Freelance AI Artists in LondonFreelance AI Artists in London
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Eva Van der Borght's avatar
Eva Van der Borght
proLondon, UK
Branding & Packaging Designer for Standout Brands
43
Followers
Branding & Packaging Designer for Standout Brands
Cover image for I love a great mockup, but I see the same ones pop up over a...
I love a great mockup, but I see the same ones pop up over and over again. Designers know when a mockup is great, so we jump on it! To counteract that overuse, I've been creating my own mockups with MJ & Nano Banana. These are some of my favourites. Prompts: A small white plastic jar of cream is placed on top of moss and rocks, with a light grey and beige background. The product photography uses studio lighting and high-resolution photography, with a soft focus and soft shadows. Neutral colours are used, with nature-inspired imagery of organic forms and earthy tones, including green and green flowers. Obviously, the words/text are not it yet, but I go in and edit the raw file after anyways ;)
3
12
541
Cover image for Question for my designer friends: How do you make time for p...
Question for my designer friends: How do you make time for passion projects? I know they're important, but client work always comes first to me and pushes the passion to the bottom of the list. Last one I made was Kabas at the start of the year. Any tips & tricks welcome!
7
22
629
Cover image for Pharmacy branding with AI imagery
Pharmacy branding with AI imagery
0
19
Cover image for Remember my Cnnbis client - Valentine is coming up, and they...
Remember my Cnnbis client - Valentine is coming up, and they wanted some event assets. No brief, no copy, just the events. Sometimes having no set rules makes me write great puns and design lovely assets. Which one is your favourite?
3
4
462
AI Artist(3)
Evgeniya Strygina's avatar
Evgeniya Strygina
proLondon, UK
AI Video Producer for Campaigns, UGC & Brand Films
5.0
Rating
50
Followers
LUMMI_EXPERT

expert

AI Video Producer for Campaigns, UGC & Brand Films
Cover image for AI Concept Video Production —
AI Concept Video Production — Reimagining The Met Art Collection The piece I chose is the Animal-Shaped Spit Rest, a 9th–10th century carved stone work. Originally, it was used to support a spit over a fire. Today, it is part of The Met’s collection. That shift made me think about how our relationship with art can also become utilitarian in a different way — including using it as a backdrop for a selfie or as a decorative part of an interior. I wanted to turn this idea upside down and rethink our relationship with art. What if, instead of looking at it from the outside, we could enter it from within? In my imagined world, the people living inside the sculpture see it as something they belong to. Perhaps that’s another way of experiencing art: not as something to look at, but as something to be part of. Thank you, FLORA, for this challenge. Working directly with art, reimagining it, and experimenting with generative AI — basically everything I love in one perfect combo. Original artwork: The Met — Animal-Shaped Spit Rest (https://www.metmuseum.org/art/collection/search/449147?utm_source=chatgpt.com)FLORA workflow: FLORA project (https://app.flora.ai/view/js7041hjr75yy7qywc4era998s8dymst)Social media: Instagram post (https://www.instagram.com/reel/DdAIXGcCmYu/?stkn=MzRlODBiNWFlZA%3D%3D&utm_source=chatgpt.com)
6
382
Cover image for Making a Fictional AI Vlog
Making a Fictional AI Vlog Feel Real A creative experiment exploring how far generative video can go when the goal is to make a fictional vlog feel real — spontaneous, imperfect and believable rather than obviously AI-generated. The project was inspired by the current wave of speculation around a possible Kanye West visit to Russia, as well as the unexpected viral spread of 'Silver Night' in Kanye West’s voice. Both became starting points for imagining an entirely fictional trip through Saint Petersburg. The idea was to place a highly recognisable public figure into a completely different cultural and visual environment and explore how naturally the two could coexist on screen. Everyday locations, cultural details, movement and sound became part of the storytelling rather than simply serving as background. The visual language deliberately moves away from the polished aesthetic often associated with generative AI, experimenting instead with a more naturalistic, vlog-like approach. The character needed to remain consistent across different locations and situations while the footage retained a sense of spontaneity and imperfection. Created for the SYNTX AI challenge.
3
8
734
Cover image for One-take cinematic AI film production This
One-take cinematic AI film production This is an FPV drone flight through a city during a solar eclipse. The camera moves from a crowded square to a football stadium without any cuts or transitions. I wanted to show how people react when something unusual happens, and routine becomes ritual As the eclipse shadow advances, people who don't know each other start moving in sync — looking up at the same time, adjusting their position together, reacting as one group. The drone follows this rhythm from quiet individual moments in the city to a massive collective gasp in the stadium Built in CapCut Video Studio with Seedance 2.5. #contraseedancechallenge #CapCutCPP
21
96
14.8K
Cover image for AI music video / Creative
AI music video / Creative direction I guess everyone’s had a chance to play with Seedance 2.5 by now, right? Here’s what actually stood out to me. The biggest difference isn’t resolution or motion quality — it’s how well the model holds a visual reference. When I fed it a specific aesthetic — early 2000s digital, raw grain, handheld imperfection — 2.5 preserved the character of it. Camera movement felt stylistically consistent, not just technically correct. The previous version tended to simplify, smoothing things out toward something more generic. For this experiment, I used a Charli xcx track as the starting point and built the visual around its energy and aesthetic. For anyone doing editorial or narrative AI work, that distinction matters a lot. A tool that interprets your reference rather than flattening it changes what’s possible in the creative direction process.
1
6
1.3K
AI Artist(10)
Jessica Lurel's avatar
Jessica Lurel
proLondon, UK
Creative strategist and Content Producer
3x
Hired
3.7
Rating
19
Followers
Creative strategist and Content Producer
Cover image for Editorial and Social Media Campaign with Flora.ai
Editorial and Social Media Campaign with Flora.ai
1
3
Cover image for Solé Brand Campaign
Solé Brand Campaign
2
30
Cover image for Rumba Brand Video
Rumba Brand Video
1
5
Cover image for Creative Strategy for an Electrolyte Brand
Creative Strategy for an Electrolyte Brand
0
18
AI Artist(3)
Leonardo Bruni's avatar
Leonardo Bruni
proLondon, UK
CGI & AI Pipeline Architect for VFX and Product Teams
New to Contra
CGI & AI Pipeline Architect for VFX and Product Teams
Cover image for Creating Realism: A normal weekend in London
Creating Realism: A normal weekend in London
0
12
Cover image for Project: RealFoodRitual - Visual Development
Project: RealFoodRitual - Visual Development
0
229
Cover image for AFTER CHRISTMAS is a 30-second
AFTER CHRISTMAS is a 30-second one-take AI short film created for the CapCut Seedance 2.5 Video Challenge. The film explores how a seemingly ordinary Christmas night can gradually become unsettling, told entirely through a single continuous camera movement. The challenge was to maintain spatial, character and prop continuity throughout the entire shot while allowing the camera to naturally discover the story. No cuts. No dissolves. No camera resets. Written & "Directed" by Leonardo Bruni Created with CapCut Video Studio + Seedance 2.5.
9
24
1.1K
Cover image for ImpossibleFood - 3D base / AI render test
ImpossibleFood - 3D base / AI render test
1
10
AI Artist(5)
Refil kae's avatar
Refil kae
London, UK
Modern Landing Page Design & AI Tool Frontend Development
38
Followers
Modern Landing Page Design & AI Tool Frontend Development
Cover image for What if a masterpiece wasn't
What if a masterpiece wasn't finished by human hands, but by time itself? For the FLORA × The Met challenge, I started with Auguste Rodin’s study for Galatea from The Met’s archive — a raw, unfinished plaster sculpture capturing a fleeting moment of creation. I reimagined its timeline across centuries: from Rodin’s 1889 studio, through a 2026 museum where subtle refinements mysteriously appeared, to an awakening in 2126, its completion in 2226, and finally, a serene, overgrown ruin in 2326 where nature completely reclaimed it after humanity. I built and explored the full concept on the FLORA canvas, iterating through each century to show how the sculpture evolved, healed, and finished itself. My submission for the FLORA × The Met Challenge. Original Met piece: https://www.metmuseum.org/art/collection/search/191846 #FLORAMuseum @floraai
4
213
Cover image for Cybernetic Hero Transformation Lens Description: An
Cybernetic Hero Transformation Lens Description: An interactive Snapchat Lens built for the Easy Lens Challenge using AI Video Transformation. It dynamically morphs the user into a vibrant anime-styled futuristic superhero with high-tech cybernetic armor and glowing chest elements, adapting to both male and female characters via hand gesture triggers. #easylenscontra #Snapchat #GenerativeAI #AugmentedReality
0
164
Cover image for I want to tell you
I want to tell you about Celestial Dragon Mastery 🐉⚡️. It is a game that I submitted for the Easy Lens Challenge, which is also known as #easylenscontra. In this game, you get to be in charge of the sky guardians. It is a cool interactive game that uses something called AR, which is like a special kind of technology. You can change how you look and control a dragon that is made of crystal. You can do all of this by using your hand. Here are some of the things that you can do in the game: You can use something called Face ML Transformation to turn into a dragon that's like a guardian. This dragon is really cool. Has bright neon lights on it. You can use Precision Hand Tracking to put a detailed dragon on your hand. This dragon is made of crystal. It glows. You can play the game in a way that's interactive and in the real world. You have to move your dragon around to avoid getting hurt by things that are trying to stop you. You also have to collect balls that have energy in them. You can control your dragon by making faces. For example, if you open your mouth, your dragon will breathe fire. This can help you get past things that're in your way. If you raise your eyebrows, your dragon will get a shield that can protect it. The game also has a display that shows you how you are doing. It is like a screen that you can see while you are playing. When you win the game, you get to see a cool effect that is, like a big celebration. You can even take a picture of yourself with your dragon at the end.
1
165
Cover image for Light changes what it touches.
Light changes what it touches. ✨💡 This Spotlight Follow UI component creates a smooth cursor-following glow effect using CSS mix-blend-mode: difference, making text and elements dynamically invert as the user moves across the section. 🛠️ Tech Stack & Features: Framer Motion: Ultra-smooth cursor tracking physics ▫️ React: Reusable micro-interaction component ▫️ Tailwind CSS: Modern utility-first styling & layout ▫️ Blend Mode Effect: Interactive color inversion on mouse hover Elevate your landing pages with subtle, high-impact micro-interactions 🚀
3
136
AI Artist(3)
Jason Cohen's avatar
Jason Cohen
London, UK
AI Video, the right 60 seconds can change you business!
AI Video, the right 60 seconds can change you business!
Cover image for The Sea Galleri Experience
The Sea Galleri Experience
0
8
Cover image for The $128 Billion Doritos Mistake 😳🔥
The $128 Billion Doritos Mistake 😳🔥
0
5
Cover image for I Spent £280 on Bars That Didn't Fit... So I 3D Printed My Own
I Spent £280 on Bars That Didn't Fit... So I 3D Printed My Own
0
7
Cover image for Your Video Sucks - Here's Why and How I Fix It!
Your Video Sucks - Here's Why and How I Fix It!
0
7
AI Artist(4)