Evgeniya Strygina - AI Artist | Contra
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Evgeniya Strygina
AI Video Producer for Campaigns, UGC & Brand Films
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AI Concept Video Production — Reimagining The Met Art Collection The piece I chose is the Animal-Shaped Spit Rest, a 9th–10th century carved stone work. Originally, it was used to support a spit over a fire. Today, it is part of The Met’s collection. That shift made me think about how our relationship with art can also become utilitarian in a different way — including using it as a backdrop for a selfie or as a decorative part of an interior. I wanted to turn this idea upside down and rethink our relationship with art. What if, instead of looking at it from the outside, we could enter it from within? In my imagined world, the people living inside the sculpture see it as something they belong to. Perhaps that’s another way of experiencing art: not as something to look at, but as something to be part of. Thank you, FLORA, for this challenge. Working directly with art, reimagining it, and experimenting with generative AI — basically everything I love in one perfect combo. Original artwork: The Met — Animal-Shaped Spit Rest (https://www.metmuseum.org/art/collection/search/449147?utm_source=chatgpt.com)FLORA workflow: FLORA project (https://app.flora.ai/view/js7041hjr75yy7qywc4era998s8dymst)Social media: Instagram post (https://www.instagram.com/reel/DdAIXGcCmYu/?stkn=MzRlODBiNWFlZA%3D%3D&utm_source=chatgpt.com)
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Making a Fictional AI Vlog Feel Real A creative experiment exploring how far generative video can go when the goal is to make a fictional vlog feel real — spontaneous, imperfect and believable rather than obviously AI-generated. The project was inspired by the current wave of speculation around a possible Kanye West visit to Russia, as well as the unexpected viral spread of 'Silver Night' in Kanye West’s voice. Both became starting points for imagining an entirely fictional trip through Saint Petersburg. The idea was to place a highly recognisable public figure into a completely different cultural and visual environment and explore how naturally the two could coexist on screen. Everyday locations, cultural details, movement and sound became part of the storytelling rather than simply serving as background. The visual language deliberately moves away from the polished aesthetic often associated with generative AI, experimenting instead with a more naturalistic, vlog-like approach. The character needed to remain consistent across different locations and situations while the footage retained a sense of spontaneity and imperfection. Created for the SYNTX AI challenge.
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One-take cinematic AI film production This is an FPV drone flight through a city during a solar eclipse. The camera moves from a crowded square to a football stadium without any cuts or transitions. I wanted to show how people react when something unusual happens, and routine becomes ritual As the eclipse shadow advances, people who don't know each other start moving in sync — looking up at the same time, adjusting their position together, reacting as one group. The drone follows this rhythm from quiet individual moments in the city to a massive collective gasp in the stadium Built in CapCut Video Studio with Seedance 2.5. #contraseedancechallenge #CapCutCPP
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AI music video / Creative direction I guess everyone’s had a chance to play with Seedance 2.5 by now, right? Here’s what actually stood out to me. The biggest difference isn’t resolution or motion quality — it’s how well the model holds a visual reference. When I fed it a specific aesthetic — early 2000s digital, raw grain, handheld imperfection — 2.5 preserved the character of it. Camera movement felt stylistically consistent, not just technically correct. The previous version tended to simplify, smoothing things out toward something more generic. For this experiment, I used a Charli xcx track as the starting point and built the visual around its energy and aesthetic. For anyone doing editorial or narrative AI work, that distinction matters a lot. A tool that interprets your reference rather than flattening it changes what’s possible in the creative direction process.
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