Campaign Film & Visuals

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