Freelance Print Designers in AlbertaFreelance Print Designers in Alberta
ProjectsPeople
Trina Bloemen's avatar
Trina Bloemen
Edmonton, Canada
Visual Designer 🎨💻 | Storytelling for trusted brands
2x
Hired
5.0
Rating
3
Followers
Visual Designer 🎨💻 | Storytelling for trusted brands
Cover image for Board game design: RETAIN
Board game design: RETAIN
0
8
Cover image for Marketing Collateral / Report Design
Marketing Collateral / Report Design
1
19
Cover image for Flyer & Social Media Design
Flyer & Social Media Design
0
25
Cover image for Course Flyer & Banner Image Design
Course Flyer & Banner Image Design
0
9
Print Designer(6)
Patricia Veldstra's avatar
Patricia Veldstra
Edmonton, Canada
Print and Digital Book Designer
Print and Digital Book Designer
Cover image for Alberta Books for Schools
Alberta Books for Schools
0
28
Cover image for Jane Eyre Book Design
Jane Eyre Book Design
0
28
Cover image for Pet Sematary Jacket Redesign
Pet Sematary Jacket Redesign
0
57
Cover image for Fairy Tales From Brazil
Fairy Tales From Brazil
0
14
Print Designer(3)
Brooklyn Long's avatar
Brooklyn Long
Calgary, Canada
Graphic Designer â–¹ Branding, Marketing, Packaging & More
Graphic Designer â–¹ Branding, Marketing, Packaging & More
Cover image for Poster Series Collection
Poster Series Collection
0
23
Cover image for Hydrä Hair Care
Hydrä Hair Care
1
11
Cover image for Roma Premium Candles
Roma Premium Candles
0
18
Cover image for Rivella Swimwear
Rivella Swimwear
0
22
Print Designer(1)
Amar Elkaz's avatar
Amar Elkaz
Red Deer, Canada
Brand designer helping founders build identities that scale.
New to Contra
Brand designer helping founders build identities that scale.
Cover image for Canvas Magazine — Issue AB
Print is not dead. It's just raising the bar. Canvas Magazine (Summer 2026, Issue AB) is an independent editorial publication built around art, culture, style, and inspiration. The brief was clear: design a print magazine that could hold its own on a shelf next to Kinfolk and Architectural Digest — while speaking to a completely different audience. The design direction leans into controlled chaos. Raw, expressive artwork by Art by Bart anchors the visual identity, with a high-contrast black editorial system built around it. Rather than competing with the cover art, the typography works with it — oversized masthead, bold section headers, and a tight three-color palette (white, gold, red) that gives structure without softening the energy. Key design decisions: Cover system: Full-bleed artwork with a layered typographic hierarchy — masthead, feature callouts, and badges coexist without crowding Interior spreads: "Beyond the Lines" feature uses an asymmetric layout to mirror the editorial content — breaking the grid where the story calls for it Newsstand positioning: Designed to command attention in-context, not just in isolation. The cover reads at distance and up close The result is a magazine identity that looks like it belongs in culture, not just on a shelf.
0
40
Cover image for A self-initiated identity system built
A self-initiated identity system built around a single hypothesis: in luxury B2C, restraint is the differentiator, not the constraint. Fieldwork Studio is a fictional boutique architecture and interior design practice for urban professionals who value atmosphere, materiality, and restraint. The brand was developed to read closer to a private design house than a service business, closer to a monograph than a website. The system is anchored by a single architectural mark: three descending peaks drawn in negative space, reading as a roofline, a threshold, or a hand-drawn signature depending on context. Every decision after that — the six-variant logo system, the warm-toned palette led by Midnight Black and Gold Foil, the pairing of Cormorant Garamond with Geist, the material library of black marble, smoked oak, and brushed bronze — was tuned to hold the same register. Areas explored: Positioning a Creator/Sage archetype that reads as cultured without tipping into cold or pretentious Building a logo system that survives foil, deboss, embroidery, and 16px favicons without losing identity Treating materials as a second brand language, codified alongside type and color with their own ratios and specifications Writing a voice guide that bans the words most luxury brands lean on ("premium," "stunning," "elevate your lifestyle") in favor of specific, material-led language The output is a 12-section identity book covering positioning, mark construction, lockups, color ratios, typographic pairings, voice, photography direction, material library, and applications across stationery, packaging, signage, social, and web.
0
18
Cover image for Kenny D — Custom Lettering Mark
Custom lettering mark for Kenny D, an electronic music artist rooted in high energy and urban culture. The Brief Kenny D needed a mark that could hold its own across stages, merchandise, and digital — something instantly recognizable without relying on color or complexity. The Approach The wordmark is built entirely from custom letterforms, engineered so the negative space collapses into a single unified shape — a diamond silhouette with directional tension. Every cut and angle references the sharp, kinetic energy of electronic music. Nothing is borrowed from existing typefaces. The system scales across three expressions: Wordmark — full name lockup for primary use Emblem — wordmark contained within the diamond form, optimized for embroidery and print Icon — reduced mark for app icons, stickers, and small-format applications The Result A brand mark that works as hard as the music behind it — built for merch drops, festival visuals, and everything in between.
3
98
Cover image for Naughty Palettes — Brand Identity
Naughty Palettes Design needed a brand identity that matched its energy — bold, expressive, and impossible to ignore. The mark is built around a flame character: a mischievous face embedded within fire, communicating passion, creativity, and a design sensibility that doesn't play it safe. The gradient moves from deep red (#FF1E00) through orange (#FF7A00) to yellow (#FFE600) — a deliberate progression that mirrors the intensity of the creative process from ignition to output. Typography reinforces the brand personality. The custom-style wordmark is chunky, confident, and carries a streetwear-adjacent edge — sitting in contrast to the "Design" sub-brand treatment, which grounds the playfulness with something more structured. The identity system scales cleanly across touchpoints. Business cards use the flame curve as a layout device, dividing the card into a branded front and clean reverse. Applied to merchandise — a black cap — the icon holds its own without the wordmark, proving the mark has the strength to function as a standalone asset. Three words. One direction: Creative. Bold. Impactful.
0
96
Print Designer(1)
Amdu Roshan's avatar
Amdu Roshan
Calgary, Canada
Creative Brand & Graphic Designer
Creative Brand & Graphic Designer
Cover image for BRAND VISUAL IDENTITY FOR 1990 MAGAZINE
BRAND VISUAL IDENTITY FOR 1990 MAGAZINE
0
0
Cover image for WEB REDESIGN FOR TRB WORKWEAR
WEB REDESIGN FOR TRB WORKWEAR
0
1
Cover image for Brand Visual Designer for Neuro Nova Cannabis Club
Brand Visual Designer for Neuro Nova Cannabis Club
0
2
Placeholder project card media
View more →
Print Designer(1)