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Daniel Castellanos's avatar
Daniel Castellanos
proBogota, Colombia
Brand Identity & Content Creation | Video & Motion
5.0
Rating
22
Followers
Brand Identity & Content Creation | Video & Motion
Cover image for THE FULL PIECE IS HERE. German
THE FULL PIECE IS HERE. German doesn't talk about climbing the way most people do. For him, it's not a sport you practice — it's a language you learn to speak with your body. That's what we wanted to capture. The first half is deliberate: static wide shots that hold the space, detail cuts that show the work behind the warmup. Intentional restraint before the release. Then the fade to black. What follows is the same athlete — same walls, same hands — but a completely different energy. The low-end of the beat dictates the cut. Movement becomes rhythm. He ends where he started. Sitting on the wall. The logo closes it. Shot and edited at his gym, built around his vision of the sport. Hope you like it !
3
70
Cover image for There are design decisions that
There are design decisions that don't come from the client. They come from within—and sometimes, that is exactly the problem. The previous logo for Boroló Estudio had soul. It had pre-Columbian roots, a hand-drawn stroke, and an indigenous character. It evoked drums, authenticity, and the Chocó—one of the most biodiverse and culturally rich regions in Colombia, a land of jungle, rivers, and a visual identity unlike any other. I loved it. And precisely because of that, I failed to evaluate the challenges the logo would face on real-world platforms: on a website, as an Instagram avatar, or in digital spaces. The redesign wasn't about letting go of the logo. It was about letting go of the attachment. The problem wasn't aesthetic—it was one of coherence. The studio’s brand had evolved, but the logo hadn't. A composition with too many elements in tension made the icon struggle to be memorable; what people saw didn't connect with who Boroló truly is. The new system retains the bird—now geometric, set in negative space within the icon. The inner container references the studio’s actual architectural blueprint: the diagonal of the cyclorama ceiling and the two zones of the space. The brackets refer to photographic framing. No layer imposes itself over the other—they are discovered. The result is a versatile system: imagotype, vertical logo, and wordmark. It works on a sticker, a billboard, an avatar, or a website. It scales without losing its identity. Redesigning doesn't mean the initial design was bad. It means communication needed to evolve. And from that point of view, the change isn't a correction—it’s a decision.
3
156
Cover image for When a product needs to
When a product needs to be understood, not just seen. Chemyunion is a high-performance cosmetic ingredients company. Their client isn't the end consumer — it's the formulator, the distributor, the professional making technical decisions about what goes into a product. For the presentation of Seriliss, their active ingredient for hair straightening and nutrition, the challenge was clear: show the product in action and explain why it works at the same time. The piece combines studio audiovisual production — with a professional demonstrating the application process step by step, from root to tip — with motion graphics integrated directly over the video to highlight specific areas of the hair, visualize the technical process, and translate chemical information into something digestible without sacrificing precision. Two languages in a single piece. The video demonstrates. The motion explains. Neither one is excess. That balance is what defines a strong technical content piece: it's not about making the product look good — it's about making the client understand it well enough to trust it.
1
145
Cover image for COLOR GRADING ISN'T THE LAST
COLOR GRADING ISN'T THE LAST STEP. IT'S PART OF THE STORY. Shooting well isn't enough. Every image needs intention — from the framing to the last color grade. This teaser came from three deliberate choices: a warm palette that turns muscular tension into something almost painterly, slow cuts that honor the weight of each movement, and a 1920×720 format that forces you to read the entire body within the frame. The music holds it all together. JMSN's "Love Me" doesn't decorate — it dictates the edit. The full piece is coming soon.
2
199
Andrew Malaver's avatar
Andrew Malaver
Bogota, Colombia
Video Editing ⋅ Vfx ⋅ 3D ⋅ Animation ⋅ AI Multimedia
$5k+
Earned
7x
Hired
5.0
Rating
11
Followers
Video Editing ⋅ Vfx ⋅ 3D ⋅ Animation ⋅ AI Multimedia
Cover image for Clever Fool Studios - Video Editing Reel
Clever Fool Studios - Video Editing Reel
0
23
Cover image for Clever Fool Studios - Vfx & Animation Reel
Clever Fool Studios - Vfx & Animation Reel
0
3
Cover image for 3D Modeling, Animation and Color
3D Modeling, Animation and Color Grading for The New Money Company Of San Francisco.
1
212
Cover image for Motion Graphics for Los Cuates
Motion Graphics for Los Cuates social media posts.
0
195
Santiago García's avatar
Santiago García
Bogota, Colombia
I'm the AI Strategy Partner for your Marketing Clarity
1x
Hired
5.0
Rating
7
Followers
KAJABI_EXPERT

Expert

I'm the AI Strategy Partner for your Marketing Clarity
Cover image for Kajabi Expert (Acquisition - Digital
Kajabi Expert (Acquisition - Digital Products - Offers & Sales - Automation - Service Delivery)
0
71
Cover image for Growth System Design
Growth System Design
0
24
Cover image for Short and Long-form Content for Social Media
Short and Long-form Content for Social Media
0
12
Cover image for Email Marketing
Email Marketing
0
10
Steve Calderon's avatar
Steve Calderon
Bogota, Colombia
Product Designer and No coder
$1k+
Earned
2x
Hired
5.0
Rating
8
Followers
Product Designer and No coder
Cover image for Being a designer and be able to code your ideas is next leve...
Being a designer and be able to code your ideas is next level 🚀
0
143
Cover image for Visual Experiments
Visual Experiments
0
15
Cover image for Design & No Code
Design & No Code
1
26
Cover image for Mercado Libre Clips - Project for a Big Tech
Mercado Libre Clips - Project for a Big Tech
0
14
Christian Camilo Rodriguez Ortiz's avatar
Christian Camilo Rodriguez Ortiz
Bogota, Colombia
AI Workflow Developer | Automations & Integrations
New to Contra
AI Workflow Developer | Automations & Integrations
Cover image for Redesigned my AI interview platform,
Redesigned my AI interview platform, Try Verity, using Google Stitch as the center of the workflow. Instead of starting from scratch, I imported existing product screens, generated redesigned interfaces, and used Stitch to transform those concepts into production-ready UI that was later integrated into the real application. The project included: • Landing page redesign • Interview workspace redesign • Recruiter-style feedback experience • Improved information hierarchy • Enterprise SaaS UI patterns • Modern AI product aesthetics Built with Google Stitch, Codex, React, Next.js, TypeScript and Tailwind CSS. #stitchchallenge #googlestitch #uiux #saas #webdesign #frontend #reactjs #nextjs #typescript #ai
1
55
Cover image for Try Verity is an AI-powered interview coaching platform that...
Try Verity is an AI-powered interview coaching platform that creates realistic interview simulations based on a candidate's actual resume and target job description. For this challenge, I used Google Stitch as the center of a real product redesign workflow. Instead of building a mockup from scratch, I imported screenshots from the existing product, generated redesigned interfaces, and used Stitch to transform those concepts into production-ready UI code. My workflow: • Existing Try Verity screens → AI redesign mockups • Mockups imported into Google Stitch • Stitch-generated UI and front-end structure • Implementation and integration using Codex • Integration into the real application The goal was not to create a prototype, but to modernize an existing product while preserving functionality, workflows, and business logic. The redesign covered the landing page, interview workspace, recruiter feedback experience, reporting dashboard, pricing pages, and onboarding flow. Key improvements: • Complete landing page redesign • Interview workspace redesign • Recruiter-style feedback experience • Modern SaaS visual language • Improved information hierarchy • Better usability and readability • Enterprise-grade UI patterns Tools used: • Google Stitch • ChatGPT • Codex • Next.js • React • TypeScript • Tailwind CSS Application Web: https://www.tryverity.co/ Video Walkthrough:https://youtu.be/iITu8t9-5pw Workflow:https://stitch.withgoogle.com/projects/3288865365040826214 Google Stitch became the bridge between visual exploration and implementation, allowing me to iterate much faster than a traditional design-to-development workflow. Thanks to the Google Stitch team for building tools that make interface iteration dramatically faster.
12
10
556
Cover image for Just a few hours after
Just a few hours after launching, Try Verity was featured by Startup Fortune: "Try Verity Builds AI Interview Practice Around the Candidate's Own CV and Target Role" One thing the article captured well is the problem that motivated me to build this product: Most interview preparation tools generate generic questions and generic feedback. Real interviews don't work that way. Your questions depend on your background, your projects, your experience, and the specific role you're targeting. That's why Try Verity generates interview simulations using your actual CV and job description. Huge thanks to Amelia Bon and Startup Fortune for covering the project. Article: https://startupfortune.com/try-verity-builds-ai-interview-practice-around-the-candidates-own-cv-and-target-role/ As always, I'd love to hear your feedback and ideas while we're still improving the beta. 🙌
0
28
Cover image for I developed a high-performance e-commerce
I developed a high-performance e-commerce platform for a combat sports brand, focusing on an industrial aesthetic and an ultra-smooth user experience. The project involved transforming a complex product catalog into a sales engine optimized for conversions.
1
67
José Tovar's avatar
José Tovar
proBogota, Colombia
Creating what matters, for brands with vision.
12
Followers
Creating what matters, for brands with vision.
Cover image for I was working on the stationery for Sten & Kant, an architec...
I was working on the stationery for Sten & Kant, an architectural identity project, and couldn’t decide between these two mockups. The designs are identical, but the camera angles create a completely different feel! Which one do you prefer? Feedback is always appreciated.
14
24
627
Cover image for For the Human by Design
For the Human by Design Challenge, I created Still Human Film Festival, a conceptual independent film festival exploring the emotions, gestures and imperfections technology can reproduce, but never fully understand. AI generated the raw material. Human judgment shaped the experience. I used Envato’s AI Gen to generate cinematic imagery, visual experiments and motion assets, then built the identity through my own art direction, typography, colour, composition and editing. The 2.39:1 cinematic frame became the core device, creating a flexible system for posters, social content and moving image. The most important work was not generating more. It was deciding what felt honest, what supported the concept and what needed to be removed. AI can accelerate the process. Taste, intention and judgment still give the work meaning. Thanks @Envato and @Contra for putting this challenge together!
2
194
Cover image for Wisp — Brand Identity Design
Wisp — Brand Identity Design
1
0
Cover image for Sten & Kant — Logo Design
Sten & Kant — Logo Design
1
2
Fabio Torres's avatar
Fabio Torres
Bogota, Colombia
Interactive Designer exploring the boundries of tech
$1k+
Earned
1x
Hired
18
Followers
Interactive Designer exploring the boundries of tech
Cover image for 3D Acoustic Room Simulator: Optimize Studio Sound Dynamics
StudioShell a 3D acoustic room simulator built in Omma. Set your room dimensions, choose wall/floor/ceiling materials, add furniture, and analyze your RT60 (reverb time) to understand how sound behaves in your space. Includes real-time sound wave visualization showing propagation and absorption across different materials. Designed for home studio owners, podcasters, and anyone recording audio who wants to make informed decisions before investing in acoustic treatment. Try it : https://omma.build/p/home-studio-acoustics-simulator-36kibj
4
2
303
Cover image for UNTRUE — An interactive chord
UNTRUE — An interactive chord explorer inspired by Burial's album Untrue (2007). Using Mobbin, I studied how music apps handle chord exploration and sound interaction. Two apps shaped the direction: • Demo — for its intuitive chord selection and circular UI patterns • Endel — for its dark, spatial, monochrome aesthetic I combined Demo's interaction model with Endel's visual language, themed around the harmonic palette of Burial's Untrue — every chord from every track on the album, playable in your browser. What you can do: • Explore chords across 9 album tracks • Tap to hear each chord with different synth presets • Build and play your own chord progressions Process: Mobbin research → Figma → Claude Code → test → back to Figma → rebuild. Each iteration brought it closer to a dark, tactile instrument. Built with React + Tone.js + Tailwind CSS. Deployed on Vercel. 🔗 Try it: https://untrue.vercel.app/
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142
Cover image for our AI lives in a
our AI lives in a text box. What if it had an office? Meet T-R41N1… A universal embodiment layer for AI agents, built in Figma Make by@Paula Sepúlveda , @Gabriel Henao and me. Designed in a 1930s rubber-hose cartoon style, T-R41N1 becomes your office companion: raise your hand to call, speak and see your words appear live, nod to continue, shake your head to adjust, or ignore it and it slips into vacation mode. Plug in your preferred AI agent via proxy to give it presence and personality. The idea is simple: not to replace the brain of AI, but to give it a cartoon body and make it feel alive. It’s published on Figma Community, feel free to remix it (https://<https://www.figma.com/community/file/1610534849782922943/t-r4ini>) And you can try the prototype through the link: https://tr4ini.figma.site #AI #figmamakeathon
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13
758
Cover image for Vinyl Selector: Interactive Hana Scene Design
Vinyl Selector: Interactive Hana Scene Design
0
14